Barrington Moore's scientific contributions

Citations

... This is furthered by complexities around presumptions of reception: that this work will be received differently by different audiences, critiqued or not for its aesthetics, or prescribed a new set of values for art as it relates to an institution's social responsibilities. This replays and extends Bordieu's (1979) distinction of art and taste within class systems to hierarchies of national and cultural identity. And in subtler ways, points to the less visible infrastructures that perpetuate these hierarchies, as the capacity for evaluation of such programming is often limited by budgets and time. ...