William C. Wees’s scientific contributions

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Publications (1)


Recycled Images: the Art and Politics of Found Footage Films
  • Article
  • Full-text available

May 2021

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688 Reads

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131 Citations

Revista Laika

William C. Wees

Whatever the filmmaker may do to them — including nothing more than reproduce them exactly as he or she found them — recycled images call attention to themselves as images, as products of the image-producing industries of film and television, and therefore as pieces of the vast and intricate mosaic of information, entertainment, and persuasion that constitute the media-saturated environment of modern — or many would say, postmodern — life. By reminding us that we are seeing images produced and disseminated by the media, found footage films open the door to a critical examination of the methods and motives underlying the media's use of images.

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Citations (1)


... Particularly in the fields of documentary cinema and experimental filmmaking, there is a long tradition of reappropriating home movies for the creation of new films, within the broader practices that William C. Wees (1993) defines as "found footage." Although the definitions offered by prominent scholars vary (Arthur 2000, Leyda 1964, Weinrichter 2009), taking Wees as a main reference, "found footage" practices range from compilation films-often in the form of expository historical documentaries, where pre-existing footage is used as evidence of the past-to collage films, where the intent is to reveal the emancipatory potential of pre-existing footage, especially from mass media. ...

Reference:

The Agency of a Home Movie Fragment in the Context of the Archive
Recycled Images: the Art and Politics of Found Footage Films

Revista Laika