Felipe Morales Carbonell’s research while affiliated with University of Santiago Chile and other places

In this article, we examine the prospect of extracting an account of know‐how from Descartes's philosophy. Against the traditional take, we argue that Descartes's views on know‐how cannot be simply reduced to his account of theoretical knowledge. The key to understanding Descartes on know‐how is to examine his accounts of moral certainty and the relation between the mind and the body in action.

In this paper, I consider the question of whether calibration is required for modalizing mechanisms to be reliable, that is, whether it is necessary for modalizing mechanisms to be adjusted to prevent overgeneration and undergeneration of modal beliefs. I first argue that the calibration requirement affects differently what I call bootstrapping and ordinary cases. Identifying different ways in which a modalizing mechanism could be calibrated, I argue that not all of them are effective or even viable in bootstrapping cases. Then, by taking a diachronic perspective, I offer a simplified account of how different calibration mechanisms can be bootstrapped, with an emphasis on the social dimension of modal judgment.

En este ensayo, examino dos problemas que una teoría del saber como grupal debe tratar: el problema de la posesión, que es la necesidad de explicar como un grupo puede estar en un estado de saber como hacer algo, y el problema de la atribución, que es la necesidad de dar cuenta de las condiciones en las que es admisible atribuir saber como a un grupo. Argumento que (a pesar de ciertas apariencias iniciales) estos problemas son independientes, lo que es especialmente importante en el contexto de teorías del saber como donde este no puede en general reducirse a actitudes proposicionales.

This article aims to connect issues in the epistemology of modality with issues in the philosophy of music, exploring how modalizing takes place in the context of musical performance. On the basis of studies of jazz improvisation and of classical music, it is shown that considerations about what is sonically, musically, and agentively possible play an important role for performers in the Western tonal tradition. We give a more systematic sketch of how a modal epistemology for musical performance could be constructed. We argue that it is necessary to adopt a pluralist approach toward the modal epistemology of music.

Este artículo examina cómo la separabilidad y unidad mente-cuerpo resultan clave para poner de manifiesto lo inapropiado del “teatro cartesiano”, metáfora creada por Daniel Dennett para criticar la experiencia consciente unificada en Descartes. La primera sección introduce al problema de la separabilidad cartesiana. La segunda examina cómo mente y cuerpo, separables mediante lo concebible según Descartes, resultan ser cosas metafísicamente distintas. La tercera enfatiza como separables no implica separados. La última sección enfatiza el argumento de la dis-analogía del piloto y el navío, y cómo, según el filósofo francés, aunque separables, mente y cuerpo son substancias estrechamente unidas, formando un ens per se. En vista de este, criticamos la metáfora del “teatro cartesiano” de Dennett: es imposible que la mente sea un espectador, puesto que la experiencia consciente ya es unificada e incluso somatizada. Notamos, por último, que pese a Dennett, hay investigadores de la Ciencia Cognitiva que coinciden con Descartes en relación con la estrecha unión mente-cuerpo, i.e., quienes defienden que la mente es encarnada, incrustada o incluso extendida.

Do we have control over the content of our imaginings? More precisely: do we have control over what our imaginings are about? Intentionalists say yes. Until recently, intentionalism could be taken as the received view. Recently, authors like Munro & Strohminger (2021) have developed some arguments against it. Here, I tentatively join their ranks and develop a new way to think about the way in which imaginings develop their contents that also goes against intentionalism. My proposal makes use of what we may call a ballistic framework for mental dynamics, which I sketch to some length. In this model, imaginings are articulated by ballistic events sensitive to constraints that modify the trajectories that imaginings trace in a special working space. This framework leaves room for alternatives to pre-assigned-content models, such as Kung’s (2016). In the ballistic-based models sketched here, and against intentionalism, imaginings can fail to be about what we intend them to be about. The framework also has applications beyond the intentionalism debate, some of which I will sketch.

Many philosophical discussions hinge on the concept of knowability. For example, there is a blooming literature on the so-called paradox of knowability. How to understand this notion, however? In this paper, we examine several approaches to the notion: the naive approach to take knowability as the possibility to know, the counterfactual approach endorsed by Edgington (1985) and Schlöder (2019) , approaches based on the notion of a capacity or ability to know (Fara 2010, Humphreys 2011), and finally, approaches that make use of the resources of dynamic epistemic logic (van Benthem 2004, Holliday 2017).

Stephenson (2022) has argued that Kant’s thesis that all transcendental truths are transcendentally a priori knowable leads to omniscience of all transcendental truths. His arguments depend on luminosity principles and closure principles for transcendental knowability. We will argue that one pair of a luminosity and a closure principle should not be used, because the closure principle is too strong, while the other pair of a luminosity and a closure principle should not be used, because the luminosity principle is too strong. Stephenson’s argument also depends on a factivity principle for transcendental knowability, which we will argue to be false.

In this paper, I sketch a new model for the format of the content of understanding states, Compressible Graph Maximalism (CGM). In this model, the format of the content of understanding is graphical, and compressible. It thus combines ideas from approaches that stress the link between understanding and holistic structure (like as reported by Grimm (in: Ammon SGCBS (ed) Explaining Understanding: New Essays in Epistemollogy and the Philosophy of Science, Routledge, New York, 2016)), and approaches that emphasize the connection between understanding and compression (like Wilkenfeld (Synthese 190(6):997–1016, 2018)). I argue that the combination of these ideas has several attractive features, and I defend the idea against some challenges.

Resumen: ¿Trae la posibilidad de mecanismos de mejoramiento cognitivo, como por ejemplo la posibilidad de implantar creencias en la mente de personas, preguntas nuevas a la epistemología? En este corto volumen, J. Adam Carter propone que sí. En particular, Carter argumenta que obliga a que consideremos la necesidad de una condición adicional en nuestras caracterizaciones del concepto de conocimiento: además de ser una forma de creencia verdadera justificada, que satisface una condición anti-Gettier, como aceptan la mayoría de los enfoques contemporáneos (en particular desde la perspectiva de la epistemología de las virtudes), el conocimiento debe satisfacer una condición de autonomía. En la práctica, esto significa que sujetos a quienes se haya implantado creencias que de otro modo satisfarían los estándares del conocimiento no tengan, por lo tanto, conocimiento, en contra de las predicciones de ciertos futuristas.