Marianne Sommer’s research while affiliated with University of Lucerne and other places

The preferred tool for conceptualizing, determining, and claiming relations of kinship, ancestry, and descent among humans are diagrams. For this reason, and at the same time to avoid a reduction to biology as transported by terms such as kinship, ancestry, and descent, we introduce the expression diagrammatics of relatedness. We seek to understand the enormous influence that especially tree diagrams have had as a way to express and engage with human relatedness, but hold that this success can only be adequately understood by attending to what in fact are broader diagrammatic practices. These practices bring to light that diagrams of relatedness do not simply make visible natural connections, but create or deny relations in particular ways and for particular reasons. In this special section, contributors investigate diagrams of relatedness in genealogy, heredity, as well as biological and social anthropology. Conceiving of diagrams as techniques that transcend such binaries as ‘thought and action’ and ‘image and text’, we aim at an understanding of how they were constructed and how they functioned in particular epistemic, cultural, and political contexts.

In Creatures of Cain, Erika Milam is concerned with “racialized, gendered, and political landscapes in which conversations about human nature took place in the United States between 1955 and 1975” (p. 11). In fact, the history of these “conversations” reads like an unending battle for the human soul. Milam begins painting her picture of the aggressive human animal on the canvas of postwar optimism. Human evolution appeared as a path away from animal nature and towards the development of peace and brotherhood, even a post-racial age (through admixture).

This paper engages with a specific image: Darwin's tree of the primates. Although this diagram was sketched in ink on paper in 1868, it did not make it into the publication of The Descent of Man (1871). This may seem all the more in need of an explanation because, as Adrian Desmond and James Moore have shown, Darwin strongly relied on the notion of familial genealogy in the development of his theory of organismic evolution, or rather descent. However, Darwin expressed scepticism towards visualizations of phylogenies in correspondence with Ernst Haeckel and in fact also in Descent , considering such representations at once too speculative and too concrete. An abstraction such as a tree diagram left little room to ponder possibilities or demarcate hypotheses from evidence. I thus bring Darwin's primate tree into communication with his view on primate and human phylogeny as formulated in Descent , including his rejection of polygenism. I argue that considering the tree's inherent teleology, as well as its power to suggest species status of human populations and to reify ‘racial’ hierarchies, the absence of the diagram in The Descent of Man may be a significant statement.