June 1982
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1 Read
Reviews in American History
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June 1982
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1 Read
Reviews in American History
November 1981
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22 Reads
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14 Citations
Art Journal
September 1981
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4 Reads
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22 Citations
Journal of American History
January 1979
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50 Reads
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179 Citations
Technology and Culture
Written from a neo-Marxist point of view by a prominent Italian architectural historian, Architecture and Utopia leads the reader beyond architectural form into a broader understanding of the relation of architecture to society and the architect to the workforce and the marketplace. It discusses the Garden Cities movement and the suburban developments it generated, the German-Russian architectural experiments of the 1920s, the place of the avant-garde in the plastic arts, and the uses and pitfalls of seismological approaches to architecture, and assesses the prospects of socialist alternatives.
October 1978
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1 Read
The Hudson Review
126 Reads
Traducción de: Storia universale dell'architettura: architettura contemporanea Obra en 14 volúmenes (la biblioteca no tiene el 9) que reconstruye críticamente la evolución y diversidad de la arquitectura, de la prehistoria y las grandes civilizaciones antiguas al mundo contemporáneo.
281 Reads
Obra enciclopédica en dieciocho volúmenes donde se reconstruye críticamente la evolución y diversidad de la arquitectura, desde una perspectiva expresiva. Los títulos que componen la obra son: Arquitectura de los orígenes; Arquitectura griega; Arquitectura romana; Arquitectura bizantina; Arquitectura islámica; Arquitectura románica; Arquitectura gótica; Arquitectura del Renacimiento; Arquitectura barroca; Arquitectura barroca tardía y rococó; Arquitectura moderna 1; Arquitectura moderna 2; Arquitectura contemporánea 1; Arquitectura contemporánea 2; Arquitectura oriental 1; Arquitectura oriental 2; Arquitectura precolombina; Arquitectura primitiva.
62 Reads
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2 Citations
93 Reads
144 Reads
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4 Citations
... Writing a critical analysis of futuring ambitions of the early and mid-twentieth century, Tafuri recognised that architects envisioning futuristic and utopian designs often remained constrained by capitalist tenets of development and growth. 48 With the climate crisis worsening, such tenets impinge on planetary boundaries with catastrophic consequences. The question remains as to how artists, architects, and other spatial practitioners might design critical and imaginative futures in a manner that avoids both fantastical invention and replicating the status quo via technical tweaks. ...
January 1979
Technology and Culture
... In facing the interlocked co-presence of fantasy and economic efficiency in 1920s American skyscrapers, Manfredo Tafuri (1979) stressed their commercial and highly capitalistic nature, and their intrinsic usefulness for advertising reasons, to provoke astonishment and wonder. Concentrating on Manhattan, Rem Koolhaas (1994Koolhaas ( [1978) recognized its "delirious" character and connected it with the psyche of the architects, who had been 'disturbed' by capitalist hysteria and enamored with congestion. ...
September 1981
Journal of American History
... Rethinking the relations and connections between architecture, the vernacular, and technology in Europe within the historical context of the oil crisis, the 1970s can be identified as a moment of recalibration between architecture and its integration with these different lines. An analysis of this period is needed because the major histories of modern architecture (e.g., Curtis' Modern Architecture Since 1900 (Curtis, 1996), Frampton's Modern Architecture: A Critical History (Frampton, 2007), Colquhoun's Modern Architecture (Colquhoun, 2002), and Tafuri and Dal Co's Modern Architecture (Tafuri & Dal Co, 1987) have not thoroughly addressed the experimental ecological design of the 1970s (Stickells, 2015). According to architectural historians Sarah Bonnemaison and Christine Macy, a "whole generation of ecological architecture has not been critically analysed within the architectural mainstream (Bonnemaison & Macy, 2003)". ...
November 1981
Art Journal
... Los modelos de Hilberseimer están relacionados con el concepto de metrópoli establecido por Georg Simmel en su ensayo Las metrópolis y la vida del espíritu (1903) (Cacciari 1972). La naturaleza de la metrópoli de Simmel tiene un carácter material, ya que es la sede de la economía monetaria y esta acumulación de capital es la causa de una transformación de la ciudad, no sólo en su morfología urbana, sino específicamente en su naturaleza social y en la condiciones de vida de sus habitantes. ...