Marcella Trambaioli’s research while affiliated with University of Piemonte Orientale Amedeo Avogadro and other places

A la luz de varios indicios textuales, tales como acotaciones muy pormenorizadas, referencias a un lugar ameno, festejos y un teatro, junto con la muy posible intervención en el estreno de Juan Rana en el papel de Naranjo, la factura cortesana de la pieza mancomunada La renegada de Valladolid, compuesta por Moreto, Belmonte y Martínez de Meneses, parece con evidencia pensada y estrenada para el regocijo de la corte, tal vez la noche de San Juan de 1637, bajo la égida de Isabel de Borbón.

La hermosura de Angélica, cifra literaria de la pluma del joven Lope de Vega, se caracteriza por varias contaminaciones y mezclas genéricas. De hecho, representa la síntesis e imbricación original de las dos formas narrativas de la primera modernidad, herederas de la tradición imaginativa europea, es decir la épica en tanto que relación de gestas caballerescas, y la novela idealizada de argumento amoroso, ya sea pastoril, ya sea bizantina. A su vez estos dos paradigmas se contaminan con un tercer modelo épico, el de la epopeya de la conquista americana. Finalmente, varios fragmentos del poema presentan características romanceriles y cierta dimensión teatral.

The contributions that compose this book were presented at the XIV Taller Internacional de Estudios Textuales (Perugia 2018), where different issues related to the transmission of Spanish Golden Age plays and its relevance for modern editing were discussed. The relationship between autograph manuscripts and prompt books, the usus scribendi of professional copyists, the textual variant readings in the transmission of printed texts, the importance of meter for establishing texts and proving authorships, the comparison of Spanish and Anglo-American editing practices, and the adaptation of plays for the modern stage, are all issues addressed by means of case studies that elucidate unexpected angles of textual criticism.

The series Biblioteca di Rassegna Iberistica publishes monographs and collections of high scientific rigor essays regarding linguistic and cultural areas of Spanish, Spanish-American, Luso-Brazilian and Catalan. It is bound to present publications issued from research activities of Ca’ Foscari University and foreign and italian institutions and researchers’ publications. It aims to be a privileged location to discuss about research, instruments of our subjects according to innovative theorical and historical perspectives. A summary and interdisciplinary project, publishes works about the whole angles of Iberic and Ibero-American culture.

Belardo, el furioso presenta los típicos rasgos de una comedia pensada para una puesta en escena particular de teatro de cámara, en la que las octavas de Ariosto sirven como principal modelo paradigmático de reescritura y de literaturización autobiográfica con vistas a la autopromoción de Lope de Vega. Lo más relevante desde un punto de vista crítico no es solo dictaminar que no se trata de la Ur-Dorotea, iniciadora de la larga cadena textual que Lope irá elaborando hasta la época de senectute, sino comprender hasta qué punto el modelo ariostesco inherente se vincula para siempre al mito lírico del Fénix así como a su escritura dramática.

At the height of its development and up to the eighteenth century, the Spanish classical theatre significantly contributed to the formation of the modern European theatre. Theatre texts and theatrical companies were in fact circulating outside the Iberian peninsula and the Spanish experience of theatre triggered literary debates and reflections that played a central role to the cultural history of Europe, from Neoclassicism to the beginnings of Romanticism. It is a complex phenomenon crossing linguistically and culturally diversified territories, and which therefore needs an inter- and multidisciplinary approach. We tried to respond to this need by involving scholars and researchers in the fields of Hispanic, French, Italian, history of entertainment and musicology for the drafting of this volume.

The series Biblioteca di Rassegna Iberistica publishes monographs and collections of high scientific rigor essays regarding linguistic and cultural areas of Spanish, Spanish-American, Luso-Brazilian and Catalan. It is bound to present publications issued from research activities of Ca’ Foscari University and foreign and italian institutions and researchers’ publications. It aims to be a privileged location to discuss about research, instruments of our subjects according to innovative theorical and historical perspectives. A summary and interdisciplinary project, publishes works about the whole angles of Iberic and Ibero-American culture.

The aim of this paper is to develop some observations and examples previously selected and presented in another essay, in order to focus on the pastoral albergue, which is the literary paradigm taken from Ariosto's Furioso that Lope de Vega especially elaborates in the dramatic genre of the domestic plays. All this, taking into account that this Italian poem is a constant point of reference for the dramatist, who, all along his artistic career, constantly incorporates Ariosto's octavas in his own literary world, either in an explicit or an indirect way.