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Handel’s recorder sonatas hold a slightly odd place in the repertory. The apparent simplicity of the recorder part means that the sonatas represent core repertory from an early point in the training of many recorder players. At the same time, the virtuosity involved in mastering and conveying successfully this simplicity ensures the sonatas’ longev...
DANIEL PURCELL (c1670–1717) THE UNKNOWN PURCELL: SONATAS BY DANIEL PURCELL Hazel Brooks (violin), David Pollock (harpsichord) Chandos CHAN 0795, 2013; one disc, 76 minutes - Volume 13 Issue 1 - AMANDA BABINGTON
This conference, now in its thirtieth year, and run very capably by Katherine Hogg and Colin Colman (both Gerald Coke Handel Collection, The Foundling Museum), together with Claire Sharpe (Royal Academy of Music), is a personal favourite of mine. The variety of papers always means that one is drawn into at least one subject about which one knows al...
These extracts on music from the correspondence between Charles Jennens (1700–73) and Edward Holdsworth (1684–1746) reflect the authors' shared interests and (prohibited) political views. Though commonly known as the librettist of Messiah, Jennens was also a collector of music and art, and as such capitalized on Holdworth's travels as a tutor of yo...
