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The Identification of the Sacred “Chiton” ( Sarapis ) of Pharaoh Alexander the Great in Tomb II at Vergina, Macedonia, Greece

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Despite the recent re-examination of the male and female human remains from tomb II at Vergina, it remains difficult to reconcile the osteological evidence with extant literary evidence about any one of the various royal women who might have been buried in the antechamber of the famous tomb. What does seem clear is that, for reasons of his own, the ruler who interred this woman chose to commemorate her as a woman warrior.
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The Royal Tomb II was discovered in Vergina, Greece, in 1977. It contained a male skeleton and a rich array of grave goods. Evidence of trauma supposedly in the orbital bones of the skull has been thought to correspond to an eye injury that King Philip II is historically known to have suffered. However, reexamination of the orbital morphology showed no evidence of such pathology. Therefore, the skeleton does not belong to Philip II. New skeletal evidence shows that the skeleton belongs to King Philip III Arrhidaeus. In this case, the tomb may well contain some of the paraphernalia of Alexander the Great.
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The conservation of the funeral pyre textile of King Philip II of Macedonia, Greece, undertaken in 1997 in the Vergina Laboratory included examination (fibre identification, weave analysis, assessment of the state of preservation), experimental conservation treatment on previously treated and untreated fragments (removal of old consolidant, alignment of warp and weft, new consolidation) and mounting some fragments for exhibition. The textile is provisionally reported to be of cotton.
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Drawing on the latest archaeology, epigraphy and historical interpretation, this major volume presents a survey of ancient Macedon, important parts of which are published by their excavators for the first time, including the palace of King Philip II. Archaeologists and historians of the ancient Greek worlds will welcome this milestone in the study of this rapidly changing filed, packed with new information, interpretations and essential bibliography. © 2011 by Koninklijke Brill NV, Leiden, The Netherlands. All rights reserved.
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Earlier osteoarchaeological studies on cremains of the two individuals from Tomb II at Aegae led to endless debates on the identity of the dead. After re-examining the bones with Computerized Tomography (or CAT scan) (CT) and X-Ray Fluorescent scanning (XRF) support, our research team has found new evidence identifying the dead man in the main chamber as Philip II and the woman in the antechamber as the daughter of King Atheas killed in a battle against Philip II in 339BC. Copyright © 2015 John Wiley & Sons, Ltd.
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This article focuses on a recent find from the archaeological site of Vergina, which is identified as the old capital of the Macedonian kingdom, Aegae. In the surroundings of a sanctuary three burials were discovered with outstanding components. One of them, a gold oak wreath, constitutes the object of investigation. At the outset of the study the excavation site and the data of the discovery of the burials are outlined. Then the wreath is analytically presented in terms of typology, technology, craftsmanship and style. In order to incorporate it in a network of precious artefacts, the other four oak wreaths found in Macedonia and dated to the fourth century bc are described and all of them are compared in the search for similarities or differences. Through this procedure three of them, all from Vergina, emerge as belonging to the same artistic tradition and possibly the same place of production. Then the issue of different contexts is addressed. First of all, the burial in question and the particularities of the other two burials with oak wreaths from Vergina are examined, resulting in the articulation of a pattern. The next step comprises a general sketch of the meaning of wreaths in antiquity both in life and in death, while a subsequent brief consideration of funerary assemblages from the same period and region lays emphasis on the symbolic significance of these head ornaments in their contexts. Attention is also drawn to the plant that the wreath imitates, which is connected to Zeus. In this framework the oldest known oak wreath, that of ‘Philip II’, is evaluated mainly by examining politics as reflected on coinage. The power of such symbols as applied to other members of the same family is put forward. Another level of approach, the evaluation of the wider territorial context, offers insights into the decision to deposit the burial in the area of an intra muros sanctuary in the old and venerated capital of the kingdom. When the results of the study are combined, a working hypothesis emerges that would consider the burial containing the gold wreath as connected to a member of the ruling family. Research turns to the literary evidence and from this it appears that there is a possibility that the burial is that of the illegitimate murdered son of Alexander the Great. The concluding section refers briefly to episodes in the cultural biography of the wreath. In the meantime, until further and holistic study of the three burials and the construction where they were discovered is carried out, the gold oak wreath forms part of exhibitions on various themes as a representative of the assemblages.
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Alexander’s proclamation as King of Asia was not a claim to be the new king of Persia or the new Great King. Alexander’s empire was one above and beyond the local kingship of Persia, and this “revisionist” interpretation of Alexander’s kingship requires a new assessment of Alexander’s reconfigured royal costume. Alexander rejected the upright tiara (the symbol of Achaemenid kingship) and the “Median” (or riding) dress, such as the kandys and anaxyrides. In adopting a new and impressive royal costume, Alexander expressed the exalted nature of his recently won kingship of Asia by devising a hybrid Macedonian– Persian dress.
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Plant fibres have been used since ancient times in numerous applications ranging from nets and basketry to textiles for clothing. A proper identification of plant fibre remains in archaeological excavations provides important information about resource exploitation and agriculture. In order to identify plant fibres, a series of fibre features—cross-section diameter, lumen diameter, dislocations (nodes), cross markings, cross-section shape and lumen shape—have been defined and characteristic traits of these features for different fibre types established. How suitable these traits really are for fibre identification has been a matter of debate. To resolve this issue, we have performed a systematic investigation of typical textile bast fibres: flax, nettle and hemp. We have investigated cross-section diameter, lumen diameter, dislocations (nodes) and cross markings using standard compound, white light transmission microscopy. Our investigations show that all the traits that are considered characteristic for one type of plant fibre can also, on occasion, be found in other types. This demonstrates that an investigation of the traits listed above is not sufficient to ensure a correct identification of the plant fibre material; in particular, when only a small amount of material is available. This is often the case in archaeological excavations.
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This article reviews the evidence for built tombs in Macedonia prior to the construction of the royal tombs at Vergina. It considers earlier cist tombs with slab roofs, and evidence for architectural embellishment: it proceeds to discuss the evolution of the vaulted form, with architectural facades. In a second part, the identity of the occupants of Tombs I–III at Vergina is discussed, followed by a consideration of the arguments against the identifications proposed. S0068245400014908_inline1
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The tombs at Vergina in Macedonia continue to produce more questions than answers. At the 1990 Annual Meeting of the Archaeological Institute in San Francisco a colloquium entitled ‘The royal tombs at Vergina: continuing issues’ was presented on these tombs, their dating, and their possible inhabitants. The participants in this colloquium were not in agreement about the identity of those laid to rest in the tombs, or when these burials took place, or the nature of the grave goods which accompanied the funerary rituals. We must continue to anticipate and hope for progress in the debate over these crucial questions.
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A judicious combination of literary sources and archaeological research has often offered rewarding historical insights. In Macedonian studies such attempts have tended to be less fruitful, due to the scanty nature of the material and literary evidence. Now that archaeological investigation has expanded so widely in Northern Greece, it may be time to reassess aspects of Macedonian culture which have in the past been tackled with more enthusiasm than actual evidence, not surprisingly in view of the age-long interest in the people who shaped the Hellenistic world.
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A number of cartonnage fragments from the collections of the Petrie Museum, UCL, were examined to identify pigments, media and grounds. The different types of cartonnage made in ancient Egypt are reviewed. Special attention was paid to green pigments, which were shown to be of green earth, or a mixture of Egyptian blue and a yellow, usually goethite or orpiment. Green earth was found in one artefact, dated to the 9th century BC: all other examples were from the Graeco-Roman period. No copper-organometallic greens were present in the examples studied, or Egyptian green, or malachite. Binding media was identified both by ELISA and by GC/MS. A pink colourant was identified as madder, while lead white was used as a white in one example, showing the influence of Roman and Greek pigments on Egyptian art in these later periods. Plant gum, egg, and animal glue were found in different fragments, with mixed media in a few cases. Moganite was found associated with quartz in some preparatory layers by X-ray diffraction, which has not been reported previously as a constituent of ground layers in Egyptian artefacts.
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This article is presented as a continuation to the valuable study of S. Mo'taghed: Textiles Discovered in the Bronze Coffin of Kitin Hutran in Arjan, Behbahan (1982: 74- 138).1 Because S. Mo'taghed's study was originally written in the Persian language, a summary and commentary on the findings will first be presented.2 The second part of this article is directly related to the significance of this discovery. The exceptional survival of cotton textiles from southern Iran, their conservation, and study invites the opportunity to reassess past views and offer new ones regarding the origins of cotton and its introduction into the Near East. I. Context of the Find In 1982 a burial was found in the vicinity of an area known as Argūn, the location of the ancient city of Arjan (Arrajān), an important agricultural and commercial emporium during the Sassanian and Medieval periods. Arjan lies between 7.5 and 11 km northeast of the present-day city of Behbahān, close to the border between the provinces of Khuzestan and Fārs. This region stood on an ancient crossroads, linking the Iranian highlands, Mesopotamia, and the Persian Gulf (Gaube 1973; 1986: 519). The Arjan tomb included a number of unique masterpieces of superior artistic value and rare craft. A bath-tub bronze coffin contained the skeletal remains of an adult male lying on his back. He was dressed in his most valuable garment, a cotton garment decorated with gold rosettes and disks. At his side lay an iron dagger decorated with precious stones and gold 1 The present summary is based on the restoration work and study of the clothes by Susan Mo'taghed (Mo'taghed 1982: 74-138), head of the restoration and laboratory facilities at the National Museum of Iran. The author is most grateful to Ms. Mo'taghed for her warm reception and gracious help. 2 The author is most indebted to Ms. Azita Kheradvar for providing me with an English
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The objective of this work is to study the composition of insect honeydew deposits collected from the high speed stickiness detector (H2SD). Both the effects of the hot plate temperature and the cleaning roll pressure of the H2SD on honeydew-contaminated cottons are evaluated. The tested materials consist of samples from 27 bales contaminated by whitefly honeydew (from geographic Area 1), 27 bales contaminated by aphid and whitefly honeydew (from geographic Area 2), and 27 bales contaminated by aphid honeydew (from geographic Area 3). Analyses of the data reveal strong interactions of hot plate temperature, cleaning roll pressure, and contamination type. The HPLC analysis of sticky deposits collected from the H2SD aluminum foil shows that for cotton contaminated with whitefly honeydew, trehalulose is the dominant sugar and the main cause of stickiness. However, for cotton contaminated with aphid honeydew, unidentified compounds are suspected of being major contributors to stickiness.
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A polychrome painted wooden funerary figurine has been radiocarbon dated to 1220-1050 BC and is painted with a white pigment that includes gypsum, huntite, and tridymite. This is the first discovery of the use of tridymite as a pigment in Ancient Egypt. This unusual white pigment yields an exceptionally bright white paint. The authors argue that Egyptian artisans engaged in a sophisticated, deliberate manipulation of mineral-based pigments to achieve specific desired sacral effects.
The Royal Tomb of Philip II. An Unlooted Macedonian Grave at Vergina
  • M Andronikos
  • Andronikos M.
Το ύφασμα της Βϵργίνας. Πρώτϵς Παρατηρήσϵις
  • S Drougou
  • Drougou S.
Τϵχνικές ζωγραφικής στην αρχαία Ελλάδα (Postgraduate dissertation)
  • A M Kakamanoudis
Investigation of an Unusual Composite Material found in the Larnax with Cremated Bones in Royal Tomb II at Vergina
  • Y Maniatis
  • T Arvaniti
  • T G Antikas
  • L Wynn-Antikas
  • S Orsini
  • E Ribechini
  • M P Colombini
  • Maniatis Y.