Cotten T. Trystan’s scientific contributions

This is a collection of essays that explores Oprah Winfrey’s broad reach as an industry and media brand. Contributors analyze a number of topics touching on the ways in which Oprah’s cultural output shapes contemporary America. The book examines how Oprah has fashioned a persona—which emphasizes her rural, poverty-stricken roots over other factors—that helps her popularize her unique blend of New Age spirituality, neoliberal politics, and African American preaching. She packages New Age spirituality through the rhetoric of race, gender, and the black preacher tradition. Oprah’s Book Club has reshaped literary publishing, bringing Toni Morrison, William Faulkner, and Cormac McCarthy to a broad number of readers. Oprah’s brand extends worldwide through the internet. In this book, writers analyze her positions on teen sexuality, gender, race, and politics, and the impact of her confessional mode on mainstream television news. The book also addresses twenty-first-century issues, showing Oprah’s influence on how Americans and Europeans responded to 9/11, and how Harpo Productions created a deracialized film adaptation of Zora Neale Hurston’s classic novel Their Eyes Were Watching God in 2005. Throughout, it challenges readers to reflect on how Oprah the Industry has reshaped America’s culture, history, and politics.

This chapter, which examines Harpo, Inc.’s 2005 film production of Zora Neale Hurston’s novel, Their Eyes Were Watching God (1937), shows how Harpo producers deracialize the novel and mute Hurston’s black feminist voice, thus glossing America’s social consciousness of racial, class, and gender inequalities. One effect has been the whitewashing of black feminine subjectivity via Harpo’s over-romanticization of plot and wholesale gutting of Hurston’s vision of African American women’s struggles. Another has been the loss of Hurston’s love and appreciation for rural Negro culture, including her literary ingenuity in rendering its creative innovation.