Deborah Lee’s scientific contributions

The ethics of describing and indexing works which have an element of deception is an important topic within the arena of knowledge organization (KO). However, what happens if the unreal element is for artistic purposes and is part of the experience of the document? The focus of this article is on the KO of art documentation. It considers art documents where unreality and mistruth are part of a document’s creative and artistic purpose. Three examples of exhibition documentation for contemporary art are explored. These illuminate the KO implications of unreal elements in artworks, exhibitions and documents, and the interplay between them. Three models are then presented relating to the KO of unreality. Model one shows how the wishes of the creator are a significant part of ethical KO for art and the ethical KO decisions which result from the performative and experiential aspects of art documentation. Model two illustrates how the placement of the unreality in relation to metadata creation can have a critical impact on ethical decisions in KO. Model three posits unreal-ness as a novel type of information about metadata creation, introducing categories such as motive for the deception. It shows how this original way of contemplating applied ethics in KO is vital for all ethically challenging works. Ultimately, considering the KO ethics of art documentation extends our thinking about how to deal with deception and unreality and adds an important aesthetic-ethical dimension to the corpus of work on KO ethics.