Caroll. Krumhansl’s scientific contributions

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Publications (1)


Music and Affect: Empirical and Theoretical Contributions from Experimental Psychology
  • Chapter

December 2000

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9 Citations

Caroll. Krumhansl

Drawing on the work of leading experts from around the globe, Musicology and Sister Disciplines provides the definitive, authoritative statement on the scope of musicology today and its relationship to other fields of academic endeavour, including philosophy and aesthetics, literary studies, art history, mathematics, computer science, historiography, and sociology. Presenting the Proceedings of the 16th Congress of the Musicological Society, held in London in 1997, Musicology and Its Sister Disciplines demonstrates how in recent years the scope of musicology has expanded to embrace such areas as semiotics, gender studies, and computer applications. All these key related disciplines are discussed - together with the implications of the so-called new musicology - alongside the traditional concerns of the discipline. Music is represented in all its forms, including jazz, popular music, film music, and the music of different ethnic groups and the broad-ranging theme of the collection is established at the outset by two keynote papers, by philosopher Bernard Williams and mathematician Roger Penrose. The volume contains the full texts of the Keynote Papers and Round Table sessions, reports on the Study sessions, and abstracts of the Free Papers and Poster Sessions.

Citations (1)


... Likewise, they have found that abrupt changes in the musical structure, as well as unpredictable or difficult-to-follow sequences, can generate emotions such as fear and anguish (Ramos Loyo, 2012). This has to do with preference for familiar musical structures over those that are more complex or unfamiliar, so that musical liking, as we will later discuss, largely depends on cultural habits and musical learning (Grondin, 2016;Krumhansl, 2000;Ramos Loyo, 2012). Parallel to this, cross-cultural studies have found that listeners can successfully identify the emotion expressed on music from other nonfamiliar cultures due to specific cues on acoustic qualities, such as complexity, intensity, tempo, and timbre (Balkwill et al., 2004), as well as to the association between musical and prosodic traits that denote certain emotional states (Bowling et al., 2012). ...

Reference:

The Emotional Link Between Color and Music: What Happens With Atonal Music?
Music and Affect: Empirical and Theoretical Contributions from Experimental Psychology
  • Citing Chapter
  • December 2000