Ramón Zallo's scientific contributions
What is this page?
This page lists the scientific contributions of an author, who either does not have a ResearchGate profile, or has not yet added these contributions to their profile.
It was automatically created by ResearchGate to create a record of this author's body of work. We create such pages to advance our goal of creating and maintaining the most comprehensive scientific repository possible. In doing so, we process publicly available (personal) data relating to the author as a member of the scientific community.
If you're a ResearchGate member, you can follow this page to keep up with this author's work.
If you are this author, and you don't want us to display this page anymore, please let us know.
It was automatically created by ResearchGate to create a record of this author's body of work. We create such pages to advance our goal of creating and maintaining the most comprehensive scientific repository possible. In doing so, we process publicly available (personal) data relating to the author as a member of the scientific community.
If you're a ResearchGate member, you can follow this page to keep up with this author's work.
If you are this author, and you don't want us to display this page anymore, please let us know.
Publications (4)
Our field, be it called the political economy of communication or the critical economy of culture and communication, is just one part (albeit a substantial one) of the critical viewpoint in that set of disciplines — economics, sociology or politics — that take a social analysis approach to culture and communication.1 By this I mean that our field i...
Digitisation and globalisation are leading not only to technical and cultural changes but also to social changes whose consequences are unpredictable. In this context, the culture industry and, on a different level, the creative industries (whose status needs to be determined) have a core role to play. Here, culture is seen as the subjective «other...
Obra que pretende mostrar la utilidad de un tipo de enfoque macroeconómico sobre los fenómenos comunicativos y de sistematizar los elementos de un análisis de las distintas ramas industriales de la comunicación y la cultura. El análisis está centrado en las formas de producción, las características de las mercancías culturales y la valorización de...
Citations
... Este predominio de los videojuegos en los hábitos de consumo establece nuevas agencias(Giddens, 1986), lo que a su vez incide en la estructura social y cultural, la cual queda expuesta a un poder corporativo que define, al mismo tiempo, los universos simbólicos desde un punto de vista capitalista(Murdock, 1997). En este caso, siguiendo aZallo (1988), las industrias culturales se componen de mercancías con contenidos simbólicos que tienen una finalidad de "reproducción ideológica y social".El incremento anual en los ingresos de las empresas de los videojuegos, además de ser un ejemplo de concentración del mercado, representa un riesgo para la diversidad de la producción cultural al redefinirse la estructura operativa de los conglomerados. Como se ha expuesto, los grandes corporativos adquieren una serie de estudios para producir contenidos, ofrecer consolas, servicios y aplicaciones para los usuarios. ...
