José Manuel SUSPERREGUI’s research while affiliated with Universidad del País Vasco / Euskal Herriko Unibertsitatea and other places

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Publications (2)


Figura 1. Robert Capa. Revista Vu. 23 de septiembre de 1936  
Figura 2. Robert Capa. Revista Life . 12 de julio de 1937  
Figura 3. Robert Capa. La forma geométrica de la primera foto aparece en el lado izquierdo de la segunda. El lado derecho de la segunda y el izquierdo de la tercera también se solapan. Comienzos de septiembre de 1936. Agencia Magnum  
Figura 4. Robert Capa. Milicianos disparando al horizonte. Comienzos de septiembre de 1936. Agencia Magnum  
Figura 5. J. M. Susperregui. Panorámica desde Cerro Muriano  

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Localización de la fotografía Muerte de un miliciano de Robert Capa
  • Article
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April 2016

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2,232 Reads

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9 Citations

Comunicacion y Sociedad

José Manuel SUSPERREGUI
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The location of Robert Capa’s Falling Soldier

April 2016

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1,646 Reads

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4 Citations

Comunicacion y Sociedad

Discussions concerning the authenticity of Capa’s Falling Soldier have generated diverse opinions and theories but remarkably little research. A version of the events authorized by the International Center of Photography was refuted when this author located the photograph at Espejo and not at Cerro Muriano, where previously it was thought to have been taken. Locating the site of the photograph more exactly required important work method adaptations to features of a new landscape, given that the objective evidence results from reproducing Capa’s framing, including the perspective and the orographic accidents seen in the original photo. The application of new technologies has played an essential role in obtaining the evidence that reveals that this image was taken at Cerro del Cuco using a technique applied by Robert Capa. With this new location Falling Soldier must be seen in a completely different light. Capa’s own version of how this photograph was taken is demonstrably false. These facts also disprove all the stories arising from his version, including the notion that credit this photograph to his partner, Gerda Taro.

Citations (2)


... La aportación de Doménech (2005, p. 379-449) es clave para entender que era una polémica sin fundamento académico hasta su análisis. 6 Además de plantear si era una escenificación o una instantánea, el debate giraba en torno al lugar, aspecto tratado por Susperregui (2016), mientras Arroyo (2010) cuestionaba la autoría. Finalmente Lavoie (2017) ha sintetizado diferentes aportaciones. ...

Reference:

Photojournalist as a myth: Robert Capa and Agustí Centelles against the Spanish civil war
Localización de la fotografía Muerte de un miliciano de Robert Capa

Comunicacion y Sociedad

... Photojournalism's ethics of the era were weaker than today, and captioning and credits more fluid, and Capa and Taro were known to have staged images (Aronson & Budhos, 2017;Faber, 2018). Researchers have offered various theories for what happened; that Capa worked alone; that Taro was present or even made the image herself; or that the image was staged absent a battle and the soldier was inadvertently shot by a sniper (Faber, 2018(Faber, , 2009Susperregui, 2016). Based on archival and interview research, Whelan (2007) determined the picture likely resulted from the latter, that the man was not killed in battle but while posing for a "heroic" (p. ...

The location of Robert Capa’s Falling Soldier

Comunicacion y Sociedad