European scientists for the atomic bomb: from Europe to Hiroshima, making and usage Col. G. di F. Marco Valli matr. 375713 ABSTRACT (English version) The dissertation” “European scientists for the atomic bomb: from Europe to Hiroshima, making and usage” tackles the issue of the pacifist European scientists who presumably were forced by circumstances to work at the atomic bomb, as well as the consequent alleged American responsibility for the massacres at Hiroshima and Nagasaki and the moral condemnation of the American generals “who are reputed to have butchered innocent civilians”. The dissertation practices and interdisciplinary approach on multiple levels: technological, historical, political, and military. The first level, developed in Chapters 1 (“Prometheus”) and 2 (“Doctor Frankenstein”), begins with the religious-philosophical background and ends with the technique applied to bombs. Since these topics are still partly classified, only published or declassified sources have been used: e.g., the “Notes based on five lectures held by Serber in the first weeks of April 1943 as instruction course related to the beginning of the Los Alamos project, transcribed by E.U. Condon” or the document issued on the Manhattan Project by the United States Department on Energy. The second level, examined in Chapters 3 (“Professor Frankenstin”) and 4 (“Doctor Strangelove), is connected with the first level and highlights the transformation of European scientists from researchers working for the sake of sciences into scientific consultants of the highest level and naturalized Americans serving belligerent countries and, later, industrial-military complexes. In order to show this process, references from famous movies are used (James Whale’s “Frankenstein, of 1931; Mel Brooks’ “Frankenstein Junior”, of 1974; and Stanley Kubrick’s “Dr. Strangelove”, of 1962). The third level, dealt with in Chapters 4 and 5 (“Questions and Answers”), concerns the complex forced alliance between Western democracies and Stalin’s Soviet Union, the beginning of the Cold War during the still ongoing World War, and Russian and American atomic plans. Within this context, a comparison to the current situation in North Corea is developed.(“Corea today”) The fourth level examines the strictly military aspects, as well as the conditions of populations that became victims of a war transformed into extermination. Particular emphasis is placed on the anomaly of a winner-to-be (the US) who longs for peace and fears to be forced to a cease-fire with Japan. In turn, Japan has stopped fighting for victory, but continues the war only to inflict as many losses as possible to the enemy, in order to reach peace. In this paradoxical situation, only the American generals, unjustly defined as “butchers”, keep a clear vision: they advise against using the atomic bomb, support the plan of leaving the Emperor on his throne, and refuse to take revenge of the defeated enemy. Instead, they help the enemy and transform a beaten hostile country into a thriving ally. It is not by chance that the protagonists of the material and moral reconstruction of freedom and democracy in Japan and Europe are General McArthur (Japan’s military governor) and General Marshall (U.S. Secretary of State and author of the homonymous plan). Conversely, the development of theories such as “First Strike”, “Danish Hypothesis”, and “Dead Hand”, where victims are just numbers to establish who has won or has not lost, is due to scientists and intellectuals, some of which naturalized Americans from Europe. Stanley Kubrick offers an excellent and provocative satire of them through Peter Sellers. Indeed, the character “bearing the unpronounceable German name ‘Dr. Merkwürdigliebe,’ changed into ‘Strangelove’ with the acquisition of American citizenship,” represents the most important Americanized European scientists: Von Neumann (for the wheelchair), Teller (for the way of speaking, which is similar to that of a well-known photographer, Arthur Fellig, who was in the movie studio), Szilard (for the theory that elected men should be saved in caves), Wigner (for the injured hand), Fermi (for the slide rule) and, finally, Von Braun (for the blond hair – although the movie is in black and white -- and the final sentence: “Mein Führer, I can walk!”). After a quotation from General Eisenhover about military expences, the dissertation ends with a double effective sentence: “If it is true that ‘war is too serious a matter to leave it in the hands of generals’ (George Clemenceau, called “The Tiger”), nuclear war is too serious a matter to leave it in the hands of intellectuals”.