Both the themes and the techniques of Jack Spicer’s poetry are dedicated to the “erasures”, as Michael Davidson (p. 128) has written, of accepted ideas and structures which are imposed upon language by Newtonian epistemological systems. Spicer’s work challenges, as William V. Spanos observes (p. 1), “the metaphysical or logocentric forms that have dominated the poetry — and above all the
... [Show full abstract] hermeneutics — of the Western literary tradition”. In this paper I want to suggest that Spicer’s poetry and poetics challenge the hermeneutics of the Western scientific tradition as well, by presenting the reader with linguistic models which are relevant to a quantum not a Newtonian universe.1