Natascha Schmöller’s research while affiliated with National University of Distance Education and other places

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Publications (2)


Figure 1 Source: Bernische Stiftung für Fotografie, Film und Video, Kunstmuseum Bern, Depositum Gottfried Keller-Stiftung. © Gottfried Keller-Stiftung, Bern. Signatur Digitalisat: PS_X999_115NEND001R. ID Foto: 15785. Alte Flüchtlingsfrau, Spanien, 1938.
Swiss Humanitarian Aid in Spain and Southern France through Paul Senn’s camera (1937-1942)
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December 2019

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Culture & History Digital Journal

Natascha Schmöller

The aim of this article is to provide a brief biography of the Swiss photographer Paul Senn, and through the analysis of his photographic journalism resulting from his trips to Spain from 1937 to 1939, add a nuance from the visual perspective of the Civil War and Swiss humanitarian aid for the victims in situ. His photography kept track of both the Republican victims during “La Retirada” as well as of the refugees from Nazism in the South of France during 1942. His aim was to document the historical facts for Swiss readers, potential donors and affiliates of humanitarian aid. The final caption of a published photograph reinforces the compositional resources that Paul Senn employed to foster empathy with the homeless.

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Citations (1)


... (Montellà 2011, 54) Eidenbenz's passion for taking pictures illustrates the impact of new photographic technologies such as the Rolleiflex and the Leica in representing this conflict, which was the first one to be reported on, for a mass audience, by a corps of photojournalists (Brothers 1997, 2;Sontag 2003, 21). Besides Robert Capa (1913-1954), Gerda Taro (1910-1937, David "Chim" Seymour (1911-1956) and Kati Horna (1912-2000 whose work is discussed in the essay by Douglas and Rosón in this dossierother less well-known photographers such as Paul Senn covered Ayuda Suiza's action in Spain, in collaboration with the journal Zürcher Illustrierte, in order to raise funds from the Swiss populace (Lefebvre 2019, 41;Schmöller 2019b). Senn's politically engaged 1937 "Visions of Spain" contrasts with how Eidenbenz perceived photography, regarding images as an objective illustration that spoke for reality itself in a mechanical way (Daston and Galison 2007, 135). ...

Reference:

Elisabeth Eidenbenz’s humanitarian experience during the Spanish Civil War and Republican exile
Swiss Humanitarian Aid in Spain and Southern France through Paul Senn’s camera (1937-1942)

Culture & History Digital Journal