Mervyn Nicholson’s research while affiliated with Thompson Rivers University and other places

Class struggle is the last thing most people would associate with Alfred Hitchcock, probably the most famous director of them all. But there is a connection, nevertheless. No one would call Hitchcock a socialist; he emphasized that all he wanted was to entertain people—not instruct them. He was proud of his commercial success (and so were the studios that employed him).… For many, it will sound absurd to claim that Hitchcock has anything to do with class struggle. It is an interesting reaction, because issues that are a function of class struggle are plainly on view in Hitchcock, even if they are ignored—or blocked out. Many of his movies are built around class-struggle issues: without them, there would be no movie. This article can also be found at the Monthly Review website, where most recent articles are published in full. Click here to purchase a PDF version of this article at the Monthly Review website.