Adi Setijowati’s scientific contributions

On TikTok, there is a POV content trend or point of view, which is a phrase in Indonesian. The POV trend in the TikTok app appears to be a mimic of what Jean Baudrillard refers to as reality. The POV trend has unconsciously drawn in an unreal simulation. The TikTok application is associated with a phenomena known as hyperreality. This study aims to answer the following research questions: How are TikTok content makers analyzing POV developments from the perspective of Jean Baudrillard? The reasons behind the trending POV-themed content were discovered using a qualitative descriptive study method and Jean Baudrillard's simulacra and hyperreality investigations, namely: (1) engaging the viewers' emotions; (2) the presence of special effects characteristics; and the TikTok algorithm. According to Jean Baudrillard, today's society lives in the guise of a fake reality influenced by technical sophistication, such as the TikTok application with all of its capabilities.

This journal article examines the theory of Pierre Bourdieu, a French sociologist, in the breakdown of mechanisms of symbolic violence or social injustice in inter-social class life. Bourdieu's ideas on the theory of habitus, capital, arena, violence, and symbolic power will be used as a perspective in exposing injustice in the film High Society. The occurrence of working relations between the upper class or conglomerates and the lower middle class cannot be separated from various forms of symbolic violence which form the basis for the formation of various other types of violence, such as physical, psychological, economic, sexual violence, and so on. Symbolic violence is a form of violence that is not easy to recognize. This symbolic violence often operates by utilizing the discourse of symbols that affect the leadership, domination, power, and so on of one group by another group. The root of this problem occurs through the habitus of poverty and powerlessness that is experienced both economically, culturally, socially, and other symbolic capital. The symbolic violence that works in this film does not make the victims understand and understand that they are becoming objects and will not put up a fight.

Wayang orang is a wealth of the Javanese people' one of which is in the city of Surabaya. As a wayang community Graha Mustika Yuastina is a recognized community in the city of Surabaya. As evidenced by the frequent performances in the Cak Durasim building which is sponsored by the Surabaya Cultural Center. Covid 19 which prohibitis crowds has a real impact on this community, especially in terms of staging. The inevitable impact is that the performance is postponed. This happanned because of diversion ofart funds, the mayority of which were used to overcome the pandemic .in an indepth interview, it was stated that this wayang orang performance had to change the platform in this pandemic era, namely from classical style performance to youtube and Instagram. This will affect the media promotion. As for the values of wayang still trying to be maintained. Abstrak. Wayang orang merupakan kekayaan masyarakat Jawa salah satunya ada di kota Surabaya. Sebagai komunitas wayang Graha Mustika Yuastina merupakan komunitas yang diakui di kota Surabaya. Terbukti dengan seringnya pementasan di gedung Cak Durasim yang disponsori oleh Pusat Kebudayaan Surabaya. Covid 19 yang melarang keramaian berdampak luas bagi komunitas ini, terutama dalam hal pementasan. Dampak yang tak terelakkan adalah pementasan tertunda. Hal ini terjadi karena adanya pengalihan dana kesenian yang mayoritas digunakan untuk mengatasi pandemi. Dalam wawancara mendalam, disebutkan bahwa pertunjukan wayang orang ini harus mengubah platform di era pandemi ini, yaitu dari pertunjukan gaya klasik menjadi pertunjukan wayang orang. youtube dan instagram. Hal ini akan mempengaruhi media promosi. Adapun nilai-nilai wayang masih berusaha dipertahankan.

Artikel ini membahas tentang objektifikasi para perempuan penari padepokan Rahasna dalam novel Gelang Gendhuk Centini. Metode yang digunakan adalah deskriptif analisis melalui pembacaan mendalam pada objek penelitian yang berbentuk novel. Data-data berupa kata, frasa, dan kalimat kemudian dianalisis menggunakan teori struktur naratif dari A.J Greimas. Hasil dari penelitian ini menunjukkan bahwa fungsi-fungsi yang ada dalam novel tersebut bermuara pada kesimpulan tentang objektifikasi pada perempuan melalui tindakan pelecehan dalam bentuk verbal maupun fisik. Pelecehan ini dilakukan tanpa adanya perlawanan yang menggambarkan ketertundukkan perempuan-perempuan penari terhadap kuasa laki-laki demi mendapatkan ketenaran.