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January 1992
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59 Reads
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461 Citations
Contributors: Ien Ang, Colin Campbell, Cynthia Cockburn, Jonathan Gershuny, Sonia Livingstone, Ian Miles, Daniel Miller, David Morley, Grahame Murdock, Tim Putnam, Marilyn Strathern, Diane Zimmerman Umble, Jane Wheelock
January 1992
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180 Reads
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809 Citations
May 1991
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32 Reads
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136 Citations
Cultural Studies
... As Hartmann (2009) argued, mediatisation and media domestication can be considered closely inter-related processes. While the former points to a complex agglomeration of long-term tendencies in society whereby social practices and behaviours become adapted to media and their affordances, the latter refers to micro-level, everyday processes through which humans appropriate, objectify, incorporate, and convert media and their cultural meanings (see Silverstone et al., 1992). If mediatisation regards how media "mould" society and culture (Hepp, 2012), domestication regards the social moulding of media. ...
January 1992
... The aim of the mobile diary method is to capture the mobile (and other digital) practices that form part of everyday activities. This "media practice" (Couldry, 2004) approach, in which we take a moment to listen in to the "long conversation" (Silverstone et al., 1991) in which the mobile is embedded as a constituent part, proposes that media acquire significance through the meanings associated with everyday life. The focus on the details of everyday life allows us to actively resist the stereotypes of victimhood associated with marginalized Black South Africans and instead focus on their agency (Ndebele, 1986). ...
May 1991
Cultural Studies
... "Configuring the user" attempted to describe how designers built "the user" into technology in ways that favored the enactment of only certain kinds of uses and users (Woolgar 1991). "Domestication" conversely addressed how the form and meaning of new technology were altered when it was placed in contexts of use with their own pre-existing social and moral order (Silverstone et al. 1992;Sørensen 1996). Inscription, prescription, and users' subscription or de-inscription conceptualized the interplay between the actions of designers and users analogous to how author and readers relate to the script of a play (Akrich 1992;Akrich and Latour 1992;Latour/Johnson 1988). ...
Reference:
Biographies of Artifacts and Practices
January 1992
