Michael W. Jennings’s scientific contributions

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Publications (7)


Walter Benjamin and Theology
  • Article

May 2016

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8 Reads

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2 Citations

Colby Dickinson

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Stéphane Symons

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Annika Thiem

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In the Arcades Project, Walter Benjamin writes that his work is “related to theology as blotting pad is related to ink. It is saturated with it. Were one to go by the blotter, however, nothing of what is written would remain.” For a thinker so decisive to critical literary, cultural, political and aesthetic writings over the past half-century, Benjamin’s relationship to theological matters has been less observed than it should. This volume aims not to be a mere addition to debates that were opened decades ago, but rather to establish a new site from which to address the issue of Benjamin’s relationship with theology and all the crucial aspects that Benjamin himself grappled with when addressing the field and operations of theological inquiry. In bringing together some of the most renowned experts from both sides of the ocean, this volume seeks to inaugurate a new phase in Anglophone Benjamin scholarship.







Citations (4)


... Der Nabel des Traumes (Freud, 1900a, S. 116 Benjamins Schriften, insbesondere seine späteren autobiografischen Schriften, sind entsprechend dem Denkbild strukturiert, was die literarische Form des dialektischen Bildes ist. Im Englischen wird das Denkbild mit unterschiedlichen Begriffen wie thought-images (Richter, 2007) oder figures of thought (Eiland & Jennings, 2014) wiedergegeben. Das Denkbild ist ein visuelles Bild eines alltäglichen Gegenstandes oder einer scheinbar zu vernachlässigenden Erscheinung. ...

Reference:

Das visuelle Bild und das Denkbild: Gedanken zu Geschichte und Erinnerung bei Sigmund Freud und Walter Benjamin
A Life of Walter Benjamin: A Critical Life
  • Citing Book
  • January 2014

... As such, Benjamin maintains that as a direct result of the emergence of "mass culture" and proliferation of newspapers, along with the accelerating nature of the publishing industry itself, the everyday lives of ordinary people are increasingly able to become described, reported and presented to the public itself. Benjamin (1934) actually refers to this transformation in reporting and publication as the "literarization of the conditions of living" and sees within it a great deal of emancipatory potential (Benjamin 2005: 742). ...

Walter Benjamin: Selected Writings, Vol. I (1913-1926)
  • Citing Article
  • January 1998

The Antioch Review

... When the medium of photography first emerged, it was not readily accepted by established artists as a legitimate art [22][23][24][25]. However, photography has since gained widespread recognition as an art form, and its artistic domain has expanded considerably, diversifying and broadening its scope [26]. ...

The Work of Art in the Age of Its Technological Reproducibility [First Version]
  • Citing Article
  • April 2010

Grey Room

... Jacques Derrida's essay on the mystical foundation of law can be of assistance here. The paper, which he presented at the colloquium on "Deconstruction and the Possibility of Justice" in 1989, notably draws upon the work of another thinker, Walter Benjamin (1996) and his essay Critique of Violence. Derrida's deconstructive analysis, through Benjamin, sheds light on the very relationship between depoliticisation and repoliticisation through the notion of "violence of law". ...

Walter Benjamin: Selected Writings, Volume 2, part 2, 1931-1934
  • Citing Article