No full-text available
To read the full-text of this research,
you can request a copy directly from the authors.
Kim Namjoon Speech at the UN Assembly: A Discourse Analysis
Abstract
This research aims at revealing values, belief and assumptions are found in Kim Namjoon’s speech text on campaigning “Love Yourself” and to know types of figurative language used in the speech. This research used descriptive qualitative method. The instrument used in this research was the speech text transcript and speech video that retrieved from YouTube. Data collection techniques used in this research was library research techniques, thus seeing and recording as the main approach to collect the data. The qualitative data analysis was employed after following stages; analyzing data reduction, data display and verification.
ResearchGate has not been able to resolve any citations for this publication.
The exponential growth in the popularity of Korean pop cultural products across the globe known as Hallyu wave has grabbed the attention of people worldwide. At times when the geographic boundaries have become blurred due to the virtual connectivity and advancement in internet technology, South Korean popular culture is developing at an unprecedented rate across the globe. The popularity is such that it has entered the mainstream even competing with the Hollywood films, dramas and music. The field of Hallyu though has attracted many from the academia, as it is still a newer research area, not many significant attempts have been made to review the literature in a systematic manner. The major objective of this paper is to acquire a better understanding, and a detailed review of the research regarding Hallyu wave, its allied areas, current status and trends. Systematic Literature Review (SLR) is the method used for this paper. This research has utilized the methods presented by Junior & Filho (2010), Jabbour (2013) and Seuring (2013). The researchers have deployed a systematic literature review approach to collect, analyze and synthesize data regarding the Hallyu wave, addressing a variety of topics using Google Scholar between 2000 and 2019 and selected 100 primary research articles. From the systematic literature review, the results or main gaps from the existing literature have been uncovered. For example: most of the low income countries do not have extensive research on Hallyu or most of the research on Hallyu is done in the region of East Asia and Pacific.
Hallyu (한류) or Hallyu (한류) or best known today as K-Pop, extensively spreading in East Asian countries such as Mainland China and Taiwan. Through globalization, the Korean wave widening its influence on Southeast Asian countries, including Indonesia, since 1999. Twenty years on, in 2019, this cultural transformation from Korea to its neighbor countries continuously influence, and even more significant. Indeed Hallyu (한류) is a unique phenomenon in the Korean modern entertainment industry. After Korea massively succeeded in invading Indonesian entertainment with melodrama, film, and music, the term K-Beauty is now very familiar with Indonesian people. The invasion of Korean cosmetic brands, as they start to enter the culinary business as well, by opening Korean food restaurants in Indonesia. However, the regulation of the Indonesian Ulema Council (MUI) and Food and Drug Supervisory Agency (BPOM) regarding the requirement of Halal certified must be faced by Hallyu (한류) products when they enter the Indonesian market, as the biggest Muslim population in the world. This study is a library research which largerly qualitative. This article has considered the consequences of Korean wave’s influence through Globalization, that triggered the consumerism behavior which can be traced by the rational choice of young people in Indonesia. I seek to examine the influence of Hallyu (한류) in Indonesia in the context of Glocalization as the result of Globalization. It also presented a snapshot of how consumers react and make decisions regarding their purchases in this rapidly influence. The research findings defines that Hallyu (한류) has become an ethnocentric agent for South Korea, which had to deal with the regulation of halal matter in Indonesia. The conclusion of this paper offered some suggestions to help to minimize the pitfalls of Hallyu (한류) influence to Indonesia.
This study analyzes how diasporic audiences engage with the transnational flows of Korean media and popular culture (Hallyu). Drawing on in-depth interviews with young Korean Canadian audience members in Vancouver, this study examines the diasporic reception of Hallyu. While growing up, the young people in this study were exposed to Korean media and popular culture in their immigrant families. However, they gradually became selective and critical audiences of Hallyu, and negotiated their identities and socialities through consuming this transnational cultural trend. This study offers insights into how a transnational cultural form is incorporated into the lives of its young diasporic audiences who have grown up negotiating different cultures. The study also contributes to articulating a diasporic perspective in the existing studies of Hallyu.
With the increasing appeal of Korean popular culture known as the Korean Wave or hallyu, fans in Israel among Korean studies students have joined—and even replaced—ethnic Koreans in performing nationalism beyond South Korea’s borders, creating what I call hallyu fan-nationalism. As an unintended consequence of hallyu, such nationalism enables non-Korean hallyu fans to take on the empowering roles of cultural experts, educators, and even cultural ambassadors to promote Korea abroad. The symbolic shift from diasporic to hallyu nationalism brings to the fore nonnationalist, nonessentialist, and transcultural perspectives in fandom studies. In tracing the history of Korea Day from the 2000s to the 2010s, I found that hallyu fan-students are mobilized both by the macro mission to promote a positive image of Korea in their home societies and by the micro motivation to repair their own, often stigmatized, self-image.
The article presents the Critical Discourse Analysis (CDA) of the first part of King Martin Luther’s speech “When I Have a Dream” in socio-political context. The study investigates how it lies on the basis of application of Fairclough version of CDA in the first part of the text. Moreover, it explicates the terms like social, cultural and political inequalities in the light of text and framework.
This is the new edition of Discourse Analysis: An Introduction, an accessible and widely-used introduction to the analysis of discourse. In its 10 chapters the book examines different approaches to discourse, looking at discourse and society, discourse and pragmatics, discourse and genre, discourse and conversation, discourse grammar, corpus-based approaches to discourse and critical discourse analysis.
Cambridge Core - Discourse Analysis - Cognitive Discourse Analysis - by Thora Tenbrink
Ideology and Political Discourse: A Critical Discourse
- F Bayram
Bayram, F. (2010). Ideology and Political Discourse: A Critical Discourse. ARECLS, 7(1), 23-40.
Discourse of Academia from a Multidimensional Perspective
- T B Sardinha
Sardinha, T. B. (2023). Discourse of Academia from a Multidimensional Perspective. In The Routledge
Handbook of Corpus Approaches to Discourse Analysis (pp. 298-318).
- E R Stake
Stake, E. R. (2010). Qualitative Research (Vol. 1). The Guilford Press.