March 2024
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106 Reads
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3 Citations
Annals of Tourism Research
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March 2024
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106 Reads
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3 Citations
Annals of Tourism Research
September 2023
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16 Reads
Journal of Place Management and Development
Purpose The purpose of this introductory paper is to outline the theme of – and introduces the papers comprising – this special issue on post-Covid place marketing. Design/methodology/approach A brief literature review outlines some of the impacts of the COVID-19 pandemic on places and also for place-bound and spatially oriented industry sectors (particularly retailing and tourism and hospitality, which are often the focus of place marketing initiatives) before describing the papers constituting the special issue. Findings The impacts of the COVID-19 pandemic on places are identified, relating to both economic and more phenomenologically oriented impacts, and the implications for place resilience are considered. The papers comprising the special issue are grouped into two main themes relating to the impact of the COVID-19 pandemic on retailing and the impact of the pandemic on place marketing processes. Originality/value Notwithstanding the burgeoning literature on the COVID-19 pandemic and its impacts, the papers comprising this special issue focus on specific place-oriented marketing (and retailing) implications, providing potential avenues for future research.
March 2023
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130 Reads
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21 Citations
Research taking into account the everyday nature of tourism destinations and its impact upon authenticity and attendees’ resulting extraordinary experiences is limited. Drawing upon a 3-year ethnography (including fieldnotes, photos/videos, artifact material) and interviews with festival attendees, we explore the interrelationships between authenticity and extraordinary experiences in the context of Primavera Sound music festival. Our emergent thematic categories—the festival’s indie music character, its urban and quotidian configuration, and the instrumental orientation of the festival experience—suggest the festival is firmly positioned within the structures of the indie music industry, while also being located within the confines of day-to-day urban life. Attendees seek to achieve a sense of spatial authenticity by engaging with the features of tourism destinations. We contribute to discussions about authenticity and extraordinary experiences by unpacking the everyday nature of tourism destinations, demonstrating that not all music festivals need to be “extraordinary” muddy camping events.
April 2021
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5 Reads
June 2019
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64 Reads
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7 Citations
Sociology
Drawing on qualitative interviews with indie music fans in Manchester, UK, we explore how experiences in the indie music field inform spatial and place-specific understandings of musical taste. Inspired by Bourdieu’s sociology of taste, the concept of place-dependent capital incorporates the interplay of the experiential dimensions of taste, and the overall structures in which they are embedded. We develop our findings into three themes, which allow us to highlight the diversity of ways in which our participants create place-dependent capital: exploring the taste of place; dwelling in place; and creating a sense of place. We propose the usefulness of place-dependent capital as an alternative theoretical tool, which acknowledges both structural and experiential dimensions of musical taste, allowing us to demonstrate the situatedness of indie music fans’ tastes.
May 2019
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42 Reads
April 2019
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327 Reads
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95 Citations
Journal of Business Research
Prior experiential marketing research suggests that extraordinary consumption experiences take place within antistructural frames, i.e. outside the realms of everyday life. This paper challenges that notion, through an ethnographic study of consumers attending the Primavera Sound music festival in Barcelona, Spain. We demonstrate that festival attendees perceive their experiences to be extraordinary, despite these occurring within ‘everyday’ structural frames. Consumers' extraordinary experiences unfold through their negotiation of a series of structural and antistructural marketplace tensions, including commercialism/authenticity, ordinary/escapist, and immersion/communing. We outline the theoretical implications of our research for the changing nature of extraordinary consumption experiences, in light of post-postmodern consumer culture. We conclude with managerial implications and provide suggested avenues for future research.
January 2019
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101 Reads
November 2018
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411 Reads
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9 Citations
Area
This paper proposes that flags are an important but under‐theorised aspect of geographical inquiry and seeks to outline a new field of “vexillgeography,” which critically embraces the spatiality and performativity of flags. We start by outlining the potential of semiotics (and geosemiotics) to further our understanding of flags, focusing on iconic, indexical and symbolic modes of representation in relation to flag design and the marking of territories and boundaries. In so doing, we highlight the importance of flags in the ordering of both Cartesian and relational space. We then examine flags from a performativity perspective, emphasising their role as actants within wider assemblages, and the everyday affective and emotional responses to flying (and viewing) flags. We conclude by outlining an agenda for critical research into vexillgeographies, to explore the multiplicity of ways in which flags (or flag assemblages) can contribute to the construction of spatial meaning. This paper proposes that flags are an important but under‐theorised aspect of geographical inquiry. It seeks to outline a new field of “vexillgeography,” which starts by critically examining the spatiality of flags in terms of their semiotic and geosemiotic potentialities. The argument then addresses vexillological performativity, encompassing embodied and affective interplay with flags, and the spatial implications of this. Throughout the paper, our discussion is evidenced with real‐world examples of flag‐bearing events and occurrences.
October 2017
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411 Reads
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87 Citations
Journal of Small Business Management
This study examined the relationship between firm resources, strategic orientation, and performance in small retail firms. Surveys were mailed to small retailers throughout Tasmania, Australia. Responses (n 5 384) showed resources positively related to performance were informa-tional (business information systems) and access to financial capital. Strategic orientation (pro-spector and defender/analyzer) were positively related to performance. Further, both a prospector and defender/analyzer orientation positively mediated the relationship between resources and performance , the former being the stronger mediator. The results of this study demonstrate which firm resources relate to small retail firm performance, and the positive effect, in particular, of a prospector strategic orientation.
... In the experience of natural forest landscapes, tourists' emotions change with the seasons [37]. In addition, an interesting study has shown that tourism souvenirs such as fridge magnets trigger positive emotional and affective responses by generating and protecting memories [38]. Other relevant studies, in general, involved the essence [39], types [40,41], influencing factors [42], and influencing effects [43] of tourists' emotional experience. ...
March 2024
Annals of Tourism Research
... Paradigm shifts in concert settings offer new experiences beyond physical constraints (Buhalis et al. 2022). While on-site concerts rely on elements such as authenticity, aesthetic enjoyment, tacit connection, and destination uniqueness to enhance the overall experience (Luo et al. 2022;Skandalis et al. 2024), metaverse concerts, by contrast, feature individuals embodied as virtual entities whose experiences are shaped by interactions with the virtual environment and other avatars. Based on the embodiment conceptual framework, we identified five key themes, each with various features unique to virtual worlds, representing three embodiment dimensions: personal, interactional, and environmental embodiment. ...
March 2023
... Sound can help make these experiences more realistic, for example, by simulating the sound of walking with new virtual boots. Users can personalize the sound experience, choosing music preferences or notification sounds that best reflect their tastes (Skandalis et al., 2020). ...
June 2019
Sociology
... connection with customers by creating a memorable brand experience. In other words, this method not only enables customers to purchase a product or service but also allows them to truly experience it [6]. ...
April 2019
Journal of Business Research
... A flag is an object that can have various messages and meanings attached to it. The existence of a flag can also be related to the symbolic aspect of sovereignty (Medway et al., 2019;Zhuk, 2023). ...
November 2018
Area
... Established firms and new ventures face a scarcity of resources, such as finances, aptitudes, time, investigation, and execution (Levallet et al., 2023;Yang et al., 2020), that are needed for organization improvisation. Better performance can be achieved through efficient resource utilization (Grimmer et al., 2017). In line with existing research, we argue that limited resource availability inspires employees to develop creative options leading to a robust workplace culture for new ideas (Acar et al., 2019;Deakins & Bensemann, 2019). ...
October 2017
Journal of Small Business Management
... The frequency of events is likely to influence destination marketing. Skandalis et al. [27] referenced prior studies on live music consumption, particularly in venues like music festivals and concert halls, and expanded on the possible use of spatial taste creation for place management and market research methodologies. Sevin [28] found that five prominent US destination marketing initiatives mostly used Twitter to inform followers about events occurring in their areas, such as festivals, concerts, and fairs, hence refining the marketing strategy. ...
September 2017
Journal of Place Management and Development
... These communities are often temporary and specific to time and place. This phenomenon is particularly evident in studies of escapist leisure, such as festivals (see Chaney and Goulding, 2016;Goulding and Saren, 2016;Kozinets, 2002;Skandalis et al., 2018) and clubbing (Goulding and Domic, 2009). Such liminal experiences can serve therapeutic and, at times, cathartic functions (Celsi et al., 1993;Higgins and Hamilton, 2019). ...
September 2017
Marketing Theory
... For example, Connell and Gibson (2003) have previously explored the interrelationships between music, identity and place and aimed to uncover the diverse meanings of music in a wide range of local contexts, scenes, and places. Such places can be approached and understood as platforms of action upon which musical tastes are shared and performed (Hennion, 2001;Thornton, 1996;Skandalis et al., 2016c). ...
July 2016
... Online communities show these paradoxes. They have been demonstrating to create a sense of tribalism despite the individuality with which its participants use them (Skandalis, Byrom & Banister, 2016). Audrezet, Kerviler and Moulard (2020) show that Social Media Influencers (SMI) performances on their own platforms can exemplify this type of behavior since their online messages are perceived as a more genuine type of communication than other kinds of advertisements. ...
September 2016
European Journal of Marketing