Stephanie Clare's scientific contributions
What is this page?
This page lists the scientific contributions of an author, who either does not have a ResearchGate profile, or has not yet added these contributions to their profile.
It was automatically created by ResearchGate to create a record of this author's body of work. We create such pages to advance our goal of creating and maintaining the most comprehensive scientific repository possible. In doing so, we process publicly available (personal) data relating to the author as a member of the scientific community.
If you're a ResearchGate member, you can follow this page to keep up with this author's work.
If you are this author, and you don't want us to display this page anymore, please let us know.
It was automatically created by ResearchGate to create a record of this author's body of work. We create such pages to advance our goal of creating and maintaining the most comprehensive scientific repository possible. In doing so, we process publicly available (personal) data relating to the author as a member of the scientific community.
If you're a ResearchGate member, you can follow this page to keep up with this author's work.
If you are this author, and you don't want us to display this page anymore, please let us know.
Publication (1)
This essay considers a form of relation that is neither sameness nor difference but correspondence. It does so by analyzing the palindromes in two films, John Greyson's Fig Trees and Miranda July's Me and You and Everyone We Know. Within a palindrome, letters here and there are neither the same nor different. Instead, they correspond in a particula...
Citations
... As figures of correspondence, anal eroticism, repetition, and role-switching, palindromes "play with perceptions of spatial relations" by moving the reader in opposite directions and "collapsing" spatial and temporal differences, to become a mechanism for rethinking human relationality and its spatially construed difference. 17 Responding to Leo Bersani's treatment of anal eroticism as self- shattering repetition and his interpretation of the rectum as a grave for entailing "an irreversible end," Clare argues that anal eroticism is a palindrome. 18 For example, " ))<>(( " is the palindrome the young protagonist in the film Me and You and Everyone We Know designs to describe his fantasy of finding someone with whom to eternally "poop back and forth." ...
Reference: Queer Theory
