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Horror Vacui: Racial Misalignment, Symbolic Repair, and Imperial Legitimation in German National Socialist Portrait Photography

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... It would follow, then, that because race is a social construction, perceptions of group position are dynamic, adaptable, and subject to revision (Omi and Winant 2014). Indeed, previous research has suggested that White Americans' sense of threat may be contingent on viewing racial hierarchies as legitimate in the first place (Brown, Rucker, and Richeson 2022;Wilkins and Kaiser 2014), suggesting that racial ideologies have to be continuously amended in order to justify existing racial hierarchies (Bobo, Kluegel, and Smith 1997;Skarpelis 2023). ...
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Objectives Existing applications of the group position thesis emphasize interracial differences in policing attitudes. However, this theoretical approach struggles to account for attitudinal differences among White Americans and the increasing role of partisanship in structuring public opinion on policing. We propose a theoretical revision, framed-group-position theory, which posits that political framing is a chief influencer of White Americans’ attitudes toward policing and other social institutions. By contrast, non-White Americans’ policing attitudes are likely to be based on a collective understanding of experienced subordination. Methods In two studies, corresponding to two separate data sets ( N = 121,000 and N = 1,150), we test whether partisan affiliations differentially influence police reform support across racial identities and if the moderating effect of political beliefs is mediated by racial attitudes. Results Our findings suggest that political affiliation is differentially associated with police reform support across racial groups. Relative to White respondents, political affiliation has a weaker association with reform support among Black respondents, and this moderated effect is mediated by racial attitudes. Among other ethnoracial respondents, we found a similar yet less pronounced pattern. Conclusions Framed-group-position theory offers a systemic-racism centered framework to understand interracial differences in both levels and variability in policing and other criminal justice attitudes.
... Building on the visual turn in sociology-which Gold (1997) dates to Becker's (1974) seminal article, "Photography and Sociology"-recent scholarship has analyzed visual discourse in ideological projects across a variety of empirical cases. 8 These include revolution in France (Agulhon 1981;Hunt 2016;Ozouf 1988); Nazism in Germany (Skarpelis 2023); nationalism in Latin America and Poland (Kyriazi and vom Hau 2020;Zubrzycki 2011); and socialism in Russia (Bonnell 1997), China (Ho 2018), and Cuba (Gastón-Greenberg 2021; Reed 2016; Regalado Someillan 2009). Such scholarship has shown that images embody and give visual form to ideologies, leveraging their seeming claims to "reality," which are based on the idea that an image "appears to record rather than transform" (Woollacott 1982, 99). 9 In combining linguistic and visual discourse, leaders of revolutionary regimes have the opportunity not only to promote certain practices, behaviors, and ways of interacting but also to clarify the ideological meanings behind them. ...
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The theory of "contacts shyness" it that differential physical attractiveness leads to variable social behavior. Following the hypothesis that burglars who commit "behind-the-back" crimes should be less attractive than robbers who commit "face-to-face" crimes, a sample of prison photographs of men equated for age, race, and intelligence was rated for "attractiveness" by a large sample of other prisoners. There was no tendency for prisoners of any class to show patterns to preferences different from the entire group. Uniformities of rankings did occur in substantiation of the hypothesis. The old theory of physiognomy in relation to personality is to some deree upheld.
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While the Nazi politics of the body have been studied at length, the historiographical literature has largely failed to address the role of the Volkskörper, or the German people's body, in the Nazi worldview. As I attempt to explain, it was not the individual bodies of Germans that constituted the foundation for Nazi concepts of the corporeal. The handful of studies that have addressed the subject of the Volkskörper has underestimated its full significance because these studies have considered it an expression of “something else,” that is, a metaphor, or a sign of an organic view of society so characteristic of fascist ideologies. Using the phenomenological insights of Martin Heidegger and Ernst Nolte to recount the history of the Nazi Volkskörper, I describe the meaning this manifestation of the body of the German people had for the Jew as a body, in general, and as a foreign body (Fremdkörper), more specifically. The Volkskörper is what turned the Jew both into a body and into a Fremdkörper, existing either in a parasitical relationship vis-à-vis the Volkskörper or as a dangerous, cancerous body that had penetrated the Volkskörper. In this respect, I claim that the phenomenology of the Volkskörper already contains the phenomenology of the Jewish body. Thus phenomenology has methodological promise for the historical analysis of the phenomenon of Nazism.
Article
History & Memory 17.1/2 (2005) 15-44 "No one," wrote Pascal, "dies so poor that he does not leave something behind." Setting the scene at the moment of a single individual's death and drawing attention to personal possessions, Pascal conjures up the material traces of a single lifetime. A lived life creates physical effects: a sheaf of letters, a lucky coin, or a small fortune, things that construct correspondences between experience and materiality. Putting the stress on the larger world reflected in small objects, Pascal ennobles even the most modest lives and places all individuals in the same passage from life to death. Nearly three hundred later, Walter Benjamin reflected on Pascal's assertion. To Pascal's things he added "memories too." He then went on to subtract from what he had just augmented: "although these do not always find an heir." What Benjamin accents is not the material endurance of things but the variable operations of memory. There is no longer the unproblematic correspondence between a life lived and a life remembered, but the difficult endeavor of remembering and the more general prospect of forgetting. And for Benjamin it is not so much what the dead leave behind as it is what the living end up retrieving. He thereby poses the question of attentiveness, the historically situated presence or absence of the habit of cultivating memories. Moreover, these habits of cultivation operate across time: heirs are daughters and grandsons. At the remove of a generation or two, they are the ones who undertake the work of memory. Finally, in place of the sonorous universal by which Pascal affirmed the material existence of all men and women, Benjamin implies particular heirs who need to feel a connection to the past in order for memories to remain alive. In contrast to Pascal's materialism, Benjamin proposes a cultural interpretation of remembering in which traces are not simply left behind and recollection is not assumed, in which mental habits across time rather than physical things in the present bring the past into view, and in which specific heirs undertake the work of memorialization. Although Pascal refers to things and thereby builds an implicit archive of past lives, it is Benjamin who imagines the space in which the historical archive was constructed in order to ward off oblivion, to make the particular case for a historical subject, to identify the responsibility of the heirs to cultivate specific stories in the past. The three hundred years that separate Benjamin from Pascal dramatize the historicity of the uses of history. They suggest the specific historical circumstances under which the past does and does not find heirs, is and is not energetically recollected. Benjamin writes in reference to a "crisis of memory," a historical moment in the modern age when there is both a surfeit of unusable pasts and a deficit of usable history, when individuals die in the face of general indifference while self-appointed heirs energetically look for particular memories. It is in the distinction between Pascal and Benjamin that a history of the archive can be conceived. Archives are not comprehensive collections of things, the effects left behind by the dead, nor are they arbitrary accumulations of remnants and leftovers. The archive is the production of the heirs, who must work to find connections from one generation to the next and thereby acknowledge the ongoing disintegration of the past. The heirs also distinguish themselves as such: a cultural group that knows itself by cultivating a particular historical trajectory. In the West, the nation has been the dominant form of this particularity, reinforcing a common past within its borders and emphasizing the difference of cultural origins across its borders. It is a specific, historically contingent configuration of time and space that produced what Jacques Derrida referred to in another context as "archive fever." If most conceptions of the archive emphasize how the archive has shaped history, I want to examine how German history has shaped the archive. At the most general level, archival production rests on the premise that the past is no longer the business of the present and must be handled carefully in order to recognize the difference...