April 2024
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18 Reads
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2 Citations
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April 2024
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18 Reads
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2 Citations
January 2006
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21 Reads
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6 Citations
Low-complexity audio compression offering fine-grain bitrate scalability can be realised with bitplane runlength coding. Adaptive Golomb codes are computationally simple runlength codes that allow bitplane runlength coding to achieve notable coding efficiency. For multi-block audio frames, coefficient interleaving prior to bitplane runlength coding results in a substantial increase in coding efficiency. It is shown that bitplane runlength coding is more compact than the best known SPIHT arrangement for audio coding, and achieves coding efficiency that is competitive with fixed-rate quantisation.
November 2001
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36 Reads
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16 Citations
A comparison of audio coder quantisation schemes that offer fine-grain bitrate scalability is made with reference to fixed-rate quantisation. Coding efficiency is assessed in terms of the number of bits allocated to significant transform coefficients, and the average number of significant coefficients coded. A new method of arranging the transform hierarchy for SPIHT zero tree algorithms is shown to result in significantly improved performance relative to previously reported SPIHT implementations. Results for a new quantisation algorithm are presented which suggest low-complexity fine-grain scalable coding is possible with no coding efficiency penalty relative to fixed-rate coding.
January 1999
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11 Reads
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6 Citations
May 1997
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328 Reads
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18 Citations
A psychoacoustically-optimal sigma-delta modulator (SDM) possesses a noise floor with a power spectral density that is invariant with input signal characteristics, and which is also minimally-audible. While SDM idle tones and noise modulation can be efficiently eliminated using dither, the noise floor can be made minimally audible by forcing the noise-shaping characteristic to follow the threshold of hearing. Such an action is possible by appropriate control of noise-shaping zero locations, and has the benefit of increasing the perceived resolution of a given modulator design. Alternatively, for a given perceived resolution, psychoacoustically-optimal zero locations allow a reduction in oversampling factor and/or modulator order. In this paper optimal zero locations and associated enhancements in perceived resolution are determined for SDM orders ranging between 1 and 8.
June 1996
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10 Reads
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8 Citations
Adapting the loop filter in a sigma-delta modulator (SDM) increases the signal/noise ratio (SNR) at low input amplitudes, and also allows stable operation at high amplitudes where a fixed system would normally be unstable. Adaption is easily implemented in SDM digital/analogue converters (DACs)
May 1996
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2,447 Reads
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23 Citations
Recent work has shown that higher-order single-bit sigma-delta modulators suffer from low-level artifacts such as idle tones and noise modulation. Techniques that have been proposed to reduce or eliminate these errors include the application of dither inside the one-bit quantiser loop, and selecting a loop filter which makes the modulator chaotic. This paper compares the efficacy of these two approaches by simulating high-resolution sigma-delta modulators suitable for audio-conversion applications.
January 1996
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10 Reads
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6 Citations
Alternative quantisation strategies to the common single-bit approach are investigated for improving the resolution of sigma-delta modulators. Fixed and adaptive systems which use multibit quantisers are assessed in terms of peak signal-to-noise ratio and dynamic range relative to fixed single-bit systems. It is shown that with ideal multibit quantisers, fixed modulators typically exhibit superior resolution to adaptive systems at all input amplitudes. Sensitivity to nonideal multibit quantiser characteristics is also considered, where it is observed that typical levels of internal DAC error degrades the performance of multibit implementations to below that of single-bit fixed systems.
July 1995
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193 Reads
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7 Citations
Idle tones and noise modulation in higher-order sigma-delta modulators (SDMs) can be eliminated using single-bit dither signals, with no additional reduction in dynamic range compared to multilevel dither signals. Unlike multilevel dither, single-bit dither is easily implemented in sigma-delta analogue-to-digital converters (ADCs)
June 1995
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421 Reads
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9 Citations
Recent work has shown that high-order single-bit sigma-delta modulators suffer from low-level artifacts such as idle tones and noise modulation. Techniques that have been proposed to reduce or eliminate these errors include the application of dither inside the one-bit quantiser loop, and selecting a loop filter which makes the modulator chaotic. This paper compares the efficacy of these two approaches by simulating high-resolution sigma-delta modulators suitable for audio-conversion applications. Dynamic-range penalties for successful linearisation are determined for two types of dither signal and two classes of chaos
... Two methods exist for HRTF measurement: deconvolution approaches and systems based on adaptive filters [49]. The most used methods are the ones based on deconvolution, and they can be categorised depending on the type of signal given as input, i.e., pseudo random sequences [47,[50][51][52][53][54][55][56][57][58] or sweep signals [59][60][61][62][63]. Pseudo random sequences embrace maximum length sequences (MLSs) [51][52][53][54][55], inverse repeated sequences (IRSs) [56,57], and Golay codes [58]. The sweep signals can consider multiple exponential/logarithmic sweep [64,65] and multi-sine approaches [66]. ...
May 1993
... The basic idea of adaptive ΔΣMs is to adapt the amplitude of the ΔΣ-sequence to the amplitude of the input signal such that the SNR roughly remains constant— at least within a specified range of input amplitudes. Various different types of adaptive ΔΣMs can be found in literature, for example,3456789. Adaptation algorithms based on " syllabic adaptation " [3, 4, 6, 7] are controlled by short time properties , for example, by the peak amplitude, within so-called " stationary periods " (typically between 10–30 milliseconds for speech, and about 5 milliseconds for music [4]) of the input. ...
January 1996
... One approach for exploiting efficiently spatial correlations for compression is to decompose the image into a set of binary layers (bit-planes), and then compress these layers by a binary image compression technique [2], [3], [4], [5]. The decompression is an inverse process of the compression, where the compressed file is decompressed into a set of layers which are then combined back into the gray-scale image. ...
January 2006
... Since some of the measurement techniques require the generation of a known jitter signal, the paper describes the design and operation of a simple jitter modulator. It has been shown that cable losses within the AES3 digital audio interface interact with the modulated data to introduce timing jitter in the transitions of the modulated part of the signal [3,4]. This mechanism has been shown to form a significant contribution to overall jitter in systems with cable runs of more than a few metres. ...
... Bit-plane methods typically offer finer granularity and lower computational complexity than standard multilayer approaches, but their overall RD performance is relatively weaker, as demonstrated in Section VIII. Current bit-plane based scalable coding methods for audio, such as BSAC [25], EZK [26], and ESC [27], use variants of the basic hierarchical partitioning technique, a method originally developed for image coding [28], [29]. ...
January 1999
... In the proposed scheme, in addition to band-wise weighting data (i.e. scale factors, [8] ) the scalefactor-band wise values of the l 1 norm of the spectral envelopes are calculated and transmitted as side information. This side information is followed by a fully embedded bitstream which is created by the set partitioning in hierarchical trees (SPIHT) algorithm and describes the actual waveform of the signal. ...
... The Quality trial focuses on audio quality evaluation of a castanet recording, from [22]. The audio was low-passed filtered at various frequencies to create different levels of quality. ...
November 2001
... Several attempts have been made to modify the standard recursion (1.6) to break up periodic output without sacrificing accuracy of the resulting reconstruction. One suggested approach is to apply dither, or white noise, to the input f n before implementing the recursion [2]. Another alternative, not necessarily mutually exclusive to dithering, is to break periodicities by incorporating expansion into the recursion (1.6), considering instead q n = Q(u n−1 + γv n−1 ) ...
May 1996
... The spectral masking output current is converted to a digital signal (Figures 5 and 6) through a current-to-frequency (I2F) digital oscillation (Figure 2) similar to an integrateand-fire neuron [19] or Σ-∆ modulator. Some digital MP3 implementations take advantage of the shaped noise floor of a Σ-∆ converter as part of their psychoacoustic model [33]. Integrating the current on the input capacitor (C L2 ) increases the capacitor voltage until it reaches a threshold V re f , where the comparator turns on an additional discharge path (through a T-gate switch) to rapidly discharge the input capacitor. ...
May 1997
... The effect of dither on IBN power bumps is also analyzed to find out whether it can help to reduce them. Dither injects a pseudorandom sequence at the quantizer input that helps to decorrelate the quantization error and the input signal; it has been widely used to attenuate idle tones [12][13][14]. Dither has been implemented with a thirteenth-order Linear Feedback Shift Register (LFSR). The signal activity at the quantizer input is increased and the probability of using more than two levels is increased. ...
June 1995