Tara Mehrabi’s research while affiliated with Karlstads Universitet and other places

In this essay, I draw on the lyrics of a viral song by Shervin Hajipour titled “Baraye” (meaning: for the sake of) that was released on 28 September 2022 and immediately became the anthem of the protests in Iran. I quote excerpts of the lyrics in three sections of this essay, connecting them to the slogan “Woman, Life, Freedom” chanted in the streets and the symbolic act of cutting one’s hair that has come to represent the protests. In the first of these sections, on woman, I reflect on the regime’s gender politics (of hair), arguing that the act of cutting one’s hair becomes a symbolic act of resisting such gender politics. In the second section, on life, I focus on the act of cutting hair as a mode of mourning the unjust and untimely deaths, for which accountability is demanded. In the last section, on freedom, I focus on the sexual politics of hair and the politics of the veil. I argue that cutting one’s hair is a symbolic act of resisting modes of sexualization that are used by the regime to justify mandatory hijab. Putting together the three parts – woman, life, freedom – I conclude that cutting one’s hair is a feminist act of resistance, an exercise of agency through which Iranian women are taking control and reclaiming their womanhood, their lives, their bodies and their freedom of choice.

This introduction to the Queer Death Studies special issue explores an emerging transdisciplinary field of research. This field critically, (self-)reflexively and affirmatively investigates and challenges conventional normativities, assumptions, expectations, and regimes of truths that are brought to life and made evident by current planetary scale necropolitics and its framing of death, dying and mourning in the contemporary world. It is set against the background of traditional engagements with the question of death, often grounded in Western hegemonic and normative ideas of dying, dead and mourning subjects and bodies, on the one hand; and on the other contemporary discourses on human and nonhuman death and extinction, directly linked to the environmental crisis, capitalist and post/colonial extractivist necropolitics, material and symbolic violence, oppression and inequalities, and socio-economic, political and ecological unsustainabilities. By bringing together conceptual and analytical tools grounded in feminist materialisms and feminist theorising broadly speaking, queer theory and decolonial critique, the contributions in this special issue strive to advance queerfeminist methodologies and ontological, ethical and political understandings that critically and creatively attend to the problem of death, dying and mourning in the current environmental, cultural, and socio-political contexts.

Situated within feminist technoscience studies and affect theory, this article explores the methodological specificities of working with Drosophila Melanogaster, commonly known as fruit flies. Based on a year of participatory observation in a fly lab, the article challenges the modernist imaginaries of laboratory work as disembodied, detached and objective. It suggests that laboratory work is instead an interactive, embodied and affective process that takes place in proximity between human and non-human, subject and object. The article therefore contributes to earlier feminist science studies arguing that doing science is an interactive, procedural, socio-cultural phenomenon. However, while most such previous works focus on issues such as connections, companionship, love and empathy, this article asks what ethodological contributions can come from experiencing the intensity of more than human encounters that inspire undesirable feelings such as disgust.