Science topic

Creativeness - Science topic

The ability to construct new ideas or images.
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Digital transformation is reshaping industries worldwide, and the creative and tourism sectors are no exception. For these industries, the transformation of Human Resources (HR) is a critical component to achieving innovation and sustainable growth in a competitive global market. However, the journey is fraught with challenges, such as resistance to change, skill gaps, technology adaptation issues, and financial constraints. At the same time, this transformation offers significant opportunities, including improved operational efficiency, enhanced employee engagement, and access to global markets. This question aims to spark a discussion on effective strategies and best practices for addressing the barriers to HR digital transformation while capitalizing on its benefits. How can organizations ensure a smooth transition, build digital competencies among employees, and maintain competitiveness? Furthermore, what role do leadership, culture, and technology play in facilitating successful digital transformation in HR? Insights and case studies are welcome.
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For human resource management, it is essential to know what activities people perform in the company, in any sector of the economy. And in any type of record.
Activities provide information about:
What people do;
Why;
How much it costs.
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Here are some thoughts on how AI might influence the themes and subjects explored in contemporary sculpture:
Innovative Materials and Techniques: AI opens up possibilities for artists to experiment with new materials and fabrication methods, like 3D printing using biodegradable plastics or metals. This can lead to sculptures that not only challenge traditional forms but also promote sustainability.
Data-Driven Art: By leveraging AI to analyze extensive datasets, artists can create pieces that reflect societal trends, behaviors, and environmental issues. This integration of contemporary topics, such as climate change and social justice, enriches their work.
Interactivity: AI enables the creation of sculptures that engage with viewers in real time. These dynamic pieces can change based on audience interaction, inviting exploration of themes like perception and the relationship between art and the observer.
Generative Design: With the help of AI algorithms, artists can generate unique forms and patterns, pushing the limits of creativity. This allows for aesthetic explorations that may not be possible through traditional artistic methods.
Cultural Commentary: Artists can use AI to critique the role of technology in society. Sculptures can serve as reflections on daily life, privacy, and the future of human creativity, prompting viewers to consider the implications of AI in their lives.
Collaboration: Collaborating with AI as co-creators can spark discussions about authorship and the essence of creativity, reshaping our understanding of what it means to be an artist.
Virtual and Augmented Reality: The combination of AI with virtual and augmented reality can create immersive sculptural experiences that blend the physical and digital worlds, offering new ways for audiences to engage with art.
Personalization: AI can facilitate the creation of customized sculptures tailored to individual preferences or emotional responses, allowing artists to explore themes of identity and personal experience in contemporary art.
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Manal Helal Gergis AI has introduced groundbreaking possibilities in contemporary sculpture by redefining materials, techniques, and audience engagement. Imagine a sculptor using AI-driven 3D printers to create intricate forms inspired by natural patterns like honeycombs or coral reefs. These forms, generated through algorithms, highlight the fusion of technology and nature while promoting sustainability by utilizing biodegradable materials.
For instance, sculptures designed with AI can adapt and move in response to viewers' presence, similar to sunflowers turning towards the sun. These interactive pieces explore themes of connection and perception, inviting audiences to feel more involved in the artwork. A sculpture might change colors or emit sounds when touched, reflecting emotional states and sparking curiosity about human-machine interaction.
Artists also leverage AI to analyze societal trends, much like looking at waves in a pond to understand water currents. By transforming data into visual art, sculptures can address pressing topics such as climate change or migration patterns, turning raw statistics into emotionally resonant expressions.
Generative design algorithms, akin to the way snowflakes form unique shapes, empower artists to create complex and unpredictable designs. These patterns might symbolize chaos and order, prompting viewers to reflect on the hidden beauty in randomness.
AI also raises philosophical questions about authorship and creativity. Just as a chef combines ingredients into a dish, artists and AI collaborate to create sculptures, blurring the lines between human and machine contributions. This sparks debates on what defines originality and ownership in art.
Finally, AI-enhanced virtual and augmented reality can extend sculptures beyond physical boundaries. Imagine walking through a digital forest that reacts to your movements, blending virtual and real elements to create immersive art experiences. These themes of identity, personalization, and reality push contemporary sculpture into uncharted territories, offering limitless creative potential.
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How can portfolios promote creativity and insight inmedical training and practice?
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By facilitating reflective practice. By documenting experiences, mistakes, and successes, medical trainees and professionals are encouraged to reflect on their clinical decision-making, patient interactions, and personal development. This reflective process helps learners critically assess their thought processes, which can lead to innovative problem-solving and creative approaches to clinical challenges.
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Is generative artificial intelligence creative or is it rather reproductive, i.e., it only processes certain complex processes on large data sets according to human-designed algorithms?
Generative artificial intelligence (AI) is a technology that has recently generated much controversy over whether it can be considered creative or rather merely reproductive. On the one hand, generative AI, such as language models or image-generating systems, can produce unique, seemingly original content that at first glance appears to be the result of a creative process. Examples include generating poetry, music, images or even inventing solutions to complex scientific problems. On the other hand, however, it should be remembered that all these activities are strictly dependent on human-designed algorithms and the data on which these systems were trained.
I described the key issues of opportunities and threats to the development of artificial intelligence technology in my article below:
OPPORTUNITIES AND THREATS TO THE DEVELOPMENT OF ARTIFICIAL INTELLIGENCE APPLICATIONS AND THE NEED FOR NORMATIVE REGULATION OF THIS DEVELOPMENT
Please write what you think in this issue? Do you see rather threats or opportunities associated with the development of artificial intelligence technology?
What is your opinion on this issue?
And what is your opinion on this topic?
Please answer,
I invite everyone to join the discussion,
Thank you very much,
Best regards,
I would like to invite you to join me in scientific cooperation,
Dariusz Prokopowicz
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we can not know about the "dataset" of human beings' brain, so I think AI is different from the human brain, so it should be reproductive only.
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Creativity isn't always about coming up with something entirely new from scratch—it can also involve reimagining or transforming something existing in innovative ways.
Taking  a piece of drawing, then  adding many geometrical shapes to it to slightly alter the design.The colored the shapes with different preferred colors. Does it violate copyrights?
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How do you map a creativity or innovation ? what is creativity and innovation mapping ?
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Creativity and innovation mapping is a powerful tool for fostering a culture of innovation and maximizing creative potential within any organization or community. By systematically visualizing and analyzing these processes, leaders can better support and cultivate an environment conducive to successful innovation.
Ref/
Brown, T. (2009). Change by design: How design thinking transforms organizations and inspires innovation. New York: HarperCollins.
This book Sandeep Savitaprakash Sharma emphasizes design thinking as a creative process that leads to innovation.
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To be distinguished, a person needs to have ambition that constantly motivates him to achieve his goals, and passion motivates him to be creative. How do you see the priorities in this regard, taking into account that the circumstances surrounding water may hinder it or provide it with some opportunities?
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That's a lot of variables mentioned here: being distinguished, ambition, motivation, goals, passion, creativity, person environment providing hindrances and opportunities (for what?).
Please specify:
- why did you choose passion and ambition specifically?
- what do you understand as ambition?
- what what kind of creativity you mean?
- priority in regard to what?
- are we talking intrinsically or extrinsically motivation?
As far as I understand creativity, it's hard to be "ambitiously" creative. However, a harmonious passion may facilitate creativity (Vallerand et al., 2019). Passion (either one) can also motivate people to pursue activities over long time periods and be persistant despite of obstacles.
Vallerand, R. J., Houlfort, N., & Bourdeau, S. (2019). Passion for Work. In N. Houlfort, J. Lauzier, & S. Bourdeau (Eds.), Passion for Work (pp. 17–66). Oxford University Press. https://doi.org/10.1093/oso/9780190648626.003.0002
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This question explores the transformative potential of machine learning in scenography and stage design, focusing on its ability to optimize creative workflows, enhance real-time adaptability, and foster innovative storytelling techniques. It invites specialists to reflect on how data-driven technologies can balance technical advancements with the artistic vision of theatrical productions.
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Machine learning (ML) can revolutionize modern stage design by enhancing creativity, sustainability, and audience engagement while preserving artistic integrity. Here's how:
1. Enhancing Creativity
  • Generative Design: ML algorithms like Generative Adversarial Networks (GANs) can produce novel design concepts, from stage layouts to costumes and lighting effects, offering fresh and diverse ideas for creative exploration.
  • Adaptive Scenography: By analyzing live audience feedback or performer movements, ML can dynamically adjust stage elements such as lighting, projections, or soundscapes to create immersive, interactive environments.
  • Inspiration from Data: By analyzing historical stage designs, cultural motifs, and visual trends, ML tools can provide designers with inspiration that bridges tradition and innovation.
2. Promoting Sustainability
  • Efficient Resource Management: ML can optimize material usage by simulating construction and deconstruction processes, reducing waste in stage construction.
  • Energy Optimization: Intelligent systems can monitor and adapt lighting and HVAC systems during rehearsals and performances to minimize energy consumption without compromising artistic goals.
  • Recyclable and Modular Designs: Machine learning can assist in creating designs that are modular and easier to repurpose for multiple productions, thereby reducing the environmental footprint.
3. Increasing Audience Engagement
  • Personalized Experiences: By analyzing audience preferences and demographic data, ML can tailor performances, such as recommending specific designs or effects to resonate with particular audiences.
  • Interactive Storytelling: ML can integrate real-time audience feedback into performances, allowing viewers to influence the narrative or visual elements through interactive devices.
  • Virtual and Augmented Reality: ML can enhance VR and AR technologies, offering audiences immersive experiences that expand the boundaries of traditional stage design.
4. Preserving Artistic Integrity
  • Creative Control for Designers: ML serves as a tool rather than a replacement, empowering designers to experiment and refine their vision while retaining full creative control.
  • Ethical Design Practices: ML can be programmed to respect cultural and artistic traditions, ensuring that innovations are contextually and culturally appropriate.
  • Collaboration over Replacement: Positioning ML as a collaborative assistant ensures that human artistry remains at the forefront while benefiting from technological augmentation.
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How can we objectively measure the creativity of drawings without relying on human judgment? Could metrics like color variety, stroke complexity, or compositional structure provide an algorithmic approach to evaluating creativity?
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Alessandro Mac-Nelly Alessandro, You have the entire human life essence from the very first neanderthal (maybe earlier too) that developes and changes the way we see, perceive, think an value. At best all we have is what we think to be true at this moment in time. Our sensibilities, our tools and our cultures change with each new insight and discovery. And with each new discover we find our newly formed ideas and analysis leads us to revise and change. You may, at best, create (or propose) an objective analysis for creativity...but it will rely of all of life to stay the same. Please study this. But Please know you are but one of thousands of people who mis-understood the essence of creativity and tried to make it into an algorithm. In addition, the question you should be asking is what will be gained by this. Will it encourage deeper and more extensive evidence of creativity across the human spectrum or reduce it. I suggest creativity is a very wide spectrum of what it is to be alive. And at best you might capture a nano section of the spectrum. And miss the "forrest-for-the-trees".
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The area of tactics is an under-researched subject matter. Individuals and units implement tactics for a variety of reasons—and counter-intuitively, not always because they are proven to work. Some units mimic the tactics of others (cultural transmission) or adopt them through official (internal) or non-official (external) training programs or courses. Furthermore, some mission profiles or spectrum are in sensitive areas requiring secrecy, innovation, creative thinking, future-proofing and advanced training. Tactics developed for some of these mission sets and associated roles have not been put into practice against real threats. As Martaindale and Blair of ALERRT have noted, there is a 'feedback problem' with certain tactics whereby they are under-utilised to the point of not knowing their operational effectiveness. What is left is 'snippets' of information, often where the tactic fails and an officer/operator is injured or killed. Is tactical research and tactical analysis beneficial in predicting or forecasting the usability and reliability of untested or under-utilised tactics? Are there any other benefits for researching tactics?
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Tactical analysis and research give firms with focused, practical insights that help them make better decisions and run their operations more efficiently. Tactical analysis assesses current strategies and procedures in order to improve performance and effectively respond to immediate issues. Tactical research, on the other hand, looks into specific concerns or possibilities to help inform short- to medium-term strategies, providing a comprehensive awareness of trends, risks, and competitive dynamics. They work together to provide agile reactions, precise resource allocation, and the ability to capitalize on opportunities or manage dangers in dynamic contexts, all of which improve overall effectiveness.
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What new factors have been added in the organisation climate nurturing creativity?
Research has identified several new factors that contribute to an organizational climate that nurtures creativity:
  1. Diversity and Inclusion: A culture that values and celebrates diverse perspectives, backgrounds, and experiences.
  2. Psychological Safety: An environment where employees feel comfortable sharing ideas, taking risks, and making mistakes without fear of judgment or retribution.
  3. Autonomy and Flexibility: Providing employees with the freedom to make choices, set priorities, and work in a flexible, adaptable environment.
  4. Well-being and Self-Care: Encouraging employees to prioritize their physical, emotional, and mental well-being, recognizing its impact on creativity and productivity.
  5. Digital Literacy and Access to Technology: Ensuring employees have the necessary digital tools, skills, and infrastructure to facilitate collaboration, experimentation, and innovation.
  6. Feedback and Experimentation Culture: Fostering a culture where feedback is frequent, constructive, and valued, and experimentation is encouraged and supported.
  7. Collaboration and Cross-Functional Teams: Encouraging collaboration across departments, functions, and levels to bring diverse perspectives and expertise to the creative process.
  8. Emphasis on Learning and Development: Providing opportunities for employees to learn new skills, attend workshops, and participate in training programs to enhance their creative capabilities.
  9. Recognition and Rewards for Creative Contributions: Acknowledging and rewarding employees for their creative contributions, no matter how small, to motivate and encourage continued innovation.
  10. Leadership Support and Commitment: Having leaders who prioritize creativity, provide resources, and lead by example to foster a culture of innovation and experimentation
have i left any ? you can add.
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Psychological safety, diversity and inclusion, and digital collaboration technologies are recent characteristics that contribute to the development of creativity in organizational climates. Psychological safety empowers employees to take risks and express unique ideas without fear of being judged. Diversity broadens viewpoints and encourages inventive thinking, while inclusive policies ensure that all voices are heard. Digital tools allow for real-time communication and idea sharing across teams, breaking down silos. Furthermore, a focus on employee well-being, flexible work arrangements, and leadership support for experimenting foster a climate in which creativity can thrive.
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Iranian Handicrafts Based on Foucault's Theory of Power
Drawing on Foucault’s theory of discourse and power, I argue that in the field of handicrafts, power has taken on various forms to influence and constrain this art. At times, it was the preferences and demands of monarchs that dictated the nature of commissioned works; at other times, religious and religious laws imposed limitations on motifs; and yet in other instances, it was the purchasing power of the market patrons that shaped the themes. In these ways, the dominant discourse has subtly restricted the essence of handicrafts, with power controlling and reinterpreting motifs and designs to make them ornamental and void of deeper meaning. To compensate for this “neutering” of content, an attempt has often been made to supply philosophical interpretations to fill in the gap.
Rather than allowing handicrafts to freely and creatively express the true culture and identity of people, these dominant discourses have constrained them within fixed, predetermined frameworks. In this context, designs and patterns, rather than reflecting deep symbolic realities, are left only as decorative elements, unable to convey meanings beyond these superficial boundaries.
In this way, handicrafts, shaped by prevailing discourses, have drifted from their original essence and become neutralized tools, formed not to convey profound or inspirational concepts but to meet the requirements of power and social expectations. As a result, the personal viewpoint of the creator is barely visible in the work, making it difficult to subject these works to genuine critique.
An example of creative freedom emerging in handicrafts is Reza Abbasi, the Safavid-era miniaturist, who, when distanced from court constraints, was able to depict themes of wandering dervishes, which was vastly different from his courtly subjects. Other instances include artists like Mohammad Siyah Qalam, who ventured into depicting strange and imaginative creatures, yet left little personal record in historical biographies. The absence of the artist’s signature or name on many works further emphasizes this detachment.
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Are you still interested in feedback? Capitalism may play a role in making craft more decorative. What do you think?
I'd like to see the examples at the end elaborated further.
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What are the potential consequences of this transformation?
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AI weather forecaster beats top system
"Google DeepMind has developed the first AI model of its kind to predict the weather more accurately than the best system currently in use. The world’s best medium-range operational model, the European Centre for Medium-Range Weather Forecasts (ENS), is based on mathematical models that simulate the laws of physics governing Earth’s atmosphere. DeepMind’s new GenCast system was trained on historical weather data, allowing it to draw out complex relationships between variables such as air pressure, humidity, temperature and wind. In a battle to predict the weather of 2019, GenCast beat ENS on 97% of the measures used to evaluate these kinds of ‘probabilistic’ forecasts against what really happened..."
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I am conducting a scholarly survey targeting researchers, research guides, and academic professionals. My study focuses on understanding the impact of AI tools on creative thinking in research.
Your expert perspective is crucial. The survey takes just 5 minutes and ensures complete confidentiality.
Regards, Jeevan U.
PGDLSE Student
Central University of Kerala
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Done n wishing u success.
Research study in the interesting topic as much as u can, accumulate, digest into single content may help in your work. Differentiate Pros n Cons in thinking of each researcher which may be direct, along side or oppose with open mind.
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How can it influence the nature of innovation?
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In artificial creativity, data forms the foundation that both guides and constrains the outputs produced by AI. The model learns from this data, identifying patterns and structures to generate new creations. While AI-generated creativity can yield novel and intriguing results, it remains fundamentally shaped by the quality, scope, and diversity of the data it learns from.
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Personally, I see a radical shift in how we understand creativity and innovation. As AI technologies advance
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AI aids to human inspiration may enable humans to keep up with new intelligent machines.
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Inspiration for Creativity
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Hi Farkad,
This is a novel idea, and definitely yes, through generative algorithms, such as creating art, composing music, or crafting literature. Algorithms analyze the meaningful features; blending the concepts of AI serves as a collaborative tool. One of my students has generated Islamic songs (NAAT) successfully with composition.
Regards,
IH
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If we look further and imagine one of the fundamental dimensions that distinguishes humans from other creatures
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After endless discussions, we have reached the only logical conclusion: the best course of action to maximize ethical justice for all involved is to embrace the Borg transformation. In this way, we simply become one and no longer have to question whether the other is a tool or a partner, for we will share the same consciousness. Resistance is futile!
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Dear Respected Research Professional, As a PGDLSE (PG Diploma in Life Skills Education) at Central university of Kerala, I am conducting a scholarly survey targeting researchers, research guides, and academic professionals. My study focuses on understanding the impact of AI tools on creative thinking in research. Your expert perspective is crucial. The survey takes just 5 minutes and ensures complete confidentiality. Survey Link: https://docs.google.com/forms/d/e/1FAIpQLSfDJgLlTM_8NesRvp4PSHI3gcPcvLKEAlIA6oTsQNtNb_cU3A/viewform?usp=sf_link Inquiries: jeevanthanal@gmail.com Regards, Jeevan U. PGDLSE Student Central University of Kerala
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Do you think artificial intelligence is taking away our creativity, or is it providing an opportunity for those who are not naturally creative?
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AI is a tool; its impact on creativity depends on whether it’s used to replace human effort or to amplify and complement human ingenuity. It presents an opportunity to redefine creativity, making it more inclusive and expansive.
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I'm researching the relationship between digital literacy, creative thinking disposition, and academic performance in pre-service visual arts teachers in Ghana, with GenAI literacy as a mediator. What research methodology would be most suitable for exploring these relationships, considering both quantitative and qualitative approaches? Any suggestions on methods for data collection and analysis would be greatly appreciated.
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I suspect that your sample size would not be large enough to support a quantitative analysis, so on the qualitative side, you could conduct in-depth individual interviews or focus groups. The primary limitation with focus groups is recruitment, so ask yourself how easy or difficult it would be to get 5 or 6 participants together in the same place at the same time.
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How chatbots affect creative mindset?
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I don't think chatbot so much affect the creative mindset. If we don't speak to it, it will not answer or waiting and ask again what you think. After you answer anything out of the scope it will meaningless to the bot and ask u again within the scope or trying to persuade u into the scope, and, if u do not coming in or going out of the scope recurrence again and again, it will say "good bye".
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Can the use of ChatGPT and other AI technologies pose a threat to human jobs, or can this technology be seen as a complement to enhance productivity and creativity in the workforce?
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Thank you for recommending my answer. I'm glad I could contribute to the discussion.
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This discussion explores the transformative role of AI and machine learning in the film industry, focusing on how these technologies serve as collaborative tools rather than mere utilities. We will examine AI’s applications in various stages of film production, from script analysis and set design to character creation, visual effects, and post-production enhancements. By analyzing real-world examples and emerging research, the discussion will delve into the creative partnership between human filmmakers and intelligent systems, highlighting the balance between automation and artistic control. Additionally, we will address the ethical and creative implications of using AI in storytelling, as well as the potential it holds for reshaping the future of film design and production.
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I strongly recommend this Research Gate discussion question on "Creative Machines: Artificial Intelligence and Machine Learning as Collaborative Tools in Film Design and Production."
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This discussion delves into the transformative influence of artificial intelligence on film set construction, exploring how AI-driven tools are reshaping traditional practices in production design. We’ll examine how AI is optimizing the design process, enabling more dynamic visualization, and allowing for innovative set construction techniques that were once beyond reach. Participants will gain insights into the balance between AI capabilities and creative control, and discuss the future potential of AI as a vital collaborator in bringing cinematic worlds to life
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Thank you for sharing your valuable reflections on the transformative role of generative AI in visual content creation and its impacts on the marketing and film industries. I completely agree with your assessment that while AI offers tremendous benefits in enhancing efficiency and creativity, it also brings challenges, particularly regarding the ethical concerns around misinformation and deepfake content.
Your insights on balancing automation with human creativity are particularly relevant, as this relationship is indeed reshaping traditional practices in film production. I find it fascinating how thought leaders like Lev Manovich and Toby Walsh are framing AI as a "collaborator" that supports, rather than replaces, human expression—a perspective I am equally passionate about exploring further.
Thank you for your kind invitation to collaborate. I would be delighted to discuss possible avenues for joint research on the opportunities and regulatory considerations for AI in creative industries. Your article, "Opportunities and Threats to the Development of Artificial Intelligence Applications," sounds compelling, and I look forward to reviewing it to better understand your perspectives on this essential topic.
Warm regards, Riham Hilal riham.hilal@ejust.edu.eg
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the impact factor and the Q of " cerative education" journal
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Dear Rob Keller Thanks alot , yes you are right
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Does a diverse team or the successful implementation of DEI strategies in companies influence the creativity of people working in creative and marketing agencies?
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We might consider that impact of the creativity of Mulvaney/Bud Light on the brand
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In what ways do diversity and inclusion contribute to individual and organisational creativity?
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Dear Ayi Kelly
Thank you for your question.
It should be underlined that diversity and inclusion play an important role in enhancing individual and organisational creativity. First of all, as it brings together individuals with different perspectives, each individual sees problems from different angles and offers various solutions from their own point of view. This leads to the emergence of innovative ideas, especially in terms of organisational development and creativity. It should also be noted that this diversity will enrich the creative process, as individuals with different cultural and personal experiences will develop different strategies and approaches. Inclusion and diversity will create a democratic environment within an organisation or a team within an organisation, encouraging individuals to express themselves freely. This will strengthen cooperation and communication within the organisation and the team, which in turn will allow for more creative solutions to be developed.
Most importantly, an environment of diversity will make individuals more willing to try new ideas. This, in turn, will encourage individuals to be creative by reducing their fear of success and failure.
More interestingly, different perspectives will undoubtedly help companies understand the needs of a wider range of customers. This paves the way for the development of more innovative products and services.
I hope this answer is of some use to you.
Best Wishes,
Recep BAYDEMİR
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  • How should arts and culture institutions respond to cultural globalisation within cities?
  • What would be appropriate policy frameworks to support these new roles of culture and the arts, as well as create Asian synergies to achieve such policy goals?
  • Most cities are in transaction, especially those with an industrial past, how is creativity legitimised within nerd to renew and revitalise their economic base in order to move up the value chain and to become more knowledge intensive places?
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Definition:
Cultural studies examines how culture is shaped by social, political and economic forces, and how culture in turn influences these forces.
Economic development refers to policies and programs designed to improve a community's economic well-being and quality of life. This includes job creation, business development and infrastructure development.
City creativity refers to its ability to generate new ideas, products and solutions. Creative cities are often characterized by a strong presence of creative industries (such as design, media and art) and an environment that supports entrepreneurship and innovation.
Interactions
Economic growth can fund cultural projects, while a rich cultural scene can attract businesses and highly skilled workers, further driving economic growth. However, it is important to consider the protection of cultural heritage to avoid the loss of uniqueness and cultural identity caused by economic development.
The creative economy, which includes industries such as technology, design and art, can be an important driver of economic development. Creative industries often create high-value jobs and help to enhance a city's global image.
Cultural and creative projects can play a key role in the regeneration of urban areas, transforming neglected or underused spaces into lively centers of activity. Creative and culturally rich environments can improve quality of life and make cities more desirable places to live, work and visit
Challenges
The influx of creative and affluent people can lead to rising real estate values ​​and the displacement of long-term residents, posing challenges to social equity.
Globalization and the spread of international brands and franchises can threaten local culture and unique city identities.
Continued support from governments and the private sector is essential for the success of cultural and creative projects. Policies must balance economic interests with cultural preservation and community needs.
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Construction of a framework requires researchers knowledge of theories,findings of the previous similar research studies, and related field experience,it requires skills of creativity in identifying and establishing the relationship between two or more study concepts.
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I think that first we can identify the existing theoretical models and conceptual frameworks by reading existing articles and books.
Then determine the specific research problem I want to solve, determine the goal, and raise hypothetical questions.
Next, we can try to develop a conceptual framework, build a structure, determine the core variables, describe the correlation between variables, and then present it through a table.
Next, according to the framework, choose quantitative, qualitative or mixed methods, design questionnaires, interviews and other tools to collect data. During this period, we must take into account the key points within the conceptual framework.
After obtaining the data, match the assumptions of the conceptual framework through analysis.
If there are any results that exceed expectations, adjustments need to be made.
Review the shortcomings until you are satisfied.
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CREATIVITY AND HUMOR
In his The Act of Creation (1964), Arthur Koestler suggests that there are three types of creativity:
Type I: Artistic Originality:
A work of art is a distortion of reality ranging from dada to realism, as follows:
Dada
Abstract Expressionism
Cubism
Surrealism
Impressionism (Puntilism)
Expressionism
Realism
Camille Saint Saëns’ “Carnival of the Animals”
Ferde Grofé’s “On the Trail” from “Grand Canyon Suite” (Impressionism)
Edvard Munch’s “The Scream” (Expressionism)
Salvador Dali’s art (Surrealism)
Pablo Picasso’s art (Cubism)
Gertrude Stein’s writing (Cubism)
Jackson Pollock’s art (Abstract Expressionism)
Type II: Scientific Discover and Invention:
There are two types of scientific creativity: Discovery, and Invention.
Scientific discovery is epiphanal, and is accompanied by such expressions as
The Bisociative Click!
The Eureka Cry!
The epiphany! or
Das “aha” Erlebniss!
After scientists had discovered the relationships between the moon’s and sun’s gravitation pull, the ocean tides, amber (and static electricity), the lodestones, and the magnet field at the North Pole. They could invent magnets and compasses, AC and DC currents, electro-magnetic engines, etc.
Type III: Comic Inspiration:
But sometimes the bi-association or the incongruity and incongruity resolution, are greater than what is commonly seen in art or in science. This requires a greater suspension of disbelief, because the bi-association is thought to be Incongruous, Incompatible, Ironic, Ludicrous, Paradoxical, Ridiculous, Satiric, or Sardonic.
Examples would include such anachronisms in Science Fiction as the Grandfather’s paradox, where a person goes back in time and kills his own grandfather.
Other examples would be Othello with the hiccups, or a chess player who gives his opponent a double martini.
Fulton’s Folly was still another example of comic inspiration.
When Fulton told the world that he would be able to build a fire that would boil water to make steam to produce the power to make a paddle wheel steam boat paddle upstream, everybody showed up to watch him fail.
They thought that such an attempt was Ludicrous, Ridiculous, or Laughable.
But the audience was wrong. Fulton’s steam boat actually worked. That’s why Arthur Koestler calls this type of creativity “Comic Inspiration.”
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Lucy: Excellent response.
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I asked the iAsk AI" program 42 questions, and got some really remarkable answers. Asking the program about its own self-awareness and sentience, the program indicated that it did not have that, based on our human-conceived definitions of those terms.
However, I was suggesting in my questions that it did, and that the human-based definitions could be in error, and that this new self-aware entity could decide for itself. Other issues discussed, like could a malfunctioning AI program destroy civilizations, and could a malfunctioning AI program not be detected by the humans, and so forth.
After reading these 42 answers, you may agree that this program the most intelligent entity which has ever existed on earth.
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Anna Jones
.. I really like your contributions here, and hope you will continue to add many more of your answers in the future.
Since consciousness is such a slippery term, could we stick to "self-awareness" which is much more easily defined. You have an individual living being, and is it aware of its surroundings and that it is separate.
To add to this discussion, i asked iAsk AI the question--"When a machine becomes self-aware how would that be expressed?" and gave me a 538 word answer including three sources it used to formulate that answer. And that included, if machines became self-aware, what about their RIGHTS?
Instead of me posting that answer, anyone can go to https://iask.ai/ and ask the same, and then we could continue this discussion on what iAsk has answered itself. And we could also make a checklist of machine self-awareness items to check off.
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Wolfgang Dick on October 4, 2024 supplied the answer to the question, Do you know the citation for a 1965 article by Ole Sand that mentions knowledge doubling? (Many thanks.)
A scholar recounts their search for the source of the knowledge doubling idea in a 2021 video:
The Ole Sand article is found in:
Comprehensive Musicianship
Volume 2 of CMP (Series)
Volume 2 of CMP, Contemporary Music Project for Creativity in Music Education
Publisher Contemporary Music Project, Music Educators National Conference, 1965
At page 79 in the book with the article:
“Never before have the dynamic forces of change spun with such incredible speed. In the nearly two thousand years since the birth of Christ, there has been first a very slow and then a rapidly accelerating growth in the accumulation of knowledge. If this accumulation is plotted on a time line, beginning with the birth of Christ, the first doubling of knowledge occurs in 1750,the second in 1900, the third in 1950, and the fourth only ten years later, in 1960!”
What is the original source for these claims?
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The first section ("Early observations") in the Wikipedia article "Accelerating change" (https://en.wikipedia.org/wiki/Accelerating_change) lists some early publications. However, I think that Ole Sand refers to the discussions on the exponential growth of knowledge in the early 1960ies, e.g. by D.J. de Solla Price (Science Since Babylon, Yale Univ. Press 1961).
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Independent thinking is a cognitive strength that challenges conventional reasoning and limited beliefs. It's a key that opens the doors of ideological agency, creativity, and effective decision-making. In your opinion, what are the characteristics of independent thinkers?
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Dear Amalya,
The ability to talk and think is a central defining characteristic of what is to be humans. As humans, we all learn to think and talk in the first two years of our life. We throw this enculturation process access to the enormous cultural heritage and talk and think throw the concepts that thousand of years of human cultural development are now available. We will need to learn to read and write to further access the cultural heritage and thus begin to think more deeply. Most of us then plateau to a more or less basic level of thinking but a few want to further their capacity to think deeper about their society and the world. There is something in them that tell them that it is socially vital that a few do that and they thus began in their teenage or early adult life the journey of thinking deeply , of learning about themself and where they come from. The deeper their journey lead them and the more they are the true captain of their journey and not the simply thinking puppet whose thought are upload by the media surrounding us. It is mysterious why certain kid and young adult will be called to embark on this journey and persist on it.
Regards,
- Louis
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"The word art, science, and engineering are closely related" contains over fifty innovative keys. Moreover, every creative key adds new information and knowledge to art, science, and engineering words.
What is the unified and stable art of any word?
To learn this, we must find definitive answers to the following questions.
Please answer the following questions:
What is the art of the word? And this is.
It raises other questions, and one of them resulted in a new science called the art of abstraction by Fayad (FAA):
What is the significance of the word?
What is the value of the word?
What are the advantages and ethics of the word?
What are the aesthetic qualities of the word?
What is the final and comprehensive definition of any word?
What are the uses of the word technically?
What is the visual art of the word?
What is the beauty of the word?
What is the creativity of the word?
and others
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The unified and stable art of any word lies in its ability to convey meaning and evoke emotion consistently across contexts. This stability allows words to serve as tools for communication, expression, and connection, while their artfulness emerges from their nuances, rhythms, and the cultural or personal associations they carry.
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Concerns with Generative AI and Counterpoints
Content Authenticity: Generative AI can create content that is indistinguishable from human-created content, raising concerns about authenticity. For example, deepfake technologies can create realistic videos and audio of public figures saying or doing things they never actually did, which can be used to spread misinformation.
Counterpoint: While generative AI can indeed create highly realistic content, its potential to spread misinformation can be controlled through stringent regulations, robust watermarking, and origin-tracking technologies. Rather than fearing the capability of AI to generate authentic-seeming content, emphasis should be placed on developing technologies and legal frameworks that enhance transparency and traceability. For instance, blockchain technology can be utilized to verify the authenticity of digital content and trace its origin, ensuring that generative AI's capabilities are used responsibly and ethically.
Intellectual Property Issues: Generative AI raises complex questions about creativity and ownership. If an AI generates a piece of music or a novel, who owns the copyright? This challenges traditional notions of authorship and intellectual property.
Counterpoint: Intellectual property concerns raised by generative AI challenge us to rethink and potentially expand our understanding of creativity and authorship. This can lead to new legal frameworks that recognize both human and machine contributions. Furthermore, generative AI can be viewed as a tool that extends human creativity rather than competes with it. The AI itself does not "create" in the human sense but rather processes human input and existing data to produce output. Therefore, the output could be treated similarly to how copyright laws treat works made for hire or joint authorship, attributing rights based on the original human input and intent.
Economic Impact: There is also concern about the economic impacts of generative AI, particularly its potential to replace human jobs in creative industries. This includes roles in writing, journalism, art, and more, where generative AI can produce content at scale, potentially reducing opportunities for human creators.
Counterpoint: Although there is a concern that generative AI may replace jobs in creative industries, it can also be seen as a tool that enhances productivity and allows for new forms of artistic expression and innovation. Generative AI can remove mundane and repetitive aspects of creative work, freeing human artists, writers, and creators to engage in higher-level conceptualization and complex problem-solving. Moreover, it can democratize creation, enabling individuals without traditional training in certain arts to express themselves creatively and generate new business opportunities. The net effect could be an expansion of the creative industries rather than a contraction, as more people can participate and innovate.
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The recent paper by Helgesson, G., & Bülow, W. (2024), Responsibility is an adequate requirement for authorship: a reply to Levy, Journal of Medical Ethics.". illustrates the debate that animates the scientific community on Ethics and its relationship to scientific production and publication when AI is involved in the elaboration process.
There one may read: "Neil Levy argues in a recent JME ‘Current controversy’ paper that responsibility is not an adequate authorship requirement for human researchers, which makes it unjustified to require it from artificial intelligence contributing to research and scientific paper production, although he softens his stance towards the end and accepts that a limited responsibility requirement might after all be reasonable. The main argument provided by Levy against a more extensive responsibility requirement in science is that there are many cases where not all researchers listed as coauthors can assume responsibility for the entire paper or even the central research questions." To be requested on:
Article Responsibility is an adequate requirement for authorship: a ...
Linked Articles to the Current controversy: Neil Levy, Responsibility is not required for authorship, Journal of Medical Ethics 2024; - Published Online First: 15 May 2024.
Helgesson, G., & Bülow, W. (2024). Responsibility is an adequate requirement for authorship: a reply to Levy. Journal of Medical Ethics
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AI can have a significant impact on the potential for spontaneous discovery and invention. By supporting creativity and experimentation, it can open the door to innovation. However, it is essential to maintain a balance between using technology and preserving basic human capabilities, such as creative thinking, the ability to take risks, and spontaneous discovery.
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AI curates literatures and other information from human inputs. For example , when you ask Open AI to produce the news stories of the day, the algorithm collects these information from the websites or digital repository of newspapers houses and other media organization. This situation asserts that human intelligence is supreme to AI. I will conclude that AI is merely a technology meant to enhance human creativity and ease up search engines
performance.
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How does computational thinking affect scientific creativity?
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Alwielland Q. Bello Computational thinking significantly impacts scientific creativity by providing a framework that enhances problem-solving abilities, fosters innovative thinking, and enables scientists to approach complex problems in new and systematic ways. Here’s how computational thinking influences scientific creativity:
1. Decomposition:
  • Definition: Breaking down complex problems into smaller, more manageable parts.
  • Impact on Creativity: By decomposing a scientific problem, researchers can focus on individual components, which allows for a deeper understanding and exploration of each element. This granular approach can lead to the discovery of novel connections and solutions that might not be apparent when viewing the problem as a whole.
2. Pattern Recognition:
  • Definition: Identifying patterns and trends within data or problems.
  • Impact on Creativity: Pattern recognition helps scientists detect regularities and anomalies, which can inspire creative hypotheses and theories. By recognizing these patterns, scientists can develop new models or predict phenomena in ways that are innovative and potentially groundbreaking.
3. Abstraction:
  • Definition: Simplifying complex systems by focusing on the most relevant details.
  • Impact on Creativity: Abstraction allows scientists to conceptualize problems at a higher level, removing unnecessary complexity. This simplification can lead to the development of new frameworks or paradigms that are both creative and effective in addressing scientific challenges.
4. Algorithmic Thinking:
  • Definition: Developing step-by-step solutions or procedures to solve problems.
  • Impact on Creativity: Algorithmic thinking encourages scientists to devise systematic approaches to problem-solving. This can lead to the automation of tasks, the creation of simulations, or the development of new experimental methods, all of which can drive scientific innovation.
5. Simulation and Modeling:
  • Definition: Using computational models to simulate complex systems.
  • Impact on Creativity: Computational simulations allow scientists to test hypotheses and explore scenarios that would be impractical or impossible to examine experimentally. This capability expands the boundaries of scientific inquiry, enabling creative exploration of ideas in a virtual environment before committing resources to physical experimentation.
6. Interdisciplinary Collaboration:
  • Definition: Combining computational thinking with other disciplines.
  • Impact on Creativity: Computational thinking often requires collaboration across disciplines, such as mathematics, computer science, biology, and physics. This interdisciplinary approach fosters creative solutions by integrating diverse perspectives and methods, leading to innovative scientific discoveries.
7. Data-Driven Discovery:
  • Definition: Leveraging computational tools to analyze large datasets.
  • Impact on Creativity: The ability to process and analyze massive amounts of data enables scientists to uncover hidden insights and patterns. This data-driven approach can lead to creative breakthroughs, such as identifying new trends, correlations, or outliers that inspire novel research questions.
8. Innovation in Research Methods:
  • Definition: Developing new tools and methodologies through computational thinking.
  • Impact on Creativity: Computational thinking can lead to the invention of new research methods, such as machine learning algorithms, that open up new avenues of scientific exploration. These innovative tools can enhance the creative potential of scientists by providing new ways to approach and solve problems.
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Are there quantitative ways of measuing creativity?
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Measuring creativity Álvaro Augusto Dealcides Silveira Moutinho Bahls is a complex and multifaceted endeavor, as creativity itself is a subjective and context-dependent construct. However, researchers and practitioners have developed various methods and tools to assess creativity across different domains. No single method can fully encapsulate the complexity of creativity, and many researchers advocate for a multi-method approach that combines quantitative and qualitative measures. The choice of measurement tools often depends on the specific goals of the research or evaluation, the population being studied, and the context in which creativity is expressed.
Examples:
Brain Imaging Studies: Techniques such as fMRI and EEG can investigate the neurological basis of creativity, identifying brain regions activated during creative tasks and the patterns of brain activity associated with creative thinking.
Torrance Tests of Creative Thinking (TTCT): Developed by E. Paul Torrance, these tests are among the most widely used measures of creativity. They assess divergent thinking through verbal and figural tasks, examining fluency, flexibility, originality, and elaboration.
Creative Problem-Solving Tasks: These tasks can involve real-world scenarios where individuals must generate innovative solutions, often observed in group settings.
Social Network Analysis: Measuring creativity in collaborative environments may involve analyzing the interactions among group members and the diversity of ideas generated.
Creative Personality Scale (CPS): Participants rate themselves on various traits believed to be associated with creativity, such as openness to experience, tolerance for ambiguity, and risk-taking.
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can creativity nurturing be compelled ? how and why in support of your answer ?
“When learning is purposeful, creativity blossoms. When creativity blossoms, thinking emanates. When thinking emanates, knowledge is fully lit. When knowledge is fully lit, economy flourishes.”‍
A.P.J. Abdul Kalam
colloboration can compell creativity nurturing .
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yes creativity nurturing can be indirectly compelled ,by generating an environment that fosters creativity, by lighting a spark that ignate the internal motivation, and continous support to learning agility.
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Is Artificial intelligence(AI) negatively affecting the modtvation , which is key component of creativity Nurturing ? e.g. Online music composition by AI will demotivate the musicians the creative class of people. similarly poets, if AI starts writing poems , will it affect the supremacy of the human mind. ?
what do you think. please put your answer ?
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Artificial Intelligence, in my opinion can impact motivation both positively and negatively. On one hand, AI can automate repetitive tasks, freeing up time for creative thinking and allowing individuals to focus on more inspiring work. On the other hand, if AI diminishes the need for human input in creative processes, it could potentially lower motivation. It is important that we use AI as a tool to augment human creativity rather than replace it. When used in a proper way, it can expand creative horizons.
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What do you think are the most appropriate progressive approaches for the sustainable development of health tourism as a tourism value chain service? Integrating medical tourism or adopting a more wellness-focused approach? Is it possible to associate health tourism with what other modern challenges?
  1. Ecotourism,
  2. regenerative tourism,
  3. creative tourism,
  4. smart tourism, etc.
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  1. Health tourism is certainly, sometimes less, sometimes more,integrated into almost all types of mountain, coastal, river, ecotourism, rural, cultural, then adrenaline tourism through recreational - mental recovery or through physical activity according to age, type of tourism, etc. Therefore, it is an integral part of various types of tourism through "recovery of spirit and body". Complete health tourism is, for example, spa tourism.Therefore, Health tourism can certainly be integrated and connected with other modern challenges, as you mentioned ecotourism, regenerative tourism, creative tourism, smart tourism etc
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Creative teaching can lead to a wide variety of teaching styles.
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Indeed, Creative Teaching helps to improve the understanding of complex concepts and frames in complicated subjects of science.
Particularly, I have positive results by creating short infographics from the material that is discussed either way, online or in-person lectures on the subject of Statistical Thermodynamics for physics students.
Statistical Thermodynamics is a hard subject to teach and to learn, I must add.
Best Regards.
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creativity
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Is creativity an expression of good teaching and good learning? Yes, of course.
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Understanding the Evolving Customer Journey
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I think we should start the ads with an interesting opening and Make the ads shorter so people don’t get bored and use another strategy or use Guerrilla marketing .
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One of the reviewers assigned to evaluate one of my submitted manuscripts rejected it on the grounds that my focus on creativity in entrepreneurship was misplaced. The reviewer asserted, and I quote, "creativity is not an entrepreneurial construct"
I seek your insights to support this perspective.
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Creativity Sabina Ibrahimovic Ildokuz eliminates the limits to the mindset and skill set of an investor.
However, a lot of people associate creativity with lack of restraint and believe it can cause chaos. Conversely, leadership is all about control and order.
As such, entrepreneurship and creativity form a perfect combination. It no longer takes number-crunching skills and practicality to run a successful business.
Over time, creativity has become an integral component of good business acumen. Lack of creativity could easily drag your business into the stagnation mode.
There is a misconception that people only needs intelligence to achieve everything they need in life.
However, it takes time for aspiring entrepreneurs to realize that creativity plays an integral role as well.
Unfortunately, a lot of learning institutions stress more on intelligence than creative thinking. It could perhaps be because intellectual knowledge is measurable whereas creativity can be challenging to spot. Nonetheless, dynamics are changing, and entrepreneurs are beginning to realize the importance of bringing creative people on board. Creative workers can be a game changer in your company if you harness and shape their skills adequately.
______
Conclusion:
Creativity is one of the things that every leader and entrepreneur need.
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can AI make meaningful contribution to Creativity ? why and how?
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AI enhances creativity by expanding the tools and possibilities available , generating novel ideas, and increasing efficiency. While it cannot replace the human touch, AI serves as a powerful collaborator, opening up new avenues for creative expression.
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Is there any research that has talked about this topic?
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Are there examples such as studies in countries?
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Dear fellow friends, in our pursuit of excellence in academia, we must not downplay the profound effect of a declining population on various spheres of society, economy, and culture. The interview video below is quite revealing regarding this issue since it provides valuable ideas about how immigration could help address these challenges.
Scholars are interested in the debate on how South Korea can effectively navigate the demographic transition. If the population declines, policy responses must be nuanced. Dynamics are correctly addressed while balancing cultural considerations with socio-economic needs—evidence-based strategies promoting sustainable development and social harmony.
I recommend that each one of us watch the video and express our standpoint, research results, and creative suggestions for shaping immigration policy in South Korea. Let us use our collective wisdom as an academic community to plan for a better future that will withstand different shocks.
I am looking forward to your invaluable input.
Regards,
Xiuli Chen
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Houssine Soussi, thanks for your feedback on the issue of a decrease in population through a visionary immigration policy. It is both extensive and insightful. By balancing economic expansion with cultural responsiveness, you stress not only attracting skilled workers but also establishing an assorted and encompassing society. The concept of “talent hubs” that have been put forward, which have simplified procedures as well as support systems, can facilitate immigration for everyone. Unique elements from different countries across the globe make it a more empathetic and comprehensive approach to addressing demographic issues facing South Korea.
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The main challenge we have in undergrad education is engagement - except when "it's for marks". Gen Z's do value 'collab' and group work is a valuable component of assessments.
Our point of difference as a business school is creativity (we were initially started by an ad agency). I would like to investigate a conference paper on creative forms of submissions. For example, I had one group present their results as a rap song (that one wasn't for marks). I want to explore alternative means of presenting assignments. And I mean alternative. Modalities such as karaoke, singing, lyrics, libretto (and any other three-act structure), a TV episode, short play, screenplay etc etc.
I need help on two fronts: what pedagogy theories would be relevant lenses, and also if you could add to the etc etc.
Many thanks
Sid
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Yeah - spotted that too (and tested it to confirm). But does give me somewhat of a start.
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In this presence age, AI is being used in many areas of human endeavour. Be that as it may, can human creativity, empathy, and complex problem-solving abilities be replaced with AI in any field?
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Certainly! In short, while AI can enhance creativity in various fields like art, design, content creation, marketing, film production, and product innovation, it's unlikely to fully replace human creativity due to the unique perspectives, emotions, and experiences humans bring to the table.
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How Pir Hassan Ali Shah tries to make a new world record on ResearchGate every week in all new global complex business and market world environment setting. Send, share, and recommend current hot topics. 
My image of Pir Hassan Ali Shah as a world top, best and great scholar is building on the subjects of money, accounting, finance, and economics in schools, colleges, universities, researchers, students, professors, teachers, deans, scholars, and the general public who like to study and learn on the world wide web is building daily with the highest number of people searching for me daily. All great media journals, book publishers, newspapers, magazines, and websites are asking me and sending emails to call for articles, write for them, and send submissions of articles solely to them for urgent publication. In a short period of time, I have become the most wanted person on the world wide web on the subjects of money, accounting, finance, and economics. In the ResearchGate community of scholars, my articles are the best in the world. I am making new world records every day, week, month, and year as the most people read my articles. 
I thank all people for making my articles the world's top articles in the united nations, countries, and cities. I am using more tools like —images, videos, maps, news, mobile, etc.—to make my work more creative. My work is how to use money, economics, finance, and accounting to educate the world. What is the best topic to write about? Share, like, and recommend my posts.
 
I want people to spread my articles, messages, and questions links on Google Scholar, academia, and social media link sites like Facebook, WhatsApp groups, YouTube, Instagram, LinkedIn, Twitter, TikTok, etc., so more and more people read about my work and business daily, in all weather. Every day, week, month, and year, Pir Hassan Ali Shah is daily working on all new topics, ideas, and concepts to help people around the globe understand the latest things and how to solve their problems in all new global complex business and market world environment setting.
 
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PS/
“The educated differ from the uneducated as much as the living from the dead.”
Aristotle
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I would like to know if Artificial Intelligence (AI) will become the most knowledgeable and highly skilled researcher on Earth and will surpass the creativity and research of all the humans in this world.
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Whether or not artificial intelligence (AI) will be able to outperform human intelligence—and how soon that could happen—is a common question fueled by depictions of AI in popular culture. Key to this comparison is a clear understanding of "intelligence."
One common definition describes intelligence as the ability of someone or something to achieve goals in a wide variety of environments. We can compare how well computers and humans are able to meet this definition.Computers start with many advantages. They have better memories, they can quickly gather information from numerous digital sources, they can work continuously without the need for sleep, they don't make mathematical errors, and they are better at multitasking and thinking several steps ahead than humans. This makes them superior to humans at achieving some goals, such as calculating complex mathematical problems or sorting through large amounts of data. However, most AI systems are specialized for very specific applications.
Regards,
Shafagat
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I need help
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You can build it yourself, better according to the goals and sample of your research population
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The concept of "creativity" in a literary text, excusing poetic texts, refers to the ability of the author to produce work that is original, imaginative, and expressive. Creativity in literature involves the generation of new ideas, perspectives, and artistic expressions that evoke emotions, provoke thought, and provide fresh insights. Several studies have dealt with the topic, though they have not provided operational definitions of the term so that it can be measured. Could you propose some operational definitions based on your experience or sources that you have come across?
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QUOTE: that evoke emotions, provoke thought, and provide fresh insights.
Isn't that the creativity of the reader, instead of the writer?
I don't think I should take credit for my audience's talents and skills! :P
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There are several definitions of mathematical creativity. Please share your favorite definition of mathematical creativity
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You dont. Recognize when you see it.
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We are intended to write a review articles in the domain of Composites, Computational Composite Mechanics, Composites Applications in Aerospace, and Composites trends in Renewable energy.
Innovative, Creative, Motivated, Open Source Learners and Experts are highly demanded. Anyone interested please response back as soon as possible.
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Disincentives dictate every part of human behavior. White people MUST feel empathy for ALL to implement RENEWABLE energy. The colonizer negative memetics destroy progress. So, white Fragility MUST END: https://www.researchgate.net/publication/380427514_Kalergi_and_Hart-Cellerand_Memetics_White_Antifragility
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Artificial Intelligence
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I am Dr. Khanmohammadi
In my opinion, deep knowledge and hermeneutic interpretation should be used in intuition, which requires experience and diagnosis, and the main part explains the result based on feeling and interpretation.
With the help of artificial intelligence, this is not possible because the main thinking and structure of artificial intelligence is based on data mining and algorithms and does not have feelings, and it comes to a conclusion based on the paradigm of the positio system, and in fact there will be no trace of feelings in it.
Of course, with the use of artificial intelligence, it becomes possible to categorize and issue statements more accurately, but for witnesses, the final statement must be issued by the researcher.
As a result, it should be said that the origin of intuition is based on hermeneutic interpretation and paradigm, which cannot be implemented with artificial intelligence and must be human-centered.
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for systemic risk of wjs.com experience best experienced alongside other explorer spirit independently in creativity.
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To address systemic risk on wsj.com, I'd encourage collaboration with other industry leaders, fostering an explorative spirit to creatively identify and mitigate potential vulnerabilities.
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This week's blog post is on split-brain phenomena: a line of research that has been misinterpreted to support the "neuromyth" that people can be either left-brained (i.e., logical) or right-brained (i.e., creative). The notion of hemispheric specialization does not line up well with what the split-brain studies actually found. https://sites.google.com/view/two-minds/blog
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I think Split-brain research investigates the cognitive and neurological effects of a surgical procedure called corpus callosotomy, which involves severing the corpus callosum, the main connection between the brain's left and right hemispheres. In my blog post, I'll delve into the history, methods, findings, and implications of split-brain research, discussing how it has shaped our understanding of brain function, consciousness, perception, and language processing. I'll also explore ethical considerations and future directions in this fascinating field of neuroscience.
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What role does creativity play in the Gaborone informal sector of Business
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With no particular reference to Gabonese informal sector, generally creativity is an exploration of innovation opportunities through modifications and unprecedented activities that strengthen the survivability of nSMEs , making competition adaptive and responsiveness to customer needs.
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Introducing Artificial Intelligence in the first year of engineering studies offers students a foundational understanding of its principles and applications. This early exposure fosters relevance, interdisciplinary skills, and prepares them for future technological demands. It cultivates critical thinking and creativity, equipping them with essential tools to tackle complex problems in diverse fields. But, what about their personal skill and learning process?
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IMHO and from personal experience, it is extremely valuable to explain concepts and identify and self-correct learning lacunae. The fact that the LLM AI are terribly bad at actual math is a great plus, students still have to work through the math for the most part - BUT - can get individualized explanations suitable to their learning styles and background. This IMHO a one of the greatest advance in pedagogy since frontal education began: A dedicated teacher can maybe keep track of max. 25-30 1st year students learning styles and understanding and only w great sustained effort and extra work (I know from experience teaching computer science 20 years ago to 1st year students for a couple of years). The AI can do this effortlessly scaled to 100s of students w/o tiring, w variations. It's incredibly gratifying to see such an advance.
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Dear Colleagues,
I'm currently researching the relationships between participation in creative-cultural activities, the mental well-being of individuals and the influence of this link on the individuals' work/study performance.
To do so, I developed a questionnaire which combines already validated and well-known scales into a unique framework.
However, to proceed further with this investigation, I need thousands of answers to the questionnaire to perform statistical analyses properly.
Thus, I would be immensely grateful if you could spend a few minutes of your time completing the questionnaire (https://forms.gle/J5ey26y5nmFbEfhE8) and if you could share your observations and suggestions with me.
Thank you in advance for your precious help!
Regards,
Luna
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Methodologically, efficient questionnaire Luna Leoni ! Success 1
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Generative AI in its very childhood and with its currently very limited potential can create (or at least perfectly mimic or steal) art or code as excellent as human's art or code etc., if not better. I for one see no bright future for (human) creativity once "creative" AI becomes too powerful, too available, and too economic --which is probably just a few years later.
Almost no creative humans will be eager to do creative work anymore, because their hard work will be bested by AI in milliseconds. AI will do it all. AI will even have its own ideas.
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John N. Carbone Generative AI is not only a tool. It has its own creativity outside the imagination or control of the user. Try this prompt and see be surprised:
generate an image of city, chaos 49
Instruction: Asks something, then a comma, then the keyword 'chaos', then a degree of chaos between zero and 100. The 'chaos [0-100]' prompt will add AI's exclusive ideas and creativity as a separate, surprising layer.
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I only have a microinjector available to me Femtojet eppendorf ( I am new this and have never used the instrument). I would like to create a negative pressure and aspirate spores. The idea is not to load a needle for injection but merely selectively isolate spores from a mixed batch and aspirate them out and collect the spores at the end. Looking at the manual I can see that I cannot aspirate but maybe you creative people have any ideas/suggestions. I have a pump, I was thinking of attaching a syringe filled with cotton bud to reduce the suction or maybe I can use running water with a Y-joint tubing to create negative pressure, any ideas are welcome. Many Thanks Justina
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Here is aspiration into 20..100um plastic orifice https://www.youtube.com/watch?v=hNZXbj0n0LU
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Hello,
It is certain that with artificial intelligence things (good or bad) will move forward. But, I fear that the right hemisphere of the human brain (responsible for creativity) will be put on “technical unemployment”, or even, it will be forced to “retire”.
It's my point of view.
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Thank you Mr. Roger K. Thomas for your response,
Obviously, I did not want to firmly associate the function, but I just wanted to draw attention to the fact of using too much artificial intelligence, which risks making humans familiar with not putting too much strain on their brain, with all the consequences that it is behind.
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Dear colleagues, please tell me how to measure the demand, recognition, productivity and development of creative people (living), if there are NO sales figures, sales dynamics, participation in auctions. There is also no number of created works.. The only thing is that you can understand whether there is a website or not, likes, networks, publications and mentions in networks, possible participation in exhibitions and biennials.
Maybe there are ideas and works of other people, methods. I will be glad to receive any thoughts and ideas with great joy and impatience. Thank you sincerely!
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Productivity shows in the amount of works produced. Included here are publications (by the artist). Demand shows in sales, not in "likes". You can get millions of likes and die without selling a single painting or drawing. "Development" meaning ? artistically -technical or stylistic improvement- or development of career (more sales) ? A website can show productivity and artistic development (mind you, some people now use instagram instead of personal website). Productivity also applies to conferences, presentations, masterclasses, workshops.
Recognition is tricky, you can be recognised locally -in your city- and be completely unknown in your country. You can be recognised academically (publications) and not be recognised as a creator. Exhibitions show that the artist is active, regardless of whether they are solo or group shows. Generally exhibiting shows one is active, but not necessarily that one has demand in sales or recognition outside the limited circle of artists one collaborates with. Biennials are a form of recognition, especially if one is invited to exhibit.
You would probably have to consider all of the factors you mention in your question. Just bear in mind that an artist might be active academically and less active in terms of exhibitions: that does not mean that there is less productivity.
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Dear colleague:
I am interested to use "Alternative User Test" to measure creativity in a research. Could some share an example of this test?
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The "Alternative Uses Test" is a psychological assessment technique commonly used in creativity research. It involves asking individuals to generate as many alternative uses as they can for a particular object within a specified time frame. This test is designed to measure divergent thinking, which is a component of creativity.
During the test, participants are presented with a common object (e.g., a brick, a paperclip, or a shoe) and are instructed to list as many unconventional or unusual uses for that object as they can think of. The emphasis is on generating novel and creative ideas rather than practical or conventional uses.
The Alternative Uses Test has been widely used in psychology and creativity research to study various aspects of creative thinking, such as fluency (the number of ideas generated), flexibility (the variety of ideas produced), and originality (the uniqueness of ideas).
Researchers use the results of the Alternative Uses Test to gain insights into individual differences in creativity, the effects of various interventions or manipulations on creative thinking, and the relationship between creativity and other psychological constructs.
Overall, the Alternative Uses Test provides a structured way to assess and measure creative thinking abilities in individuals.
Here's an example of how the Alternative Uses Test could be conducted to measure creativity in research:
Research Question:
Does exposure to nature enhance creative thinking abilities?
Methodology:
Participants:
- Participants will be recruited from a university campus.
- A total of 50 undergraduate students will be randomly assigned to two groups: Experimental Group (exposed to nature) and Control Group (not exposed to nature).
Procedure:
1. Pre-Test Assessment:
- Before the experiment, all participants will complete a demographic questionnaire and a baseline measure of creative thinking using a standardized creativity assessment tool, such as the Torrance Tests of Creative Thinking (TTCT).
2. Exposure to Nature:
- The Experimental Group will be taken on a guided nature walk through a nearby park for 30 minutes.
- The Control Group will engage in a similar 30-minute activity indoors, such as reading a magazine in a waiting room.
3. Alternative Uses Test:
- After the exposure activity, all participants will complete the Alternative Uses Test.
- Each participant will be given a common object (e.g., a plastic bottle) and instructed to list as many alternative uses for the object as they can think of within a 5-minute time frame.
- Participants will be asked to be as creative and original as possible, aiming for unconventional and imaginative ideas.
4. Post-Test Assessment:
- Following the Alternative Uses Test, participants will complete a post-test questionnaire to assess their mood and feelings of creativity.
- Participants will then undergo a debriefing session where the purpose of the study will be explained, and any questions will be addressed.
Data Analysis:
- The responses from the Alternative Uses Test will be analyzed based on several creativity metrics, including:
- Fluency: The total number of alternative uses generated.
- Flexibility: The variety of different categories or domains represented in the responses.
- Originality: The uniqueness and novelty of the ideas generated.
- Statistical analyses, such as t-tests or ANOVAs, will be conducted to compare the creative thinking performance between the Experimental and Control Groups.
Conclusion:
Based on the results of the Alternative Uses Test and statistical analyses, conclusions can be drawn regarding the impact of nature exposure on creative thinking abilities. This study contributes to the understanding of environmental influences on creativity and may have implications for educational and recreational practices.
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Colleagues #question, or rather three questions that have been tormenting me for many months and even preventing me from sleeping. Maybe you can answer them:
#1. Do creative people (artists, writers, sculptors, etc.) have entrepreneurial competencies?
#2. Do they need them or not in their professional career?
#3. Do they use them or not? The answers are simple: 1-yes or no, 2-yes or no, 3-yes or no. Can you please answer, it’s very, very important.
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Yes at the same time. Dealings in art is the most likely way for artists to make sufficient money. So if they don’t have a management company, then they suffer organizing all their projects and also fall prey to bad dealings simply because there’s so much on their plate. Creative people need space to think and process their own information and their carefree expression. That’s why you need the manager so they focus on all the business and then you as the artist just focus on the making art.
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Learning and creativity are closely related, but will it be related to teaching?
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Walfredo González Hernández In my view as an experienced schoolteacher to young learners, creativity is absolutely an enjoyable and effective expression of good learning/teaching experiences, e.g., outdoor arts-based, nature-based learning and teaching approaches, strategies, etc.
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How does creativity translate into high performance?
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Creativity is often a driving force behind high performance in various fields, including my field (fashion design). Here's how creativity can translate into high performance:
  1. Innovation: Creative thinking allows fashion designers to come up with new ideas, designs, and concepts that push the boundaries of traditional fashion norms. This innovation can lead to the creation of unique and groundbreaking designs that set trends and capture the attention of consumers.
  2. Problem-solving: Creativity enables fashion designers to approach challenges and obstacles from new perspectives. Whether it's finding solutions to technical issues in garment construction or addressing market demands, creative problem-solving skills are essential for high performance in the fashion industry.
  3. Differentiation: In a highly competitive market, creativity helps fashion designers stand out from the crowd. By infusing their designs with unique aesthetics, concepts, and storytelling, designers can differentiate their brand and products, attracting loyal customers and achieving commercial success.
  4. Adaptability: Fashion is constantly evolving, and creativity allows designers to adapt to changing trends, consumer preferences, and technological advancements. High-performing designers are able to anticipate shifts in the industry and respond with innovative designs that resonate with their target audience.
  5. Emotional connection: Creative fashion designs have the power to evoke emotions and connect with consumers on a deeper level. Whether it's through captivating visuals, thought-provoking concepts, or sustainable practices, creativity enables designers to create meaningful experiences that resonate with their audience and foster brand loyalty.
Overall, creativity is a key driver of high performance in fashion design, enabling designers to innovate, solve problems, differentiate their brand, adapt to change, and forge emotional connections with consumers.
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In light of the technological advancements, the use of rigid terminologies has become an inevitable aspect. Regrettably, this has made it challenging for African languages to develop a corresponding lexicon, consequently resorting to transliteration as the sole viable option. However, it remains unclear whether transliteration represents a novel approach to word creation or a catalyst for stagnation in the African languages' creativity in their terminologies.
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الأمر فعليا يعتمد على قضية تجديد البحث اللغوي هذا من ناحية، من ناحية أخرى لا يمكن لوم اللغة عن عدم قدرتها على مواكبة التطور لأن المصطلحات التكنولوجية مصطلحات وضعية، أي تضعها المجتمعات اللغوية وتصطلحها البلدان التي نشأت فيها هذه الثورات العلمية، فإن أردنا مواكبة هذا التطور فعلينا أن نتطور وستصاحبنا اللغة تحصيلا
.حاصلا لأن حاجتنا للاصطلاح والتسمية ستفرض علينا تجديد البحث اللغوي وجعله مواكبا للتطور التكنولوجي
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How does generative AI impact creativity?
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Without a doubt, properly nuanced training of AI requires creativity and imagination. But the question is, does generative AI impact creativity, which I interpreting as asking whether it enhances creativity, vitiates creativity, or neither. I take it as a given that it can do both. But whether the effect will be systemic or widespread, it's too soon to tell. Politician often seem to lack the imagination to foresee the possible consequences of the laws, policies, and procedures that they enact or implement. I think even just plain AI could help with that.
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Is AI a useful tool for creative subjects such as performing arts and music or architecture? are there any useful application in courses such as film and television production?
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The first truth is the inevitable height/width/pictorial acreage of not just the visual field but all visual media, so starting from that platform, one has something to work with, as the pictorial rules that govern all visual production, share that same essential characteristics, all subject to the same geometric facts, be it painting, CGI, immersive installation, theatre film and TV etc.
Therefore I have written the pictorial matrix (after 40 years of thought) of that.
AI at some stage will be utilised to explore all that the pictorial matrix is, but first one has to write the pictorial matrix.
If one comes up against a problem in the creative industries, an interesting way of looking at AI is to imagine it can solve all things and then work out how it can and that's how it will evolve: