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December 1998
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135 Reads
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38 Citations
The Art Bulletin
This article examines the signatures on Venetian paintings from about 1440 to about 1550. It argues that painters' signatures are one means of documenting the arrival of Renaissance taste and artistic practice in Venice and its development through the period. Furthermore, they index the changing business practices, professional status, and self-regard of Venetian painters.
... Crowe y Cavalcaselle 79 mostraron cuán problemático resultaba especular acerca del pintor y su obra dada la escasez de datos sobre su vida 80 . 77 § Matthew (1998). 78 P.e., el Retrato de Vittore Capello del Museo de Budapest, el así llamado Gattamelatta de la Galería Uffizzi y el Doble Retrato del Museo del Palacio Venecia en Roma. ...
December 1998
The Art Bulletin
