ArticlePDF Available

THE INTENTION OF ESCAPISM ON BINGE-WATCHING AMONG PENANGITES

Authors:
  • Hanchiang University College of Communication, Penang, Malaysia

Abstract and Figures

In this advanced society, people are inseparable from technology. Smartphones, tablets, computers, TVS have all become necessities for modern people. The way we use media has recently changed dramatically. The purpose of this research is to study the intention of escapism on binge-watching among Penangites. Video on demand allows viewers to watch anytime and anywhere because of modern technology breakthroughs. More and more viewers are choosing to enjoy the video by subscribing to streaming services or online rather than on conventional broadcast networks. The rise of binge-watching is a result of technological advancement which has resulted in a shift away from routine programming and towards more flexible viewership. Despite the fact that there are severalresearchers who have performed in diverse contexts, only a few studies have focused on the intention of binge-watching among Malaysians, particularly Penangites. This conceptual study examines previous research and aims to study the intention of escapism binge-watching among Penangites. There were 200 respondents from Penang using the Raosoft sample size calculator and they were given online survey questionnaires as part of a quantitative research project. The acquired data were then examined in SPSS to determine the correlations (Pearson's coefficient) and reliability (Cronbach's Alpha). The result of the study indicates that most of the respondents show a positive view of the factor of escapism affecting their desire to binge-watch. It can be seen that the majority of the respondents agree that binge-watching may help them to escape from everyday life, seek relief from the unpleasant reality of everyday life, help them to temporarily get away from the grind, immerse themselves in the unreal world as well as give them more pleasure than other activities. Other than that, this research may help in showing that new advancements in media entertainment and the ensuing alterations in usage patterns bring opportunities as well as obstacles to media consumers. In addition, it may also help in future research to gain a deeper understanding of binge-watching as a novel form of media enjoyment as well as fresh perspectives on the intricate relationship between well-being and media use in general.
Content may be subject to copyright.
Journal of Creative Industry and Sustainable Culture (October) 2023, pp: 121
1
How to cite this article:
Ooi, K. Q., Jumrah, M.H. & Zaharin, M. S. Z. (2023). The Intention of Escapism on Binge-Watching Among Penangites.
Journal of Creative Industry and Sustainable Culture, 2, 1-21. https://doi.org/10.32890/ jcisc2023.2.1
THE INTENTION OF ESCAPISM ON BINGE-WATCHING AMONG PENANGITES
1Ooi Kay Qi, 2Mohd Hanafi Jumrah, & 3Muhammad Su’ud Zhariff Zaharin
1,2,3School of Communication and Media, Han Chiang University College of Communication
Corresponding author: hanafi@hju.edu.my
Received: 31/8/2023 Revised: 10/9/2023 Accepted: 17/9/2023 Published: 31/10/2023
ABSTRACT
In this advanced society, people are inseparable from technology. Smartphones, tablets,
computers, TVS have all become necessities for modern people. The way we use media has
recently changed dramatically. The purpose of this research is to study the intention of
escapism on binge-watching among Penangites. Video on demand allows viewers to watch
anytime and anywhere because of modern technology breakthroughs. More and more viewers
are choosing to enjoy the video by subscribing to streaming services or online rather than on
conventional broadcast networks. The rise of binge-watching is a result of technological
advancement which has resulted in a shift away from routine programming and towards more
flexible viewership. Despite the fact that there are several researchers who have performed in
diverse contexts, only a few studies have focused on the intention of binge-watching among
Malaysians, particularly Penangites. This conceptual study examines previous research and
aims to study the intention of escapism binge-watching among Penangites. There were 200
respondents from Penang using the Raosoft sample size calculator and they were given online
survey questionnaires as part of a quantitative research project. The acquired data were then
examined in SPSS to determine the correlations (Pearson's coefficient) and reliability
(Cronbach's Alpha). The result of the study indicates that most of the respondents show a
positive view of the factor of escapism affecting their desire to binge-watch. It can be seen that
the majority of the respondents agree that binge-watching may help them to escape from
everyday life, seek relief from the unpleasant reality of everyday life, help them to temporarily
get away from the grind, immerse themselves in the unreal world as well as give them more
pleasure than other activities. Other than that, this research may help in showing that new
advancements in media entertainment and the ensuing alterations in usage patterns bring
opportunities as well as obstacles to media consumers. In addition, it may also help in future
research to gain a deeper understanding of binge-watching as a novel form of media enjoyment
as well as fresh perspectives on the intricate relationship between well-being and media use in
general.
Keywords: binge-watching, intention, escapism, uses and gratification, Penangites
JOURNAL OF CREATIVE INDUSTRY AND
SUSTAINABLE CULTURE
https://e-journal.uum.edu.my/index.php/jcisc
e-journal.uum.edu.my/index.php/ssmj
2
INTRODUCTION
In this advanced society, people are inseparable from technology. Smartphones, tablets,
computers, TVS have all become necessities for modern people. The way we use media has
recently changed dramatically. Traditional media have been gradually eliminated by this
society. Viewers are increasingly choosing to watch videos on the internet rather than on
traditional television networks (Panda & Pandey, 2017). Back then, audiences were
accustomed to watching programs according to the broadcaster's schedule and order, with one
series airing each week. Now that technology has advanced, online movie platforms provide
audiences with more freedom by enabling them to make their own schedules using Video-On
Demand (Susanno, Phedra & Murwani, 2019). The use of television in society has changed
recently, especially in favor of online video streaming services. Additionally, the number of
people watching traditional TV has clearly declined, while the number of people using internet
streaming services is rapidly rising (Mikos, 2016). The patterns of media consumption have
evolved to meet consumer demands as a result of the new trends. The main goal of the binge-
watching phenomenon is to give viewers complete control over their viewing behavior
(Susanno et al., 2019).
Even though many studies define binge-watching in terms of the quantity of episodes
watched, no precise definition of binge-watching has emerged. For viewers, the binge-
watching phenomenon offers several benefits and disadvantages. According to several types of
research, binge-watching can be harmful to an individual's general well-being because it has a
tendency to be addictive (Chaudhary, 2014).
Research Objective
This research investigates the relationship between escapism and the intention of binge-
watching among Penangites.
Research Problem
On-demand platforms had been popular and had been introduced throughout the years and as
a result, led to the emergence of binge-watching habits. When people spend too much time
relaxing while binge-watching, it may cause health problems. According to previous studies,
binge-watching may be an addictive disorder (Rahman & Arif, 2021). In research by Vaterlaus,
Spruance, Frantz, & Kruger (2018), who also looked into binge-watching through an online
survey study, binge-watching may have further detrimental effects on overall well-being.
According to another research by Exelmans and Bulck (2017), it is further elaborated that
binge-watchers also reported higher goal conflicts, addiction symptoms, and sleep issues,
including symptoms of insomnia. Besides that, in the analyzed research, depressed symptoms,
as well as tension, guilt sentiments, and generally bad feelings or affect, were reported
(Flayelle, Canale, Vögele, Karila, Maurage, & Billieux, 2020). Additionally, when this
sedentary lifestyle becomes the norm, health problems may worsen as a result of the lack of
exercise and mobility. This might also be a consequence of less regular, high-quality rest and
sleep. People who practice binge-watching shall be impacted by that reason both physically
and mentally (Samsudin, 2022).
Studies about how relaxation from binge-watching may bring negative effects on individuals
were also being investigated. Binge-watching is a streaming behaviour that people frequently
engage in with the goal of relaxing, but it can also result in feelings of guilt and procrastination
3
(Granow, Reinecke, & Ziegele, 2018). Over the years, numerous research has examined the
detrimental impacts that this behaviour has on people's health, such as the propensity for a
sedentary lifestyle (Granow et al., 2018). Additionally, this extremely immersing in TV
behaviour gives a rapid reward, therefore it may cause someone to lose self-control and watch
TV shows for far longer than they intended to (Walton-Pattison, Dombrowski, & Presseau,
2018).
In the context of escapism, there are early studies on escapism examined how escapist
entertainment consumption impacts society. Early studies on escapism focused on the target
and examined how escapism negatively impacts society (Halfmann & Reinecke, 2021).
Examples include decreased political participation, diminished social role performance, and
relationship issues (Katz & Foulkes, 1962). A more in-depth of the effects were further
discussed and investigated were both immediate impacts, such as psychological discomfort and
negative effects (Hagström & Kaldo, 2014; Stenseng, Rise, & Kraft., 2012), and long-term
ones, such as decreased life satisfaction and general well-being (Hagström & Kaldo, 2014;
Kaczmarek & Drążkowski, 2014; Meier, Meltzer, & Reinecke, 2018). Moreover, in research
conducted by Castro, Rigby, Cabral, & Nisi (2021), people report feeling more depressed after
binge-watching, which may be a result of their adjustment to reality following a very enjoyable
and engrossing pastime.
Online streaming services cultivate a culture of quick gratification while also sating
people's desire for escape and imagination (Matrix, 2014). Binge-watching may lead people to
forget their responsibilities leading to procrastination and delay in what needs to be done. Pena
(2015) looked into the social and stress-relieving benefits sought and received from binge-
watching and discovered that the optimal way to get those benefits is as an escape from
everyday life.
Research Hypothesis
H1: There is no significant relationship between escapism and the intention of binge-watching
among Penangites.
H2: There is a significant relationship between escapism and the intention of binge-watching
among Penangites.
LITERATURE REVIEW
Binge-watching and Genre
People are increasingly using digital and mobile devices to consume broadcast media. They
frequently use internet streaming services, which are easily accessible through everyday
devices like smartphones or tablets, to watch TV channels, movies, series, shows, etc.
(Camilleri & Falzon, 2020). The phrase "binge-viewing," which was popularized by the media,
often describes a compulsive habit of watching video-on-demand content. Watching several
episodes of a show in a row is one of the definitions of binge-watching that is frequently used
(Joswiak, 2022). The most popular binge-watching definition, according to Netflix, is watching
two to six episodes of a single TV show at once (Jenner, 2018). Binge-watching is the
overconsumption of serialised content, which is frequently promoted by VoD providers. For
instance, Netflix promotes this behaviour by creating different kinds of binge-worthy shows
whether by releasing one or even the entire seasons in one go (Buschmeyer, 2020).
4
With the emergence of technology and the changing of watching habits, the habit of binge-
watching has arisen and is becoming more popular. The development of streaming platforms,
which provided consumers with some control over their digital media consumption, is what
contributed to the emergence of binge-watching (Merikivi, Bragge, Scornavacca, & Verhagen,
2020).
With digital streaming services, the audience can choose what they want to watch easily.
Audiences may choose what to watch from a variety of genres of shows. Nowadays, the genre
of a show has been hardly determined as some shows contain hybrid genres. Although there
have been considerable crosses among television genres in recent years, some have stayed
popular, particularly on more modern platforms like streaming services (Wagner, 2016).
The motivations for watching particular genres have been the subject of several uses and
gratifications studies, with a focus on those that are interesting due to viewer loyalty or societal
relevance (Hawkins, Pingree, Hitchon, Gorham, Kannaovakun, Gilligan, Radler, Kolbeins, &
Schmidt, 2001). For example, in a research study of television genre viewing by Hawkins et
al., (2001), college students estimated that they watched 13 hours of television overall during
the diary week, with drama and situation comedies being the most popular genres and these
genres of shows most likely being binge-watched by the audience.
According to another study of binge-watching by Wagner (2016), dramas and comedies were
the most popular series to binge. Moreover, according to another study of binge-watching by
Tefertiller and Maxwell (2018), the researcher emphasized that besides long-hour drama as a
genre that motivates binge-watching because of the ongoing nature of the plot, other genres of
shows such as comedies and reality TV, also encourage this habit. In another study, respondents
who displayed binge-watching behaviour also concluded that the Sci-Fi genre and comedy
genre had the most impact on their emotional and psychological effects (Cabral, Castro, Rigby,
Vasanth, Cameirão, & Nisi, 2020). Besides, in another study conducted by Oberschmidt
(2017), the genre has an impact on the factors that define binge-watching. The study found that
irreverent comedy is the genre that discourages binge-watching while thriller series is the genre
that encourages it. While another research also highlighted that genre may influence the
motivation of viewers to binge-watch, the research shows that mystery and horror genres are
the genres that motivate binge-watching behavior (Iyer, Nishkala, Priyankha, & Srilalitha,
2019).
Binge-watching as Audience Practice
For the modern audience, binge-watching has surely taken over as the popular and entertaining
method of consuming media content, such as TV programs. Binge-watching grew in
popularity, becoming a common way for audiences to consume Television programs in general
between 2011 to 2015 (Pierce-Grove, 2016). It also became more popular with the emergence
of streaming platforms such as Disney +, Netflix, and so on. In 2013, Netflix offered new ways
to watch TV shows, allowing users to choose from a wide range of options and watch as many
episodes as they want, and this feature has encouraged viewers to binge-watch (Starosta &
Izydorczyk, 2020).
According to Jenner (2020), the practice of binge-watching is still perceived as "exceptional"
media behavior rather than a standard way to watch TV. In the research by Jenner (2020), the
researcher concluded a few perspectives on binge-watching in this digital era. The researcher
5
argues that the place of binge-watching within a larger online culture is another crucial
consideration when conceptualizing it as an audience habit.
Binge-watching and Escapism
By defining escapism is the need of average individuals to seek relief from the unpleasant
realities of daily life with the realm of mass media and entertainment (Vordere & Hartmann,
2009) introduced escapism for the first time into the field of mass media research. From the
psychological context, Katz and Foulke (1962) established a connection between escapist
tendencies and the drives of deprivation or alienation. Escapism has played a substantial and
ubiquitous part in media use, and the Uses and Gratification Theory lists this aspect as one of
the media-related pleasures (Katz, Blumler, & Gurevitch, 1973). Further into the study of
binge-watching, according to Pena (2015), one of the main causes of binge-watching is the
desire for escapism. To sum it up, escapism is frequently thought to be a coping mechanism
for people who need to escape from unpleasant events (Heatherton and Baumeister, 1991).
Multiple types of research have confirmed how escapism affects media consumption. For
instance, in a research study by Rubenking, Bracken, Sandoval, and Rister (2018) about the
motivation of binge-watching, the study concluded that many people employ binge-watching
to satisfy their demands for pleasure or escapism. In another previous study by Vincent and
Basil (1997), escapism was still a significant driving force behind print and broadcast media
consumption.
The Intention of Binge-watching Among Penangites
The intention of binge-watching among Penangites is the dependent variable set by the
researchers for this research. According to Karim, Haque, Ulfy, Hossain, & Anis, (2020), the
intention is the nature of a person's action to comply with something. It was believed that the
idea of motivations and desires was a development of the Uses and Gratifications Theory
(UGT) (Ray, Dhir, Bala, & Kaur, 2019; Nikou and Economides, 2017; Katz et al.,1973). UGT
is chosen to examine the research topic as the research aims to understand and analyze the
intention of Penangites who employ binge-watching behavior. The theory makes the
assumption that people use media technologies to increase their satisfaction. It also aims to
provide insight into why and how people are drawn to utilize cutting-edge technologies to meet
their particular requirements and desires (Katz et al.,1973). UGT has thus been widely utilized
to investigate how different media are used and to better comprehend why individuals use them.
To sum it up, it is logical that intention is a dependent variable when researching binge-
watching.
Uses and Gratification Theory
The UGT is used in this study to give a more in-depth and comprehensive explanation of why
Penangites binge-watch. This research focuses on using one factor only, which is escapism
from the UGT. The UGT framework focuses primarily on the psychological causes of needs,
which give rise to expectancies, which in turn lead to needs satisfaction and other, potentially
unintentional, outcomes (Susanno et al., 2019). Another perspective of UGT explained by
Rubin (2020), is the notion that one searches out media that best meets their needs. Behaviour
and selection are driven by motivation and function, and people sift through competing media
to consume what best meets their wants and desires.
6
There are several researchers who have used this theory to investigate the usage of media
consumption. According to Dickinson (2015), people watch television for seven different
reasons: companion, routine, education, escape, pleasure, passing time, and relaxation. Thus,
these factors may have contributed to the influence of binge-watching, and it is worth
discovering more about the intention of audiences binge-watching through the factor of
escapism. Additionally, in research done by Susanno et al., (2019), UGT is used to examine
Netflix subscribers in Jakarta's intentions to binge-watch more frequently. To conclude, it is
logical that the UGT is suitable to study media consumption and binge-watching behaviour in
this digital era.
METHODOLOGY
For this research, a quantitative research method is utilized. The researcher employed a
quantitative approach for this study since a large sample size with 200 respondents targeted is
desired using the Raosoft sample size calculator (See Figure 1). The 10% were chosen from
121,670 youth in Penang aged between 18 to 45 years old. This research implements purposive
sampling techniques were used including this study include this criterion:
1. Aged from 18 to 45 years old
2. Respondents from Penang who practiced binge-watching behaviour
Figure 1
Sample Size Calculator using Raosoft
The questionnaire developed based on a few past research as guidelines such as research from
Samsudin (2022); Karim et al., (2020); Susanno et al., (2019); Vordere & Hartmann, (2009);
and Ray et al., (2019). Before starting the study, the researcher ensures that the respondents
fulfill the criteria and a consent form to answer this questionnaire has been distributed to the
respondents. This is to ensure that the respondents are not forced and volunteer to answer this
research questionnaire. The questionnaire is divided into 2 sections, which are sections A and
B. Section A focuses on the demographic information of the respondents. Respondents are
classified according to gender, male and female and researchers also asked their respondents
about their ages. Section B focuses on the intention of escapism of binge-watching among
Penangites, the questions for section B can refer in Table 1. All the answers from the
respondents are measured in the survey based on a 5-point Likert scale. Each statement is rated
from 1 to 5 by the respondents and each number of the 5 Likert scales represents agree and
7
disagree which is stated as follows: 1 is for strongly disagree, 2 is for disagree, 3 is for neutral,
4 is for agree and lastly, 5 is for strongly agree. There are 5 statements for each variable
investigated in this research.
Table 1
List of questionnaires in section B
Variables
Statements
Escapism (IV)
1. I binge-watch because it helps me to escape from my everyday
routine.
2. I binge-watch because I want to seek relief from the unpleasant
reality of everyday life.
3. I binge-watch because it helps me to temporarily get away from the
grind.
4. I binge-watch because I enjoy immersing myself in the unreal world.
5. I binge-watch because it gives me more pleasure than other leisure
activities.
6. Binge-watching has caused me to be less productive.
7. Binge-watching has led me to neglect my responsibilities.
Descriptive Analysis
Descriptive analysis plays an important role in quantitative research. Descriptive is a method
of data analysis that assists in characterising, portraying, or summarising pieces of information
so that patterns fully meet the needs of the data (Rawat, 2021). It is used to create a specific set
of data, which could be a population sample or the overall population representation. (Hayes,
2022). As there is a large amount of data that needs to be tabulated, a descriptive analysis may
be a useful approach to develop the collected data.
Reliability Test
The principle of reliability tests is utilized to assess the integrity of a study (Middleton, 2022).
When a study is conducted again under the same circumstances, the findings can generally be
reproduced, that is what is meant by a measure's reliability (Middleton, 2022). In this research,
Penangites are asked to complete a questionnaire to find out the relationship of the dependent
variables of relaxation and escapism between the independent variable, the intention of binge-
watching among Penangites. The SPSS system is utilized to conduct the reliability test for this
research.If the variable's Cronbach Alpha is greater than 0.6, it is regarded as dependable
(Golafshani, 2003).
Correlation Analysis
When two (or more) quantitative variables are associated or related to one another, this is
referred to as correlation analysis (Gogtay & Thatte, 2017). Correlation analysis is done to
determine whether there are any patterns, trends, or relationships that stand out when analyzing
quantitative information gathered from methods like questionnaires and surveys (James,
2022).
8
RESULTS
Descriptive Analysis (Demographic Profile)
The distribution of the survey's Section A (personal information) items, responses, respondents,
and their percentages is shown overall in Table 2. From the responses collected for the first
question, the table above indicates that those who frequently watch multiple episodes of their
favorite TV series/shows made up 92.5% of the respondents, while those who do not take up
7.5% of them. While in question 2 where the respondents were asked about their time spent
binge-watching TV series/shows, most of the respondents spent 2-3 hours watching which
takes up to 56% of the respondents, while 28% of the respondents spent 4 hours watching and
16% of the respondents spent an hour or below. The pie charts below will show the responses
to each item of demographic information.
Table 2
Data collected in Section A of the survey questionnaire
Items
Responses
Number of
respondents
Percentage %
Gender
Male
124
62
Female
76
38
Race
Malay
46
23
Chinese
123
61.5
Indian
30
15
Iban
1
0.5
Age
18 to 20 years old
18
9
21 to 29 years old
155
77.5
30 to 39 years old
17
8.5
40 years old and
above
10
5
Do you typically watch
multiple episodes of
your favorite TV
series/shows?
Yes
185
92.5
No
15
7.5
How much time do you
usually spend binge-
watching TV
series/shows?
An hour or below
32
16
2-3 hours
112
56
4 hours and above
56
28
9
Gender of Respondents
Based on Figure 2 below, the pie chart shows that 62% out of the 200 respondents who
participated in the questionnaire survey are female and 38% of them are male.
Figure 2
Gender of Respondents
Races of Respondents
Based on Figure 3, the pie chart shows that 61.5% out of the 200 respondents who participated
in the questionnaire survey are Chinese, 23% of them are Malay, 15% are Indian and 0.5% are
Iban.
Figure 3
Races of Respondents
Age Range of Respondents
Based on Figure 4, the pie chart shows that 77.5% out of the 200 respondents who participated
in the questionnaire survey are between 21 to 29 years old, 9% of them are between 18 to 20
years old, 8.5% are between 30 to 39 years old and 5% are 40 years old and above.
10
Figure 4
Age Range of Respondents
The Intention of Escapism on Binge-watching among Penangites
Table 3 shows the distribution of responses, mean and mean ranking of data collected in items
one to seven in Section B of the questionnaire, formulated based on the independent variable
‘escapism’. ‘Item 3’ has the highest mean of 3.96 among them. It stated that the respondents
binge-watch because it helps them to temporarily get away from the grind, which a majority of
the respondents (41% and 33.5%) agreed and strongly agreed. Besides, 17% expressed
themselves as neutral whereas 5% and 3.5% of them disagreed and strongly disagreed.
Item 4 is ranked second and has a mean score of 3.83. 43.5% and 28.5% of respondents,
respectively, agreed and strongly agreed that they enjoyed immersing themselves in the unreal
world when binge-watching. 15% of respondents were neutral, while 8.5% and 4.5%,
respectively, of respondents, disagreed and strongly disagreed.
Item 7 has the lowest mean ranking of all the items in section B. The majority of respondents
32.5% agreed that they believe binge-watching has caused them to neglect their
responsibilities. In the meantime, 21.5% of them disagreed with the statement in "Item 7,"
whereas 19% of the respondents strongly agreed, 18.5% remained neutral and 8.5% strongly
disagreed with it significantly.
Table 3
Data collected in Section B (items 1-7) of the survey questionnaire.
SD (%
D (%
N (%
A (%
SA (%
Mean
Mean ranking
5
10
17
43.5
24.5
3.73
5
6.5
10.5
9
48
26
3.77
3
3.5
5
17
41
33.5
3.96
1
4.5
8.5
15
43.5
28.5
3.83
2
2.5
11.5
19.5
41.5
25
3.75
4
2.5
12.5
27
32
26
3.67
6
8.5
21.5
18.5
32.5
19
3.32
7
11
Findings on Escapism
Item 1
The question asked the respondents whether they agree with the statement ‘I binge-watch
because it helps me to escape from my everyday routine’ (refer Figure 5). The result shows
that most of the respondents, 87 out of 200 respondents (43.5%) agreed with the statement. 49
of the total respondents (24.5%) strongly agreed that binge-watch activity would help them
escape their everyday routine. 34 of the respondents (17%) remained neutral on the statement,
while 20 of the respondents (10%) disagreed and 10 of them (5%) strongly disagreed.
Figure 5
Escape from everyday routine
Item 2
The question asked the respondents whether they agreed with the statement ‘I binge-watch
because I want to seek relief from the unpleasant reality of everyday life’ (refer Figure 6). The
outcome reveals that 96 out of 200 respondents (48%) agreed with the statement, which is a
majority of the respondents. 52 of the total respondents (26%) strongly agreed that they want
to seek relief from the unpleasant reality of everyday life. 21 (10.5%) of them disagreed, 18
(9%) of the total respondents remained neutral and 13 (6.5%) of respondents strongly
disagreed.
Figure 6
Relief from the unpleasant reality of everyday life
12
Item 3
The question asked the respondents whether they agree with the statement ‘I binge-watch
because it helps me to temporarily get away from the grind’ (refer Figure 7). The outcome
reveals that 82 out of 200 respondents (41%) agreed with the statement, which is a majority of
the respondents. 67 of the total respondents (33.5%) strongly agreed that binge-watch may help
them to temporarily get away from the grind. 34 respondents (17%) remained neutral, while 10
of the respondents (5%) disagreed and seven of them (3.5%) strongly disagreed.
Figure 7
Temporarily get away from the grind
Item 4
The question asked the respondents whether they agree with the statement ‘I binge-watch
because I enjoy immersing myself in the unreal world’ (refer Figure 8). The result shows that
most of the respondents, 87 out of 200 respondents (43.5%) agreed with the statement. 57 of
the total respondents (28.5%) strongly agreed that they binge-watch because they enjoy
immersing themself in the unreal world. 30 of the respondents (15%) remained neutral on the
statement, while 17 of the respondents (8.5%) disagreed and nine of them (4.5%) strongly
disagreed.
Figure 8
Enjoying immersing myself in the unreal world
13
Item 5
The question asked the respondents whether they agreed with the statement ‘I binge-watch
because it gives me more pleasure than other leisure activities(refer Figure 9). The outcome
reveals that 83 out of 200 respondents (41.5%) agreed with the statement, which is a majority
of the respondents. 50 of the total respondents (25%) strongly agreed that binge-watching gives
them more pleasure than other leisure activities. 39 of the respondents (19.5%) remained
uncertain, 23 of them (11.5%) disagreed and five of them (2.5%) strongly disagreed.
Figure 9
More pleasure than other leisure activities
Item 6
The question asked the respondents whether they agree with the statement ‘Binge-watching
has caused me to be less productive’ (refer Figure 10). The result shows that 64 out of 200
respondents (32%) agreed with the statement. 54 of the respondents (27%) remained neutral
with the statement, 52 of the total respondents (26%) strongly agreed that binge-watch activity
has caused them to be less productive, while 25 of the respondents (12.5%) disagreed and five
of them (2.5%) strongly disagreed.
Figure 10
Less productive
14
Item 7
The question asked the respondents whether they agreed with the statement ‘Binge-watching
has led me to neglect my responsibilities’ (refer Figure 11). The outcome reveals that 65 out of
200 respondents (32.5%) agreed with the statement. 43 of the total respondents (21.5%)
disagreed that binge-watching has led them to neglect their responsibilities. 38 respondents
(19%) strongly agreed with this statement, while 37 of the respondents (18.5%) remained
neutral and 17 of them (8.5%) strongly disagreed.
Figure 11
Less productive
Scale Measurement and Inferential Analysis
Reliability Test
Table 4 shows the result of the alpha value for different variables of the study. The total number
of respondents for our study is 200, and the alpha value for escapism is 0.855. If a variable's
Cronbach Alpha is greater than 0.6, it is regarded as dependable (Golafshani, 2003).
Table 4
Reliability Test
Variables
𝝰
Escapism
0.855
(n=200)
Pearson Correlation Analysis
The results in Table 5 were obtained through a Pearson correlation test in SPSS to investigate
the relationship between the independent variable, which is escapism, and the dependent
variable, the intention of binge-watching among Penangites.
15
Table 5
Pearson correlation analysis (coefficient and p-value)
(n=200, *p<.05, **p<.001)
Hypotheses Testing
The research hypothesis proposed for this independent variable (H1 and H2):
H1: There is no significant relationship between escapism and the intention of binge-
watching among Penangites.
H2: There is a significant relationship between escapism and the intention of binge-watching
among Penangites.
Based on Table 5, the result revealed that there are significant and positive relationships
between escapism and the intention of binge-watching among Penangites. This test is using
Pearson’s correlation coefficient between the two variables, (r=0.633, p=0.000). Thus, there is
a moderate relationship between escapism and the intention of binge-watching among
Penangites. It can be concluded that escapism is a factor that causes Penangites to binge-watch
where people tend to seek relief from everyday life through binge-watch. Therefore, the H1
and H2 are accepted.
Discussion
According to the result of Section B which is investigating the intention of escapism on binge-
watching among Penangites. Most of the respondents show a positive view of the factor of
escapism affecting their desire to binge-watch. It can be seen that the majority of the
respondents agree that binge-watching may help them to escape from everyday life, seek relief
from the unpleasant reality of everyday life, help them to temporarily get away from the grind,
immerse themselves in the unreal world as well as give them more pleasure than other
activities.
Many researchers have discovered that escapism is a crucial factor that may lead to binge-
watching. For instance, in research by Halfmann and Reinecke (2021), the researcher highlights
that because the characters and themes are easily followed from one episode to the next, binge-
watching makes it possible to escape from daily stressors in heavy doses. Furthermore,
according to Klimmt (2008), escapism can help people feel better since it can act as a "vacation"
from the stresses of everyday life. Hence, escapism can be a crucial effect on binge-watching
activity.
Independen
t variables
The intention of binge-watching among Penangites (dependent
variable)
Pearson’s coefficient (r)
P-value [Sig (2-tailed)]
Escapism
0.633**
0.000
16
As for the negative effects of escapism, 58% of the respondents said that they have become
less productive due to binge-watching. For example, people with a propensity for problematic
binge-watching may also choose to forego sleep in order to binge on the next TV show episode,
which can result in weariness, decreased productivity at work or school, and a lack of sleep
(Starosta & Izydorczyk, 2020). It is also found in another study that the participants have been
seen to binge-watch as a result of putting off things, which is an escapism-related behaviour
(Ramayan, Estella, & Bakar, 2018). It makes sense that those who binge-watch frequently
could utilize their conduct as a kind of escape.
According to the results, several participants stated that binge-watching has caused them to
neglect their responsibilities. Some researchers also emphasize the potentially addictive
qualities that binge-watching may develop for some people and talk about traits that
problematic binge-watching may share with substance-related or behavioral addictions, such
as loss of control over watching, lack of attention to other tasks, and watching to deal with
negative emotions (Orosz, Bőthe, & Toth-Kiraly, 2016). On the other hand, many of the
researchers have pointed out that binge-watching has caused negative effects of procrastination
behavior which is a cause of the neglect of responsibilities. For instance, according to Merill
and Rubenking (2019), there is a statistically significant link between procrastination and
binge-watching. According to the study's findings, procrastination tendencies and reward
motivation are both significant predictors of binge-watching frequency. In another study, the
researchers stated that a lack of control over binge-watching time could lead to a person
neglecting their obligations to their family, job, or education (Starosta, Izydorczyk, &
Wontorczyk, 2021). The findings of this study suggest a strong relationship between the desire
to escape and the intention to binge-watch.
Discussion of UGT Theory
The UGT paradigm is primarily focused on the psychological and social roots of needs, which
lead to media expectations, need fulfillment, and other outcomes that may be unintentional or
unexpected (Katz et al., 1973). According to the framework, viewers typically seek out five
primary pleasures: information or education, identification with media characters,
entertainment, improving social connections, and escape from the strains of daily life
(McQuail, 2010). The UGT, which explains how people utilize media like the internet,
television, and social media to satisfy their needs, is what most research references (Rubenking
et al., 2018). Furthermore, in research by Steiner and Xu (2020), the researchers utilize UGT
theory to better understand why people binge-watch because it is an emerging media behavior
that combines culture and technology.
For this research, the researcher has identified only one main gratification of binge-watching
which is escapism. Rubin's (1983) groundbreaking study on why people watch TV showed that
people watch TV for a variety of reasons, including escape, arousal, information,
companionship, enjoyment, and social connection. It is also highlighted that binge-watching
with the express intention of escape motives is investigated from a uses and gratifications
perspective (Rubenking et al., 2018). It is evident that many participants start binge-viewing to
unwind and forget about their daily worries. Additionally, in a study about binge-watching and
the television genre conducted by Moore (2015), the researcher focuses on the uses and
gratifications hypothesis to explain how people have varied reasons for watching specific
media, like certain types of television. Thus, in order to study the needs and the intentions of
people binge-watching the uses and gratification theory has provided a suitable framework for
the researcher to study binge-watching.
17
Future Recommendations
There could be some improvements to the study of binge-watching. The first is to diversify the
sample. Future research could use a larger and more varied sample to improve the study's
generalizability. Better representation of many demographic groups, including age, gender,
financial level, and cultural origins, would be possible as a result. Besides that, more additional
dependent variables could be explored. For example, other pertinent factors that might affect
escapism intentions could be taken into account. To provide a more thorough study, elements
such as personality traits, cultural beliefs, or media preferences might be added. Moreover, a
comparative analysis may also help to improve future research. Similarities, variances, and
contextual elements that contribute to variations in motives and behaviors may be shown when
comparing Penangites' goals of relaxation and escapism with that of other areas or groups. The
topic might be better understood using this comparative perspective.
CONCLUSION
From cable TV to video-on-demand, with the advancement of technology, the watching habits
of TV viewers have led to changes and thus led to the habit of binge-watching. This research
has aimed to study the intention of escapism of binge-watching among Penangites. About 200
Penangites, who ranged in age from 14 to 45, took part in the survey, and SPSS was used to
analyze the results. Cronbach's Alpha was used to evaluate the research instrument's
dependability, and the Pearson correlation test was used to examine the research hypotheses.
The means and percentages were interpreted using descriptive analysis. The findings indicate
that relaxation and escapism are the key variables of intention. Altogether, this study has
attempted to address a variety of phenomena relating to binge-watching among Penangites.
ACKNOWLEDGEMENT
This research received no specific grant from any funding agency in the public, commercial,
or not-for profit sectors.
REFERENCES
Bhandari, P. (2020, January 16). What is quantitative research? Definition, uses & methods.
Scribbr.https://www.scribbr.com/methodology/quantitative-
research/#:~:text=Quantitative%20research%20is%20the%20process,generalize%20res
ults%20to%20wider%20populations.
Boynton, P. M., & Greenhalgh, T. (2004). Selecting, designing, and developing your
questionnaire. The BMJ, 328, 1312-1315. https://doi: 10.1136/bmj.328.7451.1312.
Buschmeyer, O. (2020). The Relationship between Binge-watching and Perceived stress: An
Experience Sampling Study. University of Twente.
Cabral, D., Castro, D., Rigby, J. M., Vasanth, H., Cameirão, M. S., & Nisi, V. (2020). To Binge
or not to Binge: Viewers’ moods and behaviors during the consumption of subscribed
video streaming. International Conference on Entertainment Computing, 12523, 369-
381. https://doi.org/10.1007/978-3-030-65736-9_33.
Camilleri, M. A., & Falzon, L. (2020). Understanding motivations to use online streaming
services: Integrating the Technology Acceptance Model (TAM) and the Uses and
Gratifications Theory (UGT). Spanish Journal of Marketing - ESIC.
https://doi/10.1108/SJME-04-2020-0074/full/html.
18
Castro, D., Rigby, J. M., Cabral, D., & Nisi, V. (2021). The binge-watcher’s journey:
Investigating motivations, contexts, and affective states surrounding Netflix
viewing. Convergence, 27(1), 320. https://doi.org/10.1177/1354856519890856.
Chaudhary, N. (2014, November 6). The TV binge: A sickness. The Stanford Daily.
https://stanforddaily.com/2014/11/06/the-tv-binge-a-sickness/.
Dickinson, K. (2014). Confessions of the Millennial Binge-viewer: An Examination of the TV
show Binge-viewing Phenomenon. California State University, Fullerton.
Etikan, I., Musa, S. A., & Alkassim, R. S. (2016). Comparison of convenience sampling and
purposive sampling. American journal of theoretical and applied statistics, 5(1), 1-4.
Flayelle, M., Canale, N., Vögele, C., Karila, L., Maurage, P., & Billieux, J. (2019). Assessing
binge-watching behaviors: Development and validation of the “Watching TV series
motives” and “binge-watching engagement and symptoms” questionnaires. Computers
in Human Behaviour, 90, 2636. https://doi.org/10.1016/j.chb.2018.08.022.
Gogtay, N. J., & Thatte, U. M. (2017). Principles of correlation analysis. Journal of the
Association of Physicians of India, 65(3), 78-81.
Golafshani, N. (2003). Understanding Reliability and Validity in Qualitative Research.
TheQualitative Report, 8(4), 597-606.
Granow, V. C., Reinecke, L., & Ziegele, M. (2018). Binge Watching and Psychological Well-
Being: Media Use between Lack of Control and Perceived Autonomy. Communication
Research Reports, 35:5, 392-401, https://doi.org/10.1080/08824096.2018.1525347.
Greenberg, B. S. (1974). Gratifications of television viewing and their correlates for British
children. In J. G. Blumler & E.Katz (Eds.), The uses of mass communications: Current
perspectives on gratifications. 7192. Sage.
Hagström, D., & Kaldo, V. (2014). Escapism among players of MMORPGsconceptual
clarification, its relation to mental health factors, and development of a new measure.
Cyberpsychology, Behavior, and Social Networking, 17(1), 1925.
https://doi.org/10.1089/cyber.2012.0222.
Halfmann, A., & Reinecke, L. (2021). Binge-watching as a case of escapist entertainment
use. The Oxford handbook of entertainment theory, 181-203.
Hawkins, R. P., Pingree, S., Hitchon, J., Gorham, B. W., Kannaovakun, P., Gilligan, E., Radler,
B., Kolbeins, G. & Schmidt, T. (2001). Predicting selection and activity in television
genre viewing. Media Psychology, 3(3), 237-263.
Heatherton, T. F., & Baumeister, R. F. (1991). Binge eating as escape from self-awareness.
Psychological Bulletin, 110(1), 86-108.
Iyer, K. P., Nishkala, G., Priyankha, V., & Srilalitha, R. (2019). Analysing Binge-Watching
Behaviour Using Data Mining Techniques. Think India Journal, 22(10), 2571-2581.
Jenner, M. (2020). Researching binge-watching. Critical Studies in Television: The
International. Journal of Television Studies. 15(3), 267-279.
https://doi.org/10.1177/174960202093501.
Joswiak, E. (2022, December 8). Best ways to improve your binge-watching experience. The
Florida Villager - Your Community Lifestyle Magazine.
https://thefloridavillager.com/2020/02/04/best-ways-to-improve-your-binge-watching-
experience/.
Kaczmarek, L. D., & Drążkowski, D. (2014). MMORPG escapism predicts decreased
wellbeing: Examination of gaming time, game realism beliefs, and online social support
19
for offline problems. Cyberpsychology, Behavior, and Social Networking, 17(5), 298-
302. https://doi.org/10.1089/cyber.2013.0595.
Karim, M. W., Haque, A., Ulfy, M. A., Hossain, M. A., & Anis, M. Z. (2020). Factors
influencing the use of E-wallet as a payment method among Malaysian young adults.
Journal of International Business and Management, 3(2), 1-12.
Katz, E., & Foulkes, D. (1962). On the use of the mass media as “escape”: Clarification of a
concept. Public Opinion Quarterly, 26(3), 377-388.
Katz, E., Blumler, J. G., & Gurevitch, M. (1973). Uses and gratifications research. The Public
Opinion Quarterly, 37(4), 509523.
Klimmt, C. (2008). Escapism. In W. Donsbach (Ed.), The International Encyclopedia of
Communication. 4, 1564-1566.
Kubey, R. & Csikszentmihalyi, M. (2002). Television Addiction, Scientific American, 286 (2).
74-81.
Matrix, S. (2014). The Netflix effect: Teens, binge-watching, and on-demand digital media
trends. Jeunesse: Young People, Texts, Cultures, 6(1), 119138.
McQuail, D. (2010). McQuail's mass communication theory. Sage publications.
Meier, A., Meltzer, C. E., & Reinecke, L. (2018). Coping with stress or losing control?
Facebook-induced strains among emerging adults as a consequence of escapism versus
procrastination. In book: Youth and Media: Current Perspectives on Media Use and
Effects. https://doi.org/10.5771/9783845280455-167.
Menon, D. (2022). Purchase and continuation intentions of over-the-top (OTT) video streaming
platform subscriptions: a uses and gratification theory perspective. Telematics and
Informatics Reports, 5, 100006. https://doi.org/10.1016/j.teler.2022.100006.
Merikivi, J., Bragge, J., Scornavacca, E. & Verhagen, T. (2020), “Binge-watching serialized
video content: a transdisciplinary review”. Television and New Media, 21(7), 697-711.
Merill Jr, K., & Rubenking, B. (2019). Go long or go often: Influences on binge watching
frequency and duration among college students. Social Sciences, 8(1), 10.
Middleton, F. (2022, December 19). Reliability vs. validity in research: Difference, types and
examples. Scribbr. https://www.scribbr.com/methodology/reliability-vs-validity/.
Mikos, L. (2016). Digital Media Platforms and the Use of TV Content: Binge Watching and
Video-on-Demand in Germany. Media and Communication, 4(3), 154-161.
https://doi.org/10.17645/mac.v4i3.542.
Moore, A. E. (2015). Binge watching: Exploring the relationship of binge watched television
genres and colleges at Clemson University. Graduate Research and Discovery
Symposium (GRADS). 138. https://tigerprints.clemson.edu/grads_symposium/138
Nikou, S.A. & Economides, A.A. (2017). Mobile-based assessment: integrating acceptance
and motivational factors into a combined model of self-determination theory and
technology acceptance. Computers in Human Behavior, 68, 83-95.
Oberschmidt, K. (2017). The relationship between binge-watching, compensatory health
beliefs, and sleep. Bachelor's thesis. University of Twente.
Orosz, G., Bőthe, B., & Toth-Kiraly, I. (2016). The development of the problematic series
Watching Scale (PSWS). Journal of Behavioral Addictions, 5(1), 144-150.
Panda, S., & Pandey, S. C. (2017). Binge watching and college students: Motivations and
outcomes. Young Consumers Insight and Ideas for Responsible Marketers, 18(2), 00-00.
https://doi.org/10.1108/YC-07-2017-00707.
20
Pena, L. L. (2015). Breaking binge: Exploring the effects of binge watching on television
viewer reception. Syracuse University. (Unpublished).
Pierce-Grove, R. (2016). Just one more: How journalists frame binge watching. First Monday,
22(1). https://doi.org/10.5210/fm.v22i1.7269
Pittman, M., & Sheehan, K. (2015). Sprinting a media marathon: Uses and gratifications of
binge-watching television through Netflix. First Monday, 20(10).
http://dx.doi.org/10.5210/fm.v20i10.6138
Rahman, K. T., & Arif, M. Z. U. (2021). Impacts of binge-watching on netflix during the
COVID-19 pandemic. South Asian Journal of Marketing, 2(1), 97-112.
https://doi.org/10.1108/SAJM-05-2021-0070.
Ramayan, S., Estella, A. L. M., & Bakar, I. A. A. (2018). The effects of binge watching on
interpersonal communication among Department of Communication and Liberal Arts
(DCLA) students. Idealogy Journal of Arts and Social Science, 3(3), 127-143.
Rawat, A. S. (2021, March 30). An Overview of Descriptive Analysis.
https://www.analyticssteps.com/blogs/overview-descriptive-analysis.
Ray, A., Dhir, A., Bala, P.K. & Kaur, P. (2019), Why do people use food delivery apps (FDA)?
A uses and gratification theory perspective. Journal of Retailing and Consumer Services,
51(C), 221-230.
Rubenking, B., Bracken, C. C., Sandoval, J., & Rister, A. (2018). Defining new viewing
behaviours: What makes and motivates TV binge-watching?. International Journal of
Digital Television, 9(1), 69-85.
Rubin, A. M. (1983). Television uses and gratifications: The interactions of viewing patterns
and motivations. Journal of Broadcasting & Electronic Media, 27(1), 37-51.
Rubin, A. M. (1984). Ritualized and instrumental television viewing. Journal of
Communication, 34(3), 67-77.
Rubin, A. M. (2020). Uses-and-gratifications perspective on media effects. In Oliver, M.B.,
Raney, A.A., & Brynat, J. Media effects: Advances in Theory and Research. (4 ed., pp.
181-200). Routledge.
Samsudin, S. U. B. (2022). Binge-Watching of Netflix Cultivates Deficit in Interpersonal
Communication Level among Young Adults in Malaysia.
Starosta, J. A., Izydorczyk, B., & Wontorczyk, A. (2021). Anxiety-depressive syndrome and
binge-watching among young adults. Frontiers in Psychology, 12, 689944.
Steiner, E., & Xu, K. (2020). Binge-watching motivates change: Uses and gratifications of
streaming video viewers challenge traditional TV research. Convergence, 26(1), 82101.
https://doi.org/10.1177/1354856517750365.
Stenseng, F., Rise, J., & Kraft, P. (2012). Activity engagement as escape from self: The role of
self-suppression and self-expansion. Leisure Sciences, 34(1), 1938.
https://doi.org/10.1080/01490400.2012.633849.
Susanno, R., Phedra, R., & Murwani, I. A. (2019). The determinant factors of the intention to
spend more time binge-watching for Netflix Subscriber in Jakarta. Journal of Research
in Marketing. 10(3). 807-812.
Tefertiller, A.C., & Maxwell, L. C. (2018). Depression, emotional states, and the experience
of binge-watching narrative television, Atlantic Journal of Communication, 26(5), 278-
290, https://doi.org/10.1080/15456870.2018.1517765.
21
Vaterlaus, J. M., Spruance, L. A., Frantz, K., & Kruger, J. S. (2018). College student television
binge watching: Conceptualization, gratifications, and perceived consequences. The
Social Science Journal, 56(4), 470-479. https://doi.org/10.1016/j.soscij.2018.10.004.
Vincent, R. C., & Basil, M. D. (1997). College students’ news gratifications, media use, and
current events knowledge. Journal of Broadcasting & Electronic Media, 41(3), 380
392.
Wagner, C. N. (2016, May 31). "Glued to the Sofa": Exploring Guilt and Television Binge-
Watching Behaviors. Communication Honors Theses. 11.
http://digitalcommons.trinity.edu/comm_honors/11.
Walton-Pattison E., Dombrowski S.U., & Presseau J. (2018) ‘Just one more episode’:
Frequency and theoretical correlates of television binge watching. Journal of Health
Psychology. 23(1):17-24. https://doi.org/10.1177/1359105316643379.
ResearchGate has not been able to resolve any citations for this publication.
Article
Full-text available
Over-the-top video streaming (OTT) platforms, by their consummate artistry, are changing how people watch television. No past research has investigated the relationship between OTT streaming platforms' different uses and gratifications (U&G), subscription, and continuation intentions. Using the multi-method approach commonly used in uses and gratification research, i.e., semi-structured interviews and surveys, this study identified eight U&Gs for OTT use: convenient navigability, binge watching, entertainment, relaxation, social interaction, companionship, voyeurism, and information seeking. A comprehensive research model was developed based on the U& G theory and tested using Structural Equation Modelling (SEM) on cross-sectional data from 576 OTT users of different ages and gender from India. The result indicated that convenient navigability, binge watching, and relaxation U&G predict OTT subscription intentions, whereas convenient navigability, binge watching, and entertainment U&G predicts its continuation intentions
Research Proposal
Full-text available
When the young adults to immersed and spend most of their times watching Netflix, obviously it will give them some impact whether positively and negatively. Netflix had become one of necessary platform or application for most of each family and young adult in Malaysia. Especially during this era of pandemic of Covid-19 where everyone was forcedly asked to just stay at home. This is where the consumptions of Netflix become inclinedly upwards not only in Malaysia but whole worlds. This longer and huge consumption of Netflix are also known as binge-watching. This study concern and would like to study more on the impacts of binge-watching on Netflix cultivates deficit in interpersonal communication level among young adults in Malaysia. This study was conducted on 200 young adults in Malaysia ages between 17 to 28 years old. The study only focusses on young adults that have an experienced using Netflix. The finding of this study suggest that the respondents need to aware of this impact to their interpersonal communication skills and use the platform to more benefit and advantages to themselves.
Article
Full-text available
In recent years, binge-watching becomes a highly popular way of spending free time. Even though binge-watching usually is related to entertainment, there are concerns about some negative and unhealthy outcomes of excessive form of this behavior. The study examined the predictive value of anxiety-depressive syndrome in explaining the symptoms of problematic binge-watching and the tendency to adopt a specific motivation to watch series. Research group consists of 645 Polish young adults. The State-Trait Anxiety Inventory, Depression Measurement Questionnaire, Viewing Motivation Scale, and Questionnaire of Excessive Binge-Watching were used in this study. The results of the path analysis show that anxiety-depressive syndrome and motivation to watch TV series are the significant factors in the manifestation of all symptoms of problematic binge-watching. Moreover, there is a significant relation between anxiety-depressive syndrome and motivation to watch TV series, which especially concerns escape motivation and motivation to deal with loneliness. Furthermore, motivation to deal with loneliness, escape motivation, and motivation to spend free time have mediating effect on the relationship between anxiety-depressive syndrome and problematic binge-watching. Results of this research show that there could be not only normative binge-watching behavior but also unhealthy and problematic form of this behavior.
Article
Full-text available
Purpose The purpose of the study is to dive into various binge-watching habits of Netflix users amidst the COVID-19 pandemic. Consumers find themselves amidst the COVID-19 lockdown with more free time to indulge in these viewing habits. This study investigates motivational factors, amount of media consumption and negative attributes associated with binge-watching on Netflix during the COVID-19 outbreak. Design/methodology/approach This study has employed an exploratory research design and obtained primary data via an online survey using a semistructured questionnaire. Convenience sampling has been used to choose a sample ( n = 105) of Netflix binge-watchers during the COVID-19 pandemic. Both sample selection and survey administration have been done through social media messaging services owing to the COVID-19 lockdown measures. Findings The results indicate that most of the respondents use smartphones for binge-watching on Netflix. Moreover, they have expressed that a wide range of shows available on Netflix incline them to engage in marathon viewing. However, the respondents spend just over 70 h per month binge-watching on Netflix. Finally, the majority of respondents have flagged “one more episode” syndrome as the most challenging aspect of being marathon viewers on Netflix during the COVID-19 pandemic. Originality/value This is one of the few papers to exclusively focus on the impacts of binge-watching on Netflix during the COVID-19 pandemic. The findings will originate the value with novelty and important implications to the Netflix consumers, telecom service providers and payment gateways.
Conference Paper
Full-text available
The popularity of internet-distributed TV entertainment services, such as Netflix, has transformed TV consumption behavior. Currently, the level of control viewers have over their TV experiences, along with the release of complete seasons at once, are some of the factors that stimulate the so-called binge-watching phenomenon (the consumption of several episodes of a program in a single sitting). Most of binge-watching studies have focused on viewers’ habits and health effects. This paper presents a study that relates to viewers’ behaviors and moods. It was carried out with 13 young participants at their home, watching online content, collecting physiological, inertial, and self-reported data. We identify and compare binge-watching with non-binge-watching behaviors. Our results suggest that while viewers recur to online serial entertainment in pursuit of leisure related needs, such as relaxation, relief from boredom and escapism, the act of binge-watching tends to make them feel rather unsatisfied with no change in Arousal. Nevertheless, in binge-watching the Positive Affect increases while the Negative decreases. Moreover, watching a single episode only, tends to result in increased arousal and but not necessarily in increased satisfaction. This preliminary finding can be the starting point of fruitful future investigations on unpacking further motives and nuances from this outcome.
Article
Full-text available
This piece gives an overview of the different ways binge-watching is explored and analysed in contemporary television studies. It specifically explores the way binge-watching has been covered in the technological histories of television, fan studies, audience reception research, and narratology. In this, it insists that binge-watching is deployed in different ways within the broad and diverse field of television studies. The distinct uses of binge-watching in different sub-fields of television studies makes it a term that can be deployed in a variety of ways, suggesting that there can be no 'one' definition, also allowing for its resilience in the face of constant change of the medium. Keywords Binge-watching, fan studies and audience reception research, narratology, technologies histories of TV The current state of binge-watching research is broad, varied and brings together many different areas of the field of television studies. It even serves to position the field more centrally in debates surrounding contemporary digital cultures and societies. To start, it is perhaps necessary to understand the permeability of the term. It is used by various branches of television studies, often for distinct purposes and in ways that need to be defined clearly in each of these individual analyses. The purpose of this article is to give an overview of the various ways in which the term and concept of binge-watching is mobilised, with the aim of offering a broader understanding of the terminology and its usage in television studies. Thus, its purpose is not to give a definitive definition of the term. In fact, I argue in this overview that the term binge-watching and its lack of specificity serves to underline the various ways contemporary television is studied within television studies. Different branches of television studies tackle the issue of binge-watching in distinct ways, as outlined below. One commonality is the recognition that binge-watching
Article
Full-text available
In recent years, there is a noticeable increase of cashless transactions due to the development of financial technology. As a result of being expansion of fintech products such as e-wallet, consumers are shifting from cash-based to cashless. Young adult consumers in 21st century are regarded as tech-savvy as they were born in the era of smartphone technology. This study aims to examine the influencing factors for Malaysian young adults to use e-wallet as a payment method by applying extended technology acceptance model (TAM). Total of 330 data were collected from the users of e-wallet in the area of Klang Valley of Malaysia and analyzed by deploying partial least squares structural equation modeling (PLS-SEM). By applying two-step approach for instance, measurement model for indicator loadings, convergent validity, reliability and structural model for path analysis the findings from this study reveal that perceived usefulness, perceived ease of use and privacy and security have positive and significant relationship with behavioral intention to use e-wallet. This study helps the service providers of the digital marketplace further to have better understanding of the usefulness of using e-wallet for transaction purposes.
Article
Full-text available
The growth of Internet-distributed TV services has transformed video consumption, enhancing the level of control that viewers have over what they watch. Along with the release of entire seasons of programming at once, this has led to the phenomenon of ‘binge-watching’, in which several episodes of a program are viewed in one sitting. This article presents the results of a novel exploratory study focused on 40 Netflix viewing sessions from 11 millennials in their homes. Methodologically, we employed a novel mixed-methods approach that combines objective data (collected through a browser extension) and subjective data (collected via questionnaires completed before and after viewing). This novel approach allowed us to describe the binge-watcher’s experience in a holistic fashion. Results suggest that binge-watching is an individual activity mainly performed at the end of the day to relax, for boredom relief purposes, or for escapism. Furthermore, a binge-watching session lasts for an average of 2 h and 10 min, and variations on binge-watchers’ affective states were identified after Netflix exposure. Participants’ levels of valence (unhappy–happy) significantly decreased after binge-watching; their positive affect values increased primarily after watching sci-fi, while their negative affect values decreased after watching comedy and slightly increased after watching drama. However, the levels of arousal (relaxed–stimulated) remained the same. This study extends our current understanding of binge-watching in terms of viewer motivations, how it affects their viewing experiences, and participants’ subjective affective states. The investigation contributes, thus, to a relatively new domain of research concerned with the understanding of binge-watching behavior of serialized TV fiction.
Chapter
This handbook provides a strong collection of communication- and psychology-based theories and models on media entertainment, which can be used as a knowledge resource for any academic and applied purpose. Its 41 chapters offer explanations of entertainment that audiences find in any kind of ‘old’ and ‘new’ media, from classic novels to VR video games, from fictional stories to mediated sports. As becomes clear in this handbook, the history of entertainment research teaches us not to forget that even if a field is converging to a seemingly dominant perspective, paradigm, and methodology, there are more views, alternative approaches, and different yet equally illuminative ways of thinking about the field. Young scholars may find here innovative ways to reconcile empirical-theoretical approaches to the experience of entertainment with such alternative views. And there are numerous entertainment-related phenomena in contemporary societies that still fit the „bread and circuses-“ perspective of the initial Frankfurt School thinking. So while the mission of the present handbook is to compile and advance current theories about media entertainment, scholars active or interested in the topic are invited to also consider the historic roots of the field and the great diversity it has featured over the past nearly 100 years. Many lessons can be learned from this history, and future innovations in entertainment theory may just as likely emerge from refining those approaches compiled in the present handbook as from building on neglected, forgotten, or marginalized streams of scholarship.