Andrew Kettler’s research while affiliated with University of South Carolina and other places

What is this page?


This page lists works of an author who doesn't have a ResearchGate profile or hasn't added the works to their profile yet. It is automatically generated from public (personal) data to further our legitimate goal of comprehensive and accurate scientific recordkeeping. If you are this author and want this page removed, please let us know.

Publications (5)


Book Review: Elizabeth Hordge-Freeman, The Color of Love: Racial Features, Stigma, and Socialization in Black Brazilian Families Hordge-FreemanElizabeth, The Color of Love: Racial Features, Stigma, and Socialization in Black Brazilian Families, University of Texas Press: Austin, 2015; 329 pp.: ISBN 9781477302385, US57.00(hbk),9781477307885,US57.00 (hbk), 9781477307885, US30.00 (pbk)
  • Article

March 2017

·

32 Reads

International Sociology

Andrew Kettler



“Ravishing Odors of Paradise”: Jesuits, Olfaction, and Seventeenth-Century North America

January 2016

·

29 Reads

·

5 Citations

Journal of American Studies

In seventeenth-century North America, efforts at cultural accommodation through similarities in olfactory inclusive spiritual sensoriums helped to create cross-cultural concordance between Jesuit Fathers and Native Americans in New France, the St. Lawrence Valley, and the Pays d'en Haut. Jesuits engaged Native Americans towards Catholic conversion by using scentful tactics and sensory rhetoric. Jesuits increased their own respect for the olfactory during their North American encounters due to a siege mentality born of the Counter-Reformation and from a forcefully influential Native American respect for multisensory forms of environmental and spiritual literacy which included a heightened reverence for odors.


Making the Synthetic Epic

March 2015

·

36 Reads

·

5 Citations

The Senses and Society

In late-nineteenth-century London, George Wilhelm Septimus Piesse drove perfume markets to find new wealth through a previously repressed English sense of smell. Piesse created a romantic fictional character, Mercutio Frangipani, to reinvigorate scenting into the English sensorium. Piesse fashioned his mythical hero Frangipani, a botanist who discovered the shoreline through his sense of smell on one of Columbus' voyages to the New World, to tie his product to exotic encounters of the Atlantic World. The perfumer's construct became a historical figure despite a lack of documentary evidence. Piesse's invention of Mercutio as a New World discoverer left that figure available to later discourses, altering the history surrounding Columbus' encounter with the Caribbean, the discoveries of the Jesuit botanist Charles Plumier, and the Frangipani household's true fragrant bequest as the creators of synthetic perfume in the seventeenth century. In order to tie his synthetic product, the Frangipanni perfume, to the luxury of early modern French courts and the mysterious nature of the pre-European Americas, Piesse offered an agnotological misstep; the story of a counterfeit man, his exceptional nose, and a tantalizing scentful detection of the West Indian shoreline.

Citations (2)


... A Jesuit dictionary from 1697 recorded that Wendat converts should not smoke before communion, thus advising against mixing ways of relating to more-than-human beings (Steckley 2007b, 130). In opposing dynamics, Jesuits also saw the similarities between tobacco and incense, and sought to harness the olfactive stimulation tobacco could procure in their own ceremonies (Winter 2000, 265-304;Kettler 2016). ...

Reference:

Negotiating Between Shell And Paper: Wampum Belts As Agents Of Religious Diplomacy
“Ravishing Odors of Paradise”: Jesuits, Olfaction, and Seventeenth-Century North America
  • Citing Article
  • January 2016

Journal of American Studies

... Unfortunately, however, our results were inconclusive. That said, one point to note here is that musical scales (or rather the specific auditory frequencies that are associated with different musical notes) only became standardized around 1855 (i.e., the year before Piesse's work first appeared in print; see Kettler, 2015) thus making any straightforward assessment a little more challenging (personal communication William McVicker, organ builder). As such, one might wonder whether the "Perfumery Organ, 2015/17," that was displayed at the NTT Intercommunication Centre in Tokyo, Japan to recreate Piesse's Gamut of Odours, used exactly the same mapping of scents to sounds as Piesse had originally had in mind. ...

Making the Synthetic Epic
  • Citing Article
  • March 2015

The Senses and Society