Tanja Kerševan Smokvina's research while affiliated with University of Ljubljana and other places
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Publications (5)
This article examines the approaches of two understudied small EU countries to the possibility of imposing film-related levies or production investment obligations on non-domestic video on-demand services. Though they can take various forms, such measures are commonly referred to as ‘Netflix taxes’. Since 2018 they have been legally backed by the E...
Publikacija V senci digitalnih velikanov: sodobni trendi v slovenskem digitalnem novinarstvu preizprašuje komunikacijski potencial interneta in vlogo novih tehnologij v družbenem komuniciranju. Pri tem se osredotoča na vprašanje, kako se v času prevlade digitalnih komunikacijskih tehnologij spreminjata narava novinarskega dela in zmožnost novinarst...
This paper analyses policies and regulation addressing net neutrality in Slovenia. It traces them from their bold beginnings in 2012 to their harmonisation with prevailing trends and practices in the European Union, following the enactment of EU rules on net neutrality in 2016. The study, based on qualitative document analysis and supplemented by i...
The purpose of this report is twofold: to provide an expert opinion on the existing model of financing the public service broadcaster UA:PBC in Ukraine; and to explore possibilities for creating an alternative financing model that would secure adequate funding for UA:PBC to fulfil its public service mission. The exercise was requested by the Ukrain...
The project assesses the global opportunities and risks that are created for media by the switch- over from analog broadcasting to digital broadcasting; the growth of new media platforms as sources of news; and the convergence of traditional broadcasting with telecommunications. These changes redefine the ways that media can operate sustainably whi...
Citations
... MSs can now impose financial obligations to foreign VOD services targeting audiences in another country. However, given the minimal harmonisation nature of the AVMSD, European countries seem to be applying these provisions in different ways, thus some authors argue that this will result in further fragmentation of the European film industry market (European Audiovisual Observatory, 2022: 51) and that even with VODs services financial contribution to local cultural production, "small countries' markets" such as those in Slovenia and Croatia will not see expected revenue growth (KerševanSmokvina, 2021). ...
