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Letter from the Editors — Ding Magazine
1. https://dingdingding.org/issue-6/letter-from-the-editors
2. https://branch.climateaction.tech/issues/issue-7/gentle-dismantlings-
letter-from-the-editors
Gentle Dismantlings:
Calling all the
wild ones
A collaborative DING x Branch special issue on
the next generation of posthuman feminisms
Dr. Kit Braybrooke, Julia Kloiber & Michelle Thorne
“We do not live in a simulation — a streamlined world of
products, results, experiences, reviews — but rather on a giant
rock whose other life-forms operate according to an ancient,
oozing, almost chthonic logic. Snaking through the mist of the
banal everyday is a deep weirdness, a world of flowerings,
decompositions, and seepages, of a million crawling things, of
spores and lacy fungal filaments, of minerals reacting and things
being eaten away—all just on the other side of the chain-link
fence.”– Jenny Odell, How to do nothing: Resisting the attention economy, 2019
If there is one word we could use to describe the current task of facing ecological destruction in
ways that enable the survival of our species along with the six million others who dwell alongside
us, perhaps that word should be redefinition.
For in defining ourselves as separate from (and superior to) our more-than-human neighbours—animal and
vegetal, machine and algorithmic—as subjects in a world of objects, we drink from the well of “deep,
unnamed sadness” that the Native American botanist Prof. Robin Wall Kimmerer speaks of when
describing species loneliness—a sensation felt deep in the bones, which emerges from the loss of
earthly relationship after centuries of ecological domination.
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But what if there is a different way forward? How can we foster a just, equitable and joyful
transition through alternative means of kinship and worlding? How can we redefine business-as-usual,
not only with regards to how we view ourselves but also the intricate webs of more-than-human
connection which make us, us?
Most importantly of all, how can wegently dismantlethe structural
forces that prevent us from interacting with each other—and all
other life on earth—with care and celebration?
To bring this special issue into being, we invited more-than-human feminisms around the globe, from
India to the Bahamas, to join us in uplifting emergent interspecies worlds within this world. We
combined forces for the first time — across a magazine for the internet and things1, a magazine for
a sustainable internet2, and acritical design studio3³— conversing across platforms, cars and
cockpits in between the spätis of Berlin and the misty shores of Vancouver.
Exhausted by the daily inundation of media and hot takes on the inevitability of climate change, we
decided to experiment in moving beyond a damage-centered approach to one that wasdesire-based. ⁴
In an open call for contributors, we sought far and wide for the wildish happenings that were
actively engaged in fostering decolonial, feral, queer, intersectional and ancestral technologies
(long evoked by communities on the margins). We invited future activisms rooted in pleasure and
joy, and social imaginations that would energise. We received an enthusiastic response from
projects, happenings and dream-spaces around the world—abundant evidence that the next generation
of posthuman feminisms are already hard at work, reframing ecological, structural and technological
forces in ways that make change.
We are pleased to share the most notable tales in this (very special!) special issue, many of which
are still in active emergence. By exchanging notes across alternative ways of being and dwelling
alongside, they express the many ways that global injustices (from species extinction to
technological accumulation) can be ever-so-gently, yet powerfully, transformed.
The diverse nourishments of these seven featured pieces are designed to be
absorbed like vitamins, metabolized slowly and in your own time, fostering
wisdom and inspiration:
Marjahn Finlayson, a climate specialist in The Bahamas, calls for climate world-building that first
confronts the racist and sexist practices that exclude expert voices in specific communities. She
intertwines climate action with personal stories in climate science, a field she describes as not
designed to benefit or accommodate people like her.
London-based artists Georgina Voss and Eva Verhoeven ask what the trouble looks like when it comes
(and what happens afterwards) through the lens of botanical project in a cultural institution where
plants and electronics are transformed into pests, rot and lockdowns.
Thiane de Nazaré with the Federal University of Bahia invites us to learn how Black women in the
Amazônia are turning the tables on digital colonization, redefining technological empowerment by
carving out new territories in cyberspace.
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Canadian anthropologists Kate Hennessy and Trudi Lynn Smith unravel the entwined tales of world’s
oldest tortoise Tu’i Malila and the fading art of anthotype prints, diving deep into flows of memory,
extinction, and the haunting legacies of colonialism…
Scotland-based Ukranian artist and writer Iryna Zamuruieva reveals what contact improvisation and
Ukraine’s struggle can teach us about the power of saying ‘No’…
Farmer, teacher and researcher Gayatri Ganesh weaves together an homage to the ancient landscapes of
the Western Ghats of India, a global biodiversity hotspot battling exceptional habitat loss in a
dance of death and renewal…
And last but never least, Bangalore-based designer Padmini Ray Murray invites us into a 3D
interactive essay that envisions seed banks as digital servers, influenced by feminist autonomous
infrastructures of consent, intimacy, and shared knowledge.
We have also included a
Gentle Dismantlings
zine (below) which expresses how the writings above,
while separate entities, can also be combined to build a galaxy of possibilities. The zine can be
printed out at home, folded, shared with others, and then unfolded into a poster.
With these assorted tales—wild, nascent, messy, joyful, still being born—we start to make a thousand
small cuts into unjust systems—the kind that make good trouble. We honor all those who ‘made a
fuss’4 before us, and all the fuss yet to be made by those still logging on.
Through them (and through you, dear readers) we invite new worldings to emerge, a mosaic elegantly
bound with the care-full weavings of interspecies fellowship and regeneration.
Love,
Kit, Julia & Michelle
A zine to print & fold at home:
These illustrations are rooted in accepting ancient anger, and the chaos it brings forward. They call to the
spirits of the earth, within the dirt, the rocks and the trees, in hopes to shake your own spirit out of its
shackles. These characters move in kindness through each other, not to please one another, but to serve in
truth, to weave community, to complete our histories and salvage our futures. That’s real magic to me. The
ostracism of ostracisation.
While reading these articles, I felt their ideas were tied together in an attempt of grasping profound notions
of freedom and community we have only been able to imagine. The words of Maya Angelou kept echoing in my body:
“you are only free when you realize you belong no place, you belong every place – no place at all. The price is
high. The reward is great.”
When I was asked to add the sentence “What does the trouble look like when it comes?” I thought of bright pink
and butterflies. The wilderness of a water drop that dismantles the concrete wall. Gentle things that prevail by
embracing the dark.
— Illustrator Leofrine Nøv
Acknowledgements:
This special issue was a real labour of love for all involved, involving many untold hours of imagining and
building. We would like to thank the authors for their patience and care, Laura Guzman for masterful copy-
editing, and Leofrine Nøv for the beautiful illustrations.
Endnotes:
1. Ding is a magazine series exploring feminist futures through poems, essays, articles and illustrations. It’s published by
Superrr Lab, a Berlin based non-profit. Contributors include adrienne maree brown, Audrey Tang, Xiaowei Wang, Luiza Prado, Jac
sm Kee and many others.
2. Branch Magazine is written by and for people who dream of a sustainable and just internet for all. Contributors include
Taeyoon Choi, Ifeoma Ozoma, Superflux, Tega Brain, and Joana Moll. It’s published by the Green Web Foundation and received the
Ars Electronica Award for Digital Humanity.
3. Studio We&Us is a critical design studio run which has explored co-creation for systems change since 2020 alongside public
organisations such as V&A Museum, British Council and Counterpoints Arts.
4. From Unangax scholar Eve Tuck: “Desire is […] neither/both/and reproduction and resistance. This is important because it
more closely matches the experiences of people who, at different points in a single day, reproduce, resist, are complicit in,
rage against, celebrate, throw up hands/fists/towels, and withdraw and participate in uneven social structures — that is,
everybody. Desire fleshes out that which has been hidden or what happens behind our backs. Desire, because it is an assemblage
of experiences, ideas, and ideologies, both subversive and dominant, necessarily complicates our understanding of human
agency…” (p.420, 2009).
5. Stengers, I., & Despret, V. (2021). Women Who Make a Fuss: The Unfaithful Daughters of Virginia Woolf (A. Knutson, Trans.).
University of Minnesota Press.
Click on the image to download the print version.
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Dr. Kit Braybrooke
Kit Braybrooke akaDr KitKatis a transmedia designer - researcher who explores how systems make worlds, and in
particular those that invite more-than-human networks to walk together across new terrains. They direct the critical
design studioWe&Us, which since 2020 has explored co-creation for systems change in Europe, China & Canada.
Julia Kloiber
Julia Kloiber is the Co-Founder of Superrr Lab – a feminist nonprofit. In her work she investigates emerging
technologies and future narratives. She is researching how technologies and policies have to be shaped to create
just and fair digital futures for all.
Michelle Thorne
Michelle Thorneis working towards a fossil-free internet. She is the Director of Strategy and Partnerships at the
Green Web Foundation and co-founder of the Green Screen Coalition for digital rights and climate justice. She
served 12 years at the Mozilla Foundation, most recently as Mozilla’s Sustainable Internet Lead. She publishes
Branch, an online magazine written by and for people who dream about a sustainable internet, which received the
Ars Electronica Award for Digital Humanities in 2021.
https://dingdingding.org/issue-6/letter-from-the-editors/
The authors: