Linda Kosanke’s research while affiliated with Technische Universität Berlin and other places

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Publications (2)


Fig. 1. Floor plans of the nine rooms (true scale). 
Fig. 2. Positional variability obtained with automatic t m detection 
Fig. 3. Positional variability of signal-based parameters’ profiles (plots 1 and 2: from both BRIR channels in room 2; plot 3: from all five impulse responses in room 5). 
Fig. 4. The two stimulus conditions presented in the listening test. Reference sound field/left: The complete BRIR is continuously updated according to the current head orientation. Manipulated sound field/right: Only the early BRIR part is continuously updated; the late reverberation always corresponds to frontal head orientation. The concatenation point between early and late part of the BRIRs was adaptively altered in the listening test. 
Fig. 5. Average perceptual mixing times t mp50 per room with 95% 

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Perceptual Evaluation of Model- and Signal-Based Predictors of the Mixing Time in Binaural Room Impulse Responses
  • Article
  • Full-text available

November 2012

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920 Reads

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86 Citations

Journal of the Audio Engineering Society

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Linda Kosanke

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The mixing time of room impulse responses denotes the moment when the diffuse reverberation tail begins. A diffuse ("mixed") sound field can physically be defined by (1) equidistribution of acoustical energy and (2) a uniform acoustical energy flux over the complete solid angle. Accordingly, the perceptual mixing time could be regarded as the moment when the diffuse tail cannot be distinguished from that of any other position or listener's orientation in the room. This, for instance, provides an opportunity for reducing the part of binaural room impulse responses that has to be updated dynamically in Virtual Acoustic Environments. Several authors proposed model- and signal-based estimators for the mixing time in rooms. Our study aims at an evaluation of all measures as predictors of a perceptual mixing time. Therefore, we collected binaural impulse response data sets with an adjustable head and torso simulator for a representative sample of rectangular shaped rooms. Altering the transition time into a homogeneous diffuse tail in real time in an adaptive, forced-choice listening test, we determined just audible perceptual mixing times.We evaluated the performance of all potential predictors by linear regression and finally obtained formulae to estimate the perceptual mixing time from measured impulse responses or physical properties of the room.

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Figure 1: Average perceptual mixing times per room with 95% CIs 
Figure 2: Average perceptual mixing times plotted over V/S and RT (incl. 95% CIs). Linear model (incl. 95% CIs). 
Perceptual evaluation of physical predictors of the mixing time in binaural room impulse responses

January 2010

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763 Reads

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53 Citations

The mixing time of room impulse responses denotes the moment when the diffuse reverberation tail begins. A diffuse sound field can physically be defined by 1) equidistribution of acoustical energy and 2) a uniform acoustical energy flux over the complete solid angle. Accordingly, the perceptual mixing time is the moment when the diffuse tail cannot be distinguished from that of any other position in the room. This provides an opportunity for reducing the length of binaural impulse responses that are dynamically exchanged in virtual acoustic environments (VAEs). Numerous model parameters and empirical features for the prediction of perceptual mixing time in rooms have been proposed. This study aims at a perceptual evaluation of all potential estimators. Therefore, binaural impulse response data sets were collected with an adjustable head and torso simulator for a representative sample of rectangularly shaped rooms. Prediction performance was evaluated by linear regression using results of a listening test where mixing times could be adaptively altered in real time to determine a just audible transition time into a homogeneous diffuse tail. Regression formulae for the perceptual mixing time are presented, conveniently predicting perceptive mixing times to be used in the context of VAEs.

Citations (2)


... 126,174 It must be noted that there are several definitions of mixing time depending on the application at hand, including statistically-and perceptually-motivated approaches. [174][175][176] This time structure has been widely exploited in audio processing, where the work by Merimaa and Pulkki 177, 178 (2003) and Pulkki 22 (2007) helped to set the foundations of what is now known as object-based audio. ...

Reference:

Large scale sound field reconstruction
Perceptual Evaluation of Model- and Signal-Based Predictors of the Mixing Time in Binaural Room Impulse Responses

Journal of the Audio Engineering Society

... The image-source reverberation was faded linearly (50 ms) into the exponentially decaying stochastic reverb after 76 ms. The latter cross-over time marks the conservative mixing time estimate t mp95 from [38]. This item was included because the simultaneous sound sources originate from competing directions, where the steady sources (such as the white noise) interact with impulse-like sounds (such as the clapping). ...

Perceptual evaluation of physical predictors of the mixing time in binaural room impulse responses