January 2004
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228 Reads
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356 Citations
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January 2004
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228 Reads
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356 Citations
... Even the international stage does not restrict itself to the winners that "take all" (Zorloni & Ardizzone, 2016) with room for some to whom we may apply the "middle-status conformity" (Phillips & Zuckerman, 2001) or below, be it at such high level. Other socioeconomics less named "sublime economy" of the arts (Amariglio, Childers & Cullenberg, 2008) asked reversely "why the artists are poor" (Abbing, 2002) in the professional life often with pluractivity to survive. 25 In a dossier to attach to this text. ...
January 2004