Fabio Oliveira Nunes's research while affiliated with São Paulo State University and other places
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Publications (16)
Desde 2015, o grupo de pesquisa cAt (ciência, arte, tecnologia) do Instituto de Artes da UNESP (Universidade Estadual Paulista) vem refletindo sobre as produções arte-tecnologia, que levantam preocupações sobre a sustentabilidade relacionada às fontes de energia e possibilidades alternativas de geração de energia sem o uso direto de computadores e...
Desde 2015, el grupo de investigación cAt (ciencia, arte, tecnología) del Instituto de las Artes de la UNESP (Universidad Estadual de São Paulo) reflexiona sobre las producciones Arte-tecnología, que plantean inquietudes sobre la sustentabilidad relacionada con las fuentes de energía y las posibilidades alternativas de generación de energía sin el...
Since 2015, the cAt (science, Art, technology) research group from the Arts Institute of UNESP (São Paulo State University) has reflected upon Art-technology productions, that raise concerns about sustainability related to energy sources and alternative possibilities for energy generation without the direct use of computers and complex technology a...
Considering the paradox between energy production and the contamination of the environment and reduction of biodiversity, cAt research group develops its work considering the discussion on sustainable sources of energy. The group's recent projects---Sopro (The Blow) and Toque (Touch)-have sought to aesthetically use the audience body's energy to in...
This paper talks about "Sopro" (The Blow), an interactive work energized by the public through the force created by their blowing on a propeller. This art proposal is based on the use of a simple technological system, a poetics of the blow and on primordial scientific principles. The system present in the work aligns itself with current energy and...
“Sopro” é uma obra interativa energizada pelo público através do vigor de um sopro em um cata-vento. Esta proposta de arte baseia-se no uso de um sistema tecnológico simples, em uma poética do sopro e em princípios científicos primordiais. O sistema presente na obra revela também sintonia com questões energéticas e de sustentabilidade atuais, inser...
Artist lies [21] are artistic incursions that surpass the simulacra of the art to act in the quotidian reality. They imitate to be what they are not. These incursions can be created from an appropriate context, gaming with public expectations, being much more effective when they use technological media in their achievements. In fact, these lying in...
The work of art "Toque" (2017), from the research group cAt, works with a poetic around issues such as sustainability and generation of clean energy, through the use of "simple" technical devices that generate the necessary electric energy for the interactive dynamics of the work. In this proposal, the heat of the hands of the public when in contac...
Mimo Steim presents himself as a young technological artist. This artist decides to suspend all "direct" personal contact through the proposition of a "teleperformance" in which he would stay uninterruptedly online chatting with interlocutors through a chat room present on his personal website, called The artist is telepresent (2013). Mimo, in fact...
This article presents refections on the production and use of audience energy body in interactive installations. Mechanisms and symbolic-narrative meanings of the hand touch as well as the possibility of using the heat of the body as a poetic element and energy source in the work "Toque" are considered.
“Sopro” é uma obra interativa energizada pelo público através do
vigor de um sopro em um cata-vento. Esta proposta de arte baseia-se no uso
de um sistema tecnológico simples, em uma poética do sopro e em princípios
científicos primordiais. O sistema presente na obra revela também sintonia
com questões energéticas e
In honor of the Brazilian master ceramist Vitalino, the multimedia artist Jarbas Jacome produced the artwork Vitalino, an interactive installation where the visitor models a virtual block that mimics the action of a block of clay in rotation. The work raises discussions on tactility in digital artworks, glimpsing cases that question the technology...
