November 2021
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This publication brings together filmmakers, designers and artists whose audiovisual work is shaped around intersectional feminism and decolonial perspectives to craft spaces for resistance. This attunement to radical documentary practices means examining hybridity and unexpected contact zones, or that which is located across and beyond the institutionalised forms and formats of documentary film. It means exploring the unstable aesthetics, politics, and technologies of situated forms of storytelling. Yet a critical engagement with the documentary project also implies an intimation of how the world folds and unfolds, veils and lays bare, gives and takes: it gestures towards the myriad of ways that documentary makers attend to the world around us to challenge structural injustice. Centering around questions of collectivity and solidarity, the works and articles presented here trace the generative potential and productive frictions of documentary