August 2009
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48 Reads
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36 Citations
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August 2009
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48 Reads
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36 Citations
August 2009
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7 Reads
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16 Citations
January 2008
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48 Reads
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107 Citations
April 1960
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57 Reads
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19 Citations
Journal of the American Oriental Society
Fifteen of the most celebrated plays of the Noh theatre repertory are given here in their entirety and five more are presented in synopsis. The translations are grounded in a critical discussion of the Noh theatre, its history and place in the court life of Japan, a description of the stage on which it is performed, its music, costumes, and masks, and the dance which is usually the high point of the performance. Both Pound and Fenollosa discuss the special elements of Noh poetry, and Pound's poetic organization of Fenollosa's authoritative translation and notes creates a fortunate collaboration.
4 Reads
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16 Citations
... Pioneers of Imagism, such as Ernest Fenollosa and Ezra Pound, recognized this difficulty. They devoted their lives to introducing the organic view of nature from Eastern traditions to the West and attempted to "Sinicize" English poetry through vocabulary and syntactic structures to better capture nature in English [22]. Highlighting imagery in Chinese poetry to better recreate the original poetic ambiance was Pound's constant pursuit. ...
January 2008
... At least, the better plays are all built into the intensification of a single image. [12]. ...
April 1960
Journal of the American Oriental Society
... Con ello se libera o se resuelve la tensión generada por la incomprensión inicial, lo que produce también el placer o la emoción de la comprensión o la percepción estética. El mismo Ezra Pound, autor aludido en páginas anteriores, definía la imagen poética como «un complejo intelectual y emocional en un instante de tiempo» (Fenollosa y Pound 1919(1977:11). 6 Aunque el proceso de relectura y representación de las imágenes mentales no es precisamente instantáneo sino progresivo, sí puede considerarse instantáneo el momento puntual en el que, una vez conseguida la visualización, la comprensión racional que ésta permite se une a la emoción, el placer o la sorpresa estética de la contemplación de lo inaudito. ...