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The human middle ear, showing the tensor tympani tendon (yellow) and stapedius tendon (red). The muscles themselves are recessed in bone. According to the intralabyrinthine pressure theory, activation of the tensor tympani muscle pulls the malleus and ear drum inwards and pushes the stapes into the oval window, protecting the cochlea by raising the pressure of fluids inside. It is suggested that the pressure controls the gain of the cochlear amplifier. Modified from [80] and used with permission. The intralabyrinthine pressure (ILP) theory of middle ear muscle action dates from the 19 th century, and, although simple and elegant, it was never widely accepted. By the middle of the 20 th century it was totally dismissed. The theory proposes that contraction of the middle ear mus- cles causes the stapes to press inwards on the cochlea’s flu- id contents, raising their pressure. In this paper, the pres- sure is taken to be a key parameter which controls the gain of the cochlear amplifier via its action on outer hair cells – sensing cells which, importantly, are in continuous hy- draulic connection with the cochlear fluids. It is this ac- tion which rapidly, silently, and with minimum observable movement, protects the cochlea’s supersensitive detectors. In the 1880s, Gellé developed a theory of why action of the stapes should produce lower hearing acuity [16,17]. He had observed that pressure applied to the ear canal led 

The human middle ear, showing the tensor tympani tendon (yellow) and stapedius tendon (red). The muscles themselves are recessed in bone. According to the intralabyrinthine pressure theory, activation of the tensor tympani muscle pulls the malleus and ear drum inwards and pushes the stapes into the oval window, protecting the cochlea by raising the pressure of fluids inside. It is suggested that the pressure controls the gain of the cochlear amplifier. Modified from [80] and used with permission. The intralabyrinthine pressure (ILP) theory of middle ear muscle action dates from the 19 th century, and, although simple and elegant, it was never widely accepted. By the middle of the 20 th century it was totally dismissed. The theory proposes that contraction of the middle ear mus- cles causes the stapes to press inwards on the cochlea’s flu- id contents, raising their pressure. In this paper, the pres- sure is taken to be a key parameter which controls the gain of the cochlear amplifier via its action on outer hair cells – sensing cells which, importantly, are in continuous hy- draulic connection with the cochlear fluids. It is this ac- tion which rapidly, silently, and with minimum observable movement, protects the cochlea’s supersensitive detectors. In the 1880s, Gellé developed a theory of why action of the stapes should produce lower hearing acuity [16,17]. He had observed that pressure applied to the ear canal led 

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The middle ear muscles are part of a control system for regulating the acoustic input to a supersensitive detector, the cochlea, preventing overload and damage. Yet there is a long-standing paradox. When Békésy measured sound transmission through the middle ear of cadavers, he found that acoustic transmission was not affected when the annular ligam...

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... human middle ear is an intricate arrangement of mem- branes, bones, muscles, and ligaments ( Figure 1). The de- vice functions as a mechanical transformer helping to bring the acoustic impedance of air closer to the impedance of the cochlear fluids [1]. The middle ear has been closely studied since audiology began, but even now its functions are not fully understood [2], not least because the ear can respond to acoustic motions of subatomic dimensions. At hearing threshold, the eardrum moves of the order of picometres [3]. Understanding how such minute move- ments are transmitted through a delicate system of bones and joints stretches experimental apparatus to its limits. This synthesis paper concerns itself with one particular as- pect of the middle ear, and that is the function of the middle ear muscles, the two smallest skeletal muscles in the human body: the tensor tympani attached to the malleus, and the stapedius, only 1 mm long, attached to the stapes (Figure 1). Years of research have made it plain that the muscles are in- volved in attenuating loud sounds [4–7], so that the delicate sensing elements in the cochlea are not overloaded or dam- aged. The question addressed here is, how is this achieved? The standard answer is that when the middle ear muscles contract, they stiffen up the joints and ligaments, partic- ularly the annular ligament surrounding the stapes, caus- ing an increase in mechanical impedance and hence re- ducing sound transmission to the cochlea [8–11]. But as Békésy noted, there is only about a 5% alteration in im- pedance when the muscles contract (p. 72) and he could not find any physiologically important change (p. 203). Our knowledge has since expanded [4–7], but the gener- al picture remains the same – the middle ear muscles ap- pear to provide only a minor degree of protection against loud sounds. Most animal-based studies find a change in impedance of around 5–10 dB [12,13], while human stud- ies show an effect of only 1–2 dB over the range 0.06–11 kHz [14,15]. Changes in cochlear potentials are some- what larger and more variable, and are discussed in the next section. This paper questions the idea that the pur- pose of the strategically placed middle ear muscles, with their complex anatomy and physiology, is to cause a mi- nor change in sound transmission. Instead, this paper sets out what seems to be a much more effective mechanism: when the muscles contract they create a fast control sig- nal in the cochlear fluids – hydraulic pressure. to a loss in hearing sensitivity, and he proposed that the stapes in a similar way produced a “pressions centripètes” in the labyrinth which caused a reduction in cochlear sensitivity. Figure 2 illustrates the mechanism: contrac- tion of the tensor tympani draws the whole middle ear system inwards and presses the stapes into the oval win- dow. According to Borg [11], the labyrinthine pressure- regulation theory can be traced back to Politzer in 1861, who noted that electrical stimulation of middle ear mus- cles led to changes in middle-ear pressure and, presum- ably, to changes in labyrinthine pressure. Similarly, Borg also notes that Lucae in 1866 proposed that contraction of the tensor tympani affected low frequency hearing via labyrinthine pressure, and this was taken up and promot- ed by Zimmerman in the early 1900s who claimed that pressure somehow controlled the vibration of the basilar membrane fibres. What happened to Gellé’s theory? Borg mentions [11] that Kato in 1913 was the first to discredit the hypothesis by observing no displacement of the round window mem- brane during tensor tympani contractions. Of course, the displacements involved are minute (micrometres or less), and with the instruments available at the time Kato failed to see an effect. Today, that motion has indeed been seen [18]. However, it was probably Békésy’s traveling wave the- ory [8] that eventually caused the ILP theory to be dis- carded, for the mechanics of the passive traveling wave do not depend on static pressure. According to the traveling wave theory, the pressure difference across the partition is the effective stimulus, and static pressure is not important. For most of the 20 th century, the cochlea was considered a passive transducer, and there was no conception of active mechanics that might be sensitive to pressure. Nowadays, the situation is different, and the cochlea is seen as an active transducer [19]. Although the traveling wave theory remains at the core of cochlear mechanics, there is now room for additional active processes. It is now possible to consider that the outer hair cells, responsible for the activity, could be affected by static pressure. This proposed sensitivity to static pressure is a logical counter- part to a recent speculation that outer hair cells are pres- sure sensors and respond to the fast pressure wave sig- nal [20,21]. Extending the idea, the proposal is that outer hair cells respond to static (d.c.) pressure as well as alter- nating (a.c.) pressure. In the version of the ILP theory put forward here, the d.c. pressure is the factor controlling the gain of the cochle- ar amplifier, which is part of a positive feedback loop in- volving the outer hair cells, which themselves are respon- sive to a.c. pressure. Simply put, pressure acts to squeeze the compressible outer hair cells. In the following, the ILP theory is reexamined and the arguments for it are as- sessed. The conclusion is that the arguments common- ly raised against the ILP theory are not decisive. The ILP theory has the potential to unify much audiological un- derstanding and deserves renewed attention. There is a paradox surrounding middle ear sound con- duction, and it begins with Békésy. In his monumental work [8] he took a freshly excised ear from a cadaver and covered its round window with a hollow rubber tube that led to the ear of a living observer (himself). When sound was applied to the ear ...
Context 2
... human middle ear is an intricate arrangement of mem- branes, bones, muscles, and ligaments ( Figure 1). The de- vice functions as a mechanical transformer helping to bring the acoustic impedance of air closer to the impedance of the cochlear fluids [1]. The middle ear has been closely studied since audiology began, but even now its functions are not fully understood [2], not least because the ear can respond to acoustic motions of subatomic dimensions. At hearing threshold, the eardrum moves of the order of picometres [3]. Understanding how such minute move- ments are transmitted through a delicate system of bones and joints stretches experimental apparatus to its limits. This synthesis paper concerns itself with one particular as- pect of the middle ear, and that is the function of the middle ear muscles, the two smallest skeletal muscles in the human body: the tensor tympani attached to the malleus, and the stapedius, only 1 mm long, attached to the stapes (Figure 1). Years of research have made it plain that the muscles are in- volved in attenuating loud sounds [4–7], so that the delicate sensing elements in the cochlea are not overloaded or dam- aged. The question addressed here is, how is this achieved? The standard answer is that when the middle ear muscles contract, they stiffen up the joints and ligaments, partic- ularly the annular ligament surrounding the stapes, caus- ing an increase in mechanical impedance and hence re- ducing sound transmission to the cochlea [8–11]. But as Békésy noted, there is only about a 5% alteration in im- pedance when the muscles contract (p. 72) and he could not find any physiologically important change (p. 203). Our knowledge has since expanded [4–7], but the gener- al picture remains the same – the middle ear muscles ap- pear to provide only a minor degree of protection against loud sounds. Most animal-based studies find a change in impedance of around 5–10 dB [12,13], while human stud- ies show an effect of only 1–2 dB over the range 0.06–11 kHz [14,15]. Changes in cochlear potentials are some- what larger and more variable, and are discussed in the next section. This paper questions the idea that the pur- pose of the strategically placed middle ear muscles, with their complex anatomy and physiology, is to cause a mi- nor change in sound transmission. Instead, this paper sets out what seems to be a much more effective mechanism: when the muscles contract they create a fast control sig- nal in the cochlear fluids – hydraulic pressure. to a loss in hearing sensitivity, and he proposed that the stapes in a similar way produced a “pressions centripètes” in the labyrinth which caused a reduction in cochlear sensitivity. Figure 2 illustrates the mechanism: contrac- tion of the tensor tympani draws the whole middle ear system inwards and presses the stapes into the oval win- dow. According to Borg [11], the labyrinthine pressure- regulation theory can be traced back to Politzer in 1861, who noted that electrical stimulation of middle ear mus- cles led to changes in middle-ear pressure and, presum- ably, to changes in labyrinthine pressure. Similarly, Borg also notes that Lucae in 1866 proposed that contraction of the tensor tympani affected low frequency hearing via labyrinthine pressure, and this was taken up and promot- ed by Zimmerman in the early 1900s who claimed that pressure somehow controlled the vibration of the basilar membrane fibres. What happened to Gellé’s theory? Borg mentions [11] that Kato in 1913 was the first to discredit the hypothesis by observing no displacement of the round window mem- brane during tensor tympani contractions. Of course, the displacements involved are minute (micrometres or less), and with the instruments available at the time Kato failed to see an effect. Today, that motion has indeed been seen [18]. However, it was probably Békésy’s traveling wave the- ory [8] that eventually caused the ILP theory to be dis- carded, for the mechanics of the passive traveling wave do not depend on static pressure. According to the traveling wave theory, the pressure difference across the partition is the effective stimulus, and static pressure is not important. For most of the 20 th century, the cochlea was considered a passive transducer, and there was no conception of active mechanics that might be sensitive to pressure. Nowadays, the situation is different, and the cochlea is seen as an active transducer [19]. Although the traveling wave theory remains at the core of cochlear mechanics, there is now room for additional active processes. It is now possible to consider that the outer hair cells, responsible for the activity, could be affected by static pressure. This proposed sensitivity to static pressure is a logical counter- part to a recent speculation that outer hair cells are pres- sure sensors and respond to the fast pressure wave sig- nal [20,21]. Extending the idea, the proposal is that outer hair cells respond to static (d.c.) pressure as well as alter- nating (a.c.) pressure. In the version of the ILP theory put forward ...

Citations

... While TTM does not usually contract in response to sound (Jones et al. 2008;Fournier et al., submitted), it can be triggered by a sound if it activates a startle response (Klockhoff, Ingmar and Anderson, Henry 1960). There is no consensus regarding the function of these muscles, but as they both reduce sound transmission from the middle ear to the cochlea, it can be speculated that they both play a role in the protection of the ear against loud noises (Bell 2011;Noreña et al. 2018;Tschiassny 1949). ...
Article
Middle ear muscle (MEM) abnormalities have been proposed to be involved in the development of ear-related symptoms such as tinnitus, hyperacusis, ear fullness, dizziness and/or otalgia. This cluster of symptoms have been called the Tonic Tensor Tympani Syndrome (TTTS) because of the supposed involvement of the tensor tympani muscle (TTM). However, the putative link between MEM dysfunction and the symptoms has not been proven yet and the detailed mechanisms (the causal chain) of TTTS are still elusive. It has been speculated that sudden loud sound (acoustic shock) may impair the functioning of the MEM, specifically the TTM, after an excessive contraction. This would result in inflammatory processes, activation of the trigeminal nerve and a change of the MEMs state into a hypersensitive one, that may be associated to the cluster of symptoms listed above. The goal of this study is to provide further insights into the mechanisms of TTTS. The middle ear function of 11 patients who reported TTTS symptoms has been investigated using either admittancemetry and/or measurement of air pressure in the sealed external auditory canal. While the former method measured the middle ear stiffness the latter provides an estimate of the tympanic membrane displacement. Most patients displayed results consistent with phasic contractions of the TTM (n=9) and/or Eustachian Tube (ET) dysfunction (n=6). The MEM contraction or ET dysfunction could be evoked by acoustic stimulation (n=3), somatic maneuvers (n=3), or pressure changes in the ear canal (n=3). Spontaneous TTM contraction (n=1) or ET opening (n=1) could also be observed. Finally, voluntary contraction of MEM was also reported (n=5). On the other hand, tonic contraction of the TTM could not be observed in any patient. The implications of these results for the mechanisms of TTTS are discussed.
... Many different mechanisms may be responsible for the sensorineural component (BCT threshold shift). A TTM contraction pushes the stapes inside the vestibular canal by around 10 μm which may increase the inner ear pressure ( Bell, 2011( Bell, , 2017. Ultimately, this pressure increase could modify the cochlear micromechanics leading to threshold elevation and transient hearing loss. ...
Article
It has been suggested that tensor tympani muscle (TTM) contraction may be involved in the development of ear-related pathologies such as tinnitus, hyperacusis and otalgia, called the tonic tensor tympani syndrome (TTTS). However, as there is no precise measure of TTM function under normal and pathological states, its involvement remains speculative. When the TTM or the stapedius muscle (SM) contracts, they both generate an increase of middle ear stiffness that can be measured through middle ear admittance. However, this technique cannot differentiate the contraction between the two muscles. On the other hand, the air pressure measured in a sealed external auditory canal can provide a measure of the eardrum displacement that may be able to differentiate SM from TTM contraction. TTM is attached to the malleus, and its contraction causes a retraction of the eardrum inside the middle ear cavity, while SM can have a small but reversed effect on TTM displacement. To investigate this issue, we compared the middle ear admittance and air pressure in a sealed external ear canal upon auditory stimulation (sMEMC) and voluntary middle ear muscle contraction (vMEMC). In addition, we assessed the perceptual effect of vMEMC, including pitch and loudness matching of the fluttering noise produced by vMEMC and the threshold shifts, were measured. Out of the 14 ears tested, sMEMC was associated with a decrease of admittance in 93% (mean peak average:-0.06 ml, SD:0.04) and an increase of air pressure in 29% of ears (mean peak average: 8.1 Pa, SD:5.1). No decrease in air pressure was found upon sMEMC. For vMEMC (n = 8 ears), decreases were found for both admittance and air pressure in 100% and 88%, with a mean peak average of-0.38 ml, SD: 0.54 and-149 Pa, SD:156, for admittance and pressure respectively. These results suggest that SM and TTM are involved in sMEMC and vMEMC, respectively. In addition, vMEMC was associated with perceptual effects including a low-frequency sound, pitch-matched at ∼30 Hz (> 15 dB SL), and a low-frequency hearing loss of at least 10 dB between 20 and 200 Hz. In conclusion, admittance and air pressure recordings provide useful and complementary information on middle ear muscle contraction and can be used to explore the middle ear function.
... It is a muscle made up of very fine fibres which are designed for sustained, isometric force generation (see Bell [2] for a detailed description of some of this unappreciated muscle's unique properties). According to this author, the main role of the tensor tympani is as a fast and precise acoustic gain controller: by constantly adjusting the force it applies to the ossicular chain, it changes the hydraulic pressure of fluids inside the cochlea and thereby changes the gain of the cochlear amplifier [2][3][4]. Because the fluids of the cochlea are virtually incompressible, and the round window so small, the range of movement of the muscle is minuscule, perhaps 0.1 mm [4], and so the constant activity of this nearly isometric muscle goes largely unnoticed. ...
... Finally, there was a third related observation: 3) instead of sniffing, performing a Valsalva enabled most patients to increase their hearing acuity and perceive weak sounds. Importantly, all three sideeffects are compatible with the intralabyrinthine pressure theory [3] which suggests that middle ear muscles adjust hearing gain through varying the pressure of fluid inside the cochlea. Understandably, if the tensor tympani is not operating properly, another way to control intralabyrinthine pressure (and hearing acuity) is to vary middle ear pressure -by sniffing or Valsalva manoeuvre -actions which will cause the ear drum to bulge out or be pulled in, in turn causing the ossicular chain and ultimately the stapes to increase or decrease intracochlear pressure. ...
... An earlier paper [4] has already set out an array of evidence that voluntary contraction of the middle ear muscles leads to a loss in hearing sensitivity at low frequencies -both for air conduction and, tellingly, bone conduction. The explanation offered was that contraction of the tensor tympani increased hydraulic pressure in the labyrinth, and a reduction in gain of the cochlear amplifier (see Bell [3] for Journal of Hearing Science · 2021 Vol. 11 · No. 2 more detail). ...
Article
Full-text available
Negative middle ear pressure presents something of a paradox. The ‘Type C’ tympanogram, in which the peak of the tympanogram occurs below zero pressure, seems to indicate that the air pressure in the middle ear is actually below atmospheric pressure – that there is a degree of suction – and yet the peak can remain persistently in place even if the subject swallows and opens their Eustachian tube. Negative middle ear pressure can even be measured when a subject has a permanently open (patulous) Eustachian tube, a situation that seems physically impossible. This paper reviews the paradox and concludes that in many cases of “negative middle ear pressure” the actual pressure inside the middle ear is in fact zero, but the tympanometric offset comes about because of the unappreciated action of the tensor tympani: when this muscle contracts, it pulls the eardrum inwards, and this inwards force is registered as negative middle ear pressure during tympanometry. That is, the force exerted by the muscle needs to be countered by a negative pressure in the ear canal in order to bring the eardrum back to its equilibrium position. This interpretation is reinforced by a number of findings in the literature, which are reviewed. A proposal for how tensor tympani effects might be separated from actual middle ear pressure offsets is made.
... The ILP theory was current in hearing science at the end of the 19th century, but for various reasons fell out of favour (the current textbook account is that the muscles stiffen the connections between the ossicles of the middle ear and thereby reduce acoustic transmission (Pang and Peake 1986)). Recently, the explanatory power of the ILP theory has again been recognised, and a case for reconsidering its merits has been published (Bell 2011). The ILP theory seems to accord with what Riemann was suggesting, although more research is needed to decide the issue. ...
Article
Full-text available
Why did Bernhard Riemann (1826–1866), arguably the most original mathematician of his generation, spend the last year of life investigating the mechanism of hearing? Fighting tuberculosis and the hostility of eminent scientists such as Hermann Helmholtz, he appeared to forsake mathematics to prosecute a case close to his heart. Only sketchy pages from his last paper remain, but here we assemble some significant clues and triangulate from them to build a broad picture of what he might have been driving at. Our interpretation is that Riemann was a committed idealist and from this philosophical standpoint saw that the scientific enterprise was lame without the "poetry of hypothesis". He believed that human thought was fundamentally the dynamics of "mind-masses" and that the human mind interpenetrated, and became part of, the microscopic physical domain of the cochlea. Therefore, a full description of hearing must necessarily include the perceptual dimensions of what he saw as a single manifold. The manifold contains all the psychophysical aspects of hearing, including the logarithmic transformations that arise from Fechner's law, faithfully preserving all the subtle perceptual qualities of sound. For Riemann, hearing was a unitary physical and mental event, and parallels with modern ideas about consciousness and quantum biology are made. A unifying quantum mechanical model for an atom of consciousness – drawing on Riemann's mind-masses and the similar "psychons" proposed by Eccles – is put forward.
... Rosowski and colleagues [12] recorded increases of 5-10 times in middle ear admittance due to spontaneous and sound-driven contractions of the middle ear muscles of the chinchilla. Surprisingly, perhaps, there is no agreed theory of how the middle ear muscles achieve such protection levels [2,13,14] and in 1978 Kamerer expressed astonishment that no unified theory for the role of the tensor tympani and the stapedius existed, even though they share a close anatomical arrangement [15]. Mason [16] has examined many of the issues, but without reaching any definite conclusion of how the diverse geometrical and physical properties of an animal's middle ear relate to their behaviour and hearing. ...
... 310). Bell [13] has suggested that we should reconsider the intralabyrinthine pressure theory which was current at the end of the 19th century and the beginning of the 20th. Issues raised over 80 years ago on how the middle ear muscles function [18] are still apt and unanswered today. ...
Article
Full-text available
Why do we have a complex arrangement of three ossicles -- malleus, incus, and stapes -- in our middle ears? It has sometimes been suggested that a single ossicle, as in the columella of birds or lizards, is functionally equivalent to the three-ossicle ear of humans and other mammals. While a single ossicle may suffice in surgical efforts to reconstruct a damaged middle ear, it can be argued that the three-ossicle ear is generally superior, and this contribution provides a succinct account for the acoustician of some of its unique advantages. In essence, the three ossicle system provides improved speech communication ability, allowing the stapedius muscle -- which is unique to mammals and strategically connected to the stapes -- to quickly regulate acoustic transmission and improve speech perception.
... The gap in being able to distinguish the two efferent effects is compounded by another major difficulty: ascribing a function to the tensor tympani. Unlike the stapedius, which reacts with a sudden reflex jerk, the tensor tympani is different, probably increasing its tension gradually as sound levels rise (Bell, 2011;Borg, 1972;Mukerji et al., 2010). If this is correct, then trying to determine a threshold may be inappropriate. ...
... To explain how subtle movements of the tensor tympani might give rise to measurable changes in cochlear function, Bell (2011) proposed that contraction of the tensor tympani raises the pressure of the fluid inside the inner ear-the intralabyrinthine fluids-and it is this pressure which turns down the gain of the cochlear amplifier. This mode of action is effectively the same as that described by the intralabyrinthine pressure theory last century, and although reconsideration of such a theory requires experimental confirmation, it gives a ready explanation of a number of otherwise puzzling associations between hearing and balance, including Meniere's disease (Bell, 2017b). ...
Article
The sensitivity of the auditory system is regulated via two major efferent pathways: the medial olivocochlear system that connects to the outer hair cells, and by the middle ear muscles – the tensor tympani and stapedius. The role of the former system in suppressing otoacoustic emissions has been extensively studied, but that of the complementary network has not. In studies of selective attention, decreases in otoacoustic emissions from contralateral stimulation have been ascribed to the medial olivocochlear system, but the acknowledged problem is that the results can be confounded by parallel muscle activity. Here, the potential role of the muscle system is examined through a wide but not exhaustive review of the selective attention literature, and the unifying hypothesis is made that the prominent “physiological noise” detected in such experiments, which is reduced during attention, is the sound produced by the muscles in proximity to the ear – including the middle ear muscles. All muscles produce low‐frequency sound during contraction, but the implications for selective attention experiments – in which muscles near the ear are likely to be active – have not been adequately considered. This review and synthesis suggests that selective attention may reduce physiological noise in the ear canal by reducing the activity of muscles close to the ear. Indeed, such an experiment has already been done, but the significance of its findings have not been widely appreciated. Further sets of experiments are needed in this area.
... The traditional view states that when middle ear muscles contract, an increase in the mechanical impedance reduces the sound transmission to the cochlea. Other hypotheses stated that this is related to the control of intracochlear pressure, especially the tensor tympani (Bell, 2011). The stapedius muscle is proposed to be reduced or absent in Ctenohystrica (Mason, 2013(Mason, , 2015. ...
Article
Caviomorphs, the ctenohystrican rodents endemic to the Neotropics, have a long evolutionary history during the Cenozoic, and is one of the more abundant mammalian groups with striking morphological disparity. Several living taxa have auditory regions adapted to hearing low-frequency sounds, yet almost nothing is known about the basicranium in fossil taxa. The octodontoid Prospaniomys priscus from the lower Miocene of Patagonia, Argentina, exhibits a skull with a curious combination of generalized dental characters and supposed derived tympanic cavity. Owing to the basal phylogenetic position of P. priscus, the study of its basicranium based on high resolution X-ray computed tomography represents an excellent opportunity to study an ancestral morphological pattern. Comparisons with living octodontoids permit the evaluation of the auditory region in an evolutionary context. Our results identified that at least since the early Miocene octodontoids, and certainly caviomorphs, have specializations to enhance low-frequency hearing: highly coiled cochlea, small secondary bony laminae, well-developed tympanic cavity, and reduced or absent stapedius muscle, characters that seem not to be directly related to the environment. Possible generalized or specialized states for the latter features are discussed. The significance of this work lies in the fact that it is the first detailed anatomical description of the auditory regions of a fossil caviomorph, providing a new framework with regards to this region of the skull. SUPPLEMENTAL DATA-Supplemental materials are available for this article for free at www.tandfonline.com/UJVP Citation for this article: Arnaudo, M. E., M. Arnal, and E. G. Ekdale 2020. The auditory region of a caviomorph rodent (Hystricognathi) from the early Miocene of Patagonia (South America) and evolutionary considerations. Journal of Vertebrate Paleontology.
... The traditional view states that when middle ear muscles contract, an increase in the mechanical impedance reduces the sound transmission to the cochlea. Other hypotheses stated that this is related to the control of intracochlear pressure, especially the tensor tympani (Bell, 2011). The stapedius muscle is proposed to be reduced or absent in Ctenohystrica (Mason, 2013(Mason, , 2015. ...
Article
Full-text available
Caviomorphs, the ctenohystrican rodents endemic to the Neotropics, have a long evolutionary history during the Cenozoic, and is one of the more abundant mammalian groups with striking morphological disparity. Several living taxa have auditory regions adapted to hearing low-frequency sounds, yet almost nothing is known about the basicranium in fossil taxa. The octodontoid Prospaniomys priscus from the lower Miocene of Patagonia, Argentina, exhibits a skull with a curious combination of generalized dental characters and supposed derived tympanic cavity. Owing to the basal phylogenetic position of P. priscus, the study of its basicranium based on high resolution X-ray computed tomography represents an excellent opportunity to study an ancestral morphological pattern. Comparisons with living octodontoids permit the evaluation of the auditory region in an evolutionary context. Our results identified that at least since the early Miocene octodontoids, and certainly caviomorphs, have specializations to enhance low-frequency hearing: highly coiled cochlea, small secondary bony laminae, well-developed tympanic cavity, and reduced or absent stapedius muscle, characters that seem not to be directly related to the environment. Possible generalized or specialized states for the latter features are discussed. The significance of this work lies in the fact that it is the first detailed anatomical description of the auditory regions of a fossil caviomorph, providing a new framework with regards to this region of the skull. SUPPLEMENTAL DATA-Supplemental materials are available for this article for free at www.tandfonline.com/UJVP Citation for this article: Arnaudo, M. E., M. Arnal, and E. G. Ekdale 2020. The auditory region of a caviomorph rodent (Hystricognathi) from the early Miocene of Patagonia (South America) and evolutionary considerations. Journal of Vertebrate Paleontology.
... changes are associated with the peculiarities of sound perception and orientation in space, with increased hearing acuity and with tuning to the perception of certain (significant for life) frequencies. Structurally, they manifest themselves in the construction of the auditory meatus, the bony labyrinth and the auditory ossicles, in the degree of this ossicle mobility relative to each other, in the development of their muscles, and in the size of the tympanic membrane and membrane of the oval window (Jones and Spells, 1962;Alexander, 1968;Schleich and Busch, 2004;Yang and Hullar, 2007;Puria and Steele, 2010;Mason et al., 2010;Bell, 2011;Mason, 2012Schutz et al., 2014;Ptaff et al., 2015;Vedurmudi et al., 2016). One of the important functionally significant transformations of the auditory capsule is associated with a change in the volume of the tympanic cavity, which plays an important role in tuning the auditory organ to the perception of certain sound frequencies (Lay, 1972, Webster, D.B. and Webster, M., 1975, 1980. ...
Article
Abstract—Based on published and original data, several morphofunctional systems were compared in the extant species of Diatomyidae and Ctenodactylidae, both families being considered as sister taxa. The subcutaneous and auricular muscles, otic capsule, jaw apparatus, and distal limbs were examined. These groups were shown to differ significantly in both the level and the direction of the morphofunctional transformations of the above systems. Ctenodactylids are a much more specialized group than Laonastes. They have an otic capsule, a jaw apparatus, and distal limb sections that reach the maximum level of morphological and functional specialization in the rodents, whereas in Laonastes, they correspond approximately to the average level of their development. Both groups are characterized by different pathways of morphological transformations of all systems considered, even those of them (jaw apparatus and limbs) that are associated with adaptations to similar ecological conditions, i.e., life on stones and herbivory. In Laonastes, the structure of the above systems retains archaic characteristics that are combined with features specific only to this group. In gundis, the direction of morphological transformations is completely specific with regard to some of the parameters, while in other respects it corresponds to the trends typical of hystricognathous rodents, this having led to a large number of structural parallelisms. In the structure of each morphological system examined, synapomorphies that support the monophyly of Ctenohystrica were revealed. There is no single-valued morphological evidence for the close relationship between Ctenodactylidae and Laonastes relative to Hystricognathi, although in the structure of almost all of the systems examined there are common features distinguishing these taxa from other rodents, in particular from Hystricognathi. Characters reflecting the pattern of differentiation of the subcutaneous muscle and the features of mastoid pneumatization can be regarded as the most significant for assessing the phylogenetic relationships of Diatomyidae, Ctenodactylidae, and Hystricognathi. However, for a more reliable assessment of the relationships based on morphological data, more extensive material is needed to cover the diversity of the structures considered in hystricognathous rodents. Keywords: Laonastes, Ctenodactylus, morphofunctional specialization, subcutaneous and auricular muscles, otic capsule, jaw apparatus, limb adaptation DOI: 10.1134/S1062359019070124
... It is well known that when any muscle is warmed, its power increases, and when cooled, it weakens (15). Applied to the middle ear muscles -the tensor tympani in particular -this means that the force exerted on the stapes will either increase or reduce, and these changes will cause an increase or reduction in pressure of the labyrinthine fluids (16). In the end, it is this change in fluid pressure which disturbs the equilibrium of the hair cells in the semicircular canal and causes nystagmus. ...
... A connection between inner ear pressure and vestibular effects has already been described (16,18,19), so it follows that warming or cooling of the ear canal could in this way produce pronounced vestibular reactions. This paper explores the connections and sets out evidence supporting the proposed middle ear muscle mechanism. ...
... A rise (or fall) in the temperature of the eardrum is quickly conveyed to the malleus and the tensor tympani, and this then causes tensing or relaxation of the muscle. As described by Bell (16,18), the tensor tympani directly controls the hydrostatic pressure within the labyrinth, so warming it will lead to an increase in force (and pressure) and cooling it will lead to a reduction in force and pressure. ...
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The caloric test of vestibular function, originating from Bárány in the early 1900s, has conventionally been understood as a test of the effect of temperature on the horizontal semicircular canals of the inner ear. Warm water introduced into the external auditory meatus will, if the vestibular system is intact, cause back-and-forth beating of the eyes (nystagmus) in one direction; cold water will cause beating in the reverse direction. The textbook explanation is that the eye movements are caused by a thermal gradient across the horizontal canal, which in turn causes convection in the fluid within. The convective motion stimulates the vestibular hair cells, causing nystagmus, dizziness, nausea, and often vomiting. But here an alternative mechanism is proposed: warm or cold water causes the tensor tympani muscle in the middle ear to increase in tension (warm water) or decrease in tension (cold water), and in this way changes the force exerted by the ossicles on the inner ear fluids behind the oval window. Altered force on the stapes therefore means a change of hydraulic pressure inside the sealed labyrinth, and this pressure could directly stimulate hair cells within the inner ear-including the semicircular canals-and so generate nystagmus. If correct , this means the caloric test is really a test of the temperature sensitivity of the middle ear muscles, although the vestibular system still needs to be intact in order to register a positive response. The new hypothesis explains a range of anomalies surrounding the caloric test, and these are systematically reviewed.