Sara Tiziana Levi’s research while affiliated with University of Modena and Reggio Emilia and other places

This study presents an in-depth archaeometric investigation of Iron Age ceramic assemblage dating from 950 to 750 BCE from the sanctuary at Polizzello Mountain, Sicily. The site, a key sanctuary utilized by indigenous communities for ritual activities, is examined for its strategic location, structural developments, pottery assemblages, and evidence of communal activities. The study employs petrographic analysis on thin sections, integrated with other analytical methods, to explore the technology behind pottery production. It investigates whether such production reflects a common technological knowledge shared by a broader community or if they represent a blend of different manufacturing traditions. The findings highlight that the pottery from Polizzello Mountain aligns with the well-established Sicilian tradition of combining calcareous components and grog, indicating a local tradition of pottery production with no significant compositional differences suggesting specialized production at the workshop level.

T The paper addresses the long-lasting human presence on the island of Stromboli, an active volcano at the northern edge of the Aeolian archipelago, in the Southern Tyrrhenian sea, Italy. A conceptual model has been built to explore the phenomenon, it takes into account a series of aspects comparing Stromboli to other islands: their morphology, natural resources and geography along with the archaeological and historical data and, further, human attitude to volcanic environments, to risk and to insularity has been deeply explored. We propose a complex narrative where a combination of geological, socio-economic, historical, and psychological factors influenced people’s choices and that human presence is related more to the volcanic (and island) environment (and opportunities) than to volcanic activity.

This study provides a critical and interdisciplinary review of the archaeological record of the Aeolian Islands (Italy), from their earliest settlement in the mid-sixth millennium BC (Middle Neolithic) to the establishment of trans-Mediterranean networks at the end of the second millennium BC (Final Bronze Age). We combine archaeological, archaeometric, bioarchaeological and environmental data to explore the interplay between different prehistoric practices and their spatial settings, revisiting old evidence and presenting new data. The resulting picture reveals different levels of interaction and the critical role of these small island communities in establishing and/or facilitating networks at the local and (inter)regional scale. Ceramic networks allow us to trace connections between the islands and their neighbours, underscoring the centrality of the island of Lipari, which is further supported by the spatial analysis of the settlement data, in particular concerning the growing web of intervisibility between contemporary settlements on the Aeolian Islands, Sicily and Calabria. We also highlight significant environmental factors, such as arid phases and volcanic events, and assess their impact in light of the islanders' responses, underscoring their long-term adaptability to the challenges of insularity. The study is supported by a new and up-to-date database of 50 prehistoric sites, incorporating unpublished results of ongoing archaeological investigations by the authors.

Decorated Italo-Mycenaean (IM) pottery, a high-status class found and made over three centuries from the Italian Late Middle Bronze Age onwards, was the subject of a large archaeological and archaeometric enquiry published by the present authors in 2014. The present paper focuses on identifying IM’s centres of production. The results of chemical analysis of IM using mainly ICP-ES make a strong case for regional production, irrespective of findspots in several parts of Italy. This accords well with the relative stylistic individuality of IM observed among the finds of IM across many parts of Italy, suggesting that IM is a powerful archaeological indicator of the way local communities were constructing and negotiating their identities at this crucial time of social and economic change at the end of the Bronze Age. A picture of more dispersed intra -regional production emerges from the combined chemical and petrographic analysis of two other pottery classes displaying Aegean influence: wheel-made Grey ware and decorated Final Bronze Age/Early Iron Age (FBA/EIA) pottery from sites in present-day Apulia and from Broglio di Trebisacce in Calabria. Potters manufacturing the former applied their knowledge of the wheel and kiln firing to handmade impasto shapes which were largely shared by local communities within a region. The results obtained for the latter reflect demands of the new elites of the emerging FBA/EIA in southern Italy to create symbols expressing a new cultural identity: this pottery’s style, especially of Protogeometric, was uniform but its production was localised.

This paper presents the results obtained from palynological research carried out at the archaeological site of San Vincenzo-Stromboli (Aeolian Islands, Sicily) during seven fieldwork seasons (2009–2015). The site has had discontinuous occupation since the Neolithic; the main remains are dated to the Bronze Age, late Roman and late Medieval phases. Pollen analyses were carried out on 60 samples taken from different archaeological contexts, and about 1/3 had enough pollen to calculate pollen spectra. The aim of the research was to gain new data on the economy and productive activity of the island, and to reconstruct the landscape focusing primarily on the Bronze Age, and then on the other occupational phases. An interdisciplinary approach integrating different disciplines has facilitated new interpretations about landscape and human activities.

Lipari, the largest island in the Aeolian archipelago, commands a strategic position in the Central Mediterranean, and its pre and proto history extends over 5000 years of continuous habitation. This paper aims to discuss the Lipari cultural sequence in a new interdisciplinary perspective juxtaposing the different spheres of innovation, connectivity, territory, demography and environment to explore the continuity and the variability of its pottery tradition. For the occupational pattern at Lipari we propose the definition of seven areas (or regional foci) formed by clusters of sites characterized by geographic proximity and similar orientation/ elevation above the sea level. This approach allows a general evaluation of the territorial occupation (new areas, continuity, reoccupation, abandonment), also combined with the estimated demographical trend. Among the environmental and economic aspects, we considered the volcanic activities in the Archipelago and some recent studies about agricultural practices. The study presents in detail the archaeological implications of pottery analysis at Lipari, where 384 samples have been classified in 33 distinctive ceramic fabrics. A single, main local fabric characterize the entire sequence showing the foundation of a strong native tradition. The other 16 local fabrics are specifically linked to some cultural phases or wares and testify the potter's vibrant creativity. In addition to local products various imported vessels from diverse centres and cultural environments within the Mediterranean are observed. In order to define a scale of innovation and connectivity in each phase we quantify the occurrence of new and imported fabrics. Innovation and connectivity were stronger at the beginning and at the end of the occupation, whilst the local tradition was very consistent from the Chalcolithic till the Middle Bronze Age 2. We tentatively define the potters as conservatives, reformers, innovators or revolutionaries and we explore the continuity or change in pottery-making traditions in relationship to the cultural and environmental changes at Lipari.

The end of prehistory in the Maltese archipelago is characterized by the production of a problematic class of pottery, until now attested just at the site of Baħrija, on the western coast of Malta. Such a production represents a break with the tradition in terms of repertoire of shapes, style and technology and it has been interpreted as the result of contact between locals and foreign immigrants. The recent overall reappraisal of the unpublished ceramic assemblage collected during the excavations carried out at Baħrija, represents a unique opportunity to focus on the technological aspects of the production, trying to shed light on the issue of the break with the tradition and the impact of external influxes. Petrographic analysis on thin sections and chemical analyses via X-ray fluorescence spectroscopy (XRF) and laser ablation-inductively coupled plasma mass spectroscopy (LA-ICP-MS) have been carried out to characterize the Baħrija pottery production in order to interpret from a different angle the issue of the possible arrival of newcomers and establishment of a foreign enclave in Malta, which until now has been hypothesized only on the basis of the sudden emergence of the Baħrija pottery.