The relatively scarce research on emotional meaning in expressive body movement has been enacted via a variety of different displays, including but not limited to dance, gait, posture, and dynamic movement cues. Collectively this research demonstrates that emotion communication utilizing static and dynamic cues based upon body configuration and movement dynamics is a viable nonverbal channel in
... [Show full abstract] its own right, capable of demonstrating accuracy at levels equal to and developmentally aligned with other nonverbal channels such face, voice, and music. The goal of this chapter is to provide a brief overview of the expressive body movement research efforts, articulate the specific challenges of research in this medium, identify overlooked theoretical connections, and map out future directions to further extend findings.