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Managing the luxury shopping experience: implications for retail channels

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... For example, luxury has the potential for numerous multi-actor touchpoints as luxury shopping often takes place in a social context (see Verhoef et al., 2009) and many luxury goods are purchased to satisfy social needs (Amaldoss & Jain, 2005;Belk, 1988). Customers frequently view visits to luxury boutiques as social experiences with friends (Schweiger, Grewal, Roggeveen, & Beitelspacher, 2020). Thus, a multi-actor perspective represents an opportunity for luxury brands to engage its customers more. ...
... Responding to calls for more research on how digitization allows luxury brands to engage customers (Dubois, 2020;Schweiger et al., 2020), we explore the potential role of technology in luxury service encounters. As luxury is a social construct (Roper, Caruana, Medway, & Murphy, 2013) and "intimately tied to the dynamics of living together" (Kapferer, 2010, p. 42), we draw on the specifics of luxury services to argue that understanding and enhancing the multiple interactions and the infusion of technology are vital for luxury brands to align their service encounters with evolving customer needs. ...
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Luxury brands have been reluctant to adopt technology-enhanced multi-actor interactions at the customer interface. This article synthesizes research on luxury and multi-actor interactions in non-luxury contexts to explore how luxury brands can adopt digitally enabled multi-actor service encounters. The literature is further supplemented by interviews with managers in luxury firms. Our findings caution against simply adopting approaches from non-luxury contexts as they risk undermining the luxury service experience. Rather, we develop a set of propositions at the intersections of the physical, digital, and social realms on how luxury brands can adapt the use of digital multi-actor interactions to augment rather than imperil their brand image. Specifically, our propositions help luxury managers to enhance the customer experience through hedonic escapism, strengthen their brand communities, and use digitization to simultaneously provide conspicuous customers with greater visibility and discreet customers with social exclusivity.
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... Authors focusing on individual perceptions observe varying levels of luxuriousness (Miller & Mills, 2012) depending on consumers' accumulated direct or indirect experiences with products, services, and the behavior of company representatives (Hennigs, Wiedmann, Behrens, & Klarmann, 2013). Again, other authors approach luxury as a social construct (Roper, Caruana, Medway, & Murphy, 2013) with diverse social meanings that depend on the reflection of personal use (Mandler, Johnen, & Grävem, 2020) or social consumption experiences (Dubois, 2020;Schweiger, Grewal, Roggeveen, & Beitelspacher, 2020) stimulated by brand characteristics (Keller, 2009) in specific social and temporal contexts. Recent research has conceived of luxury as an individual or social experience of escaping or caretaking (Banister, Roper, & Potavanich, 2020) in scarce, exciting moments (Holmqvist, Diaz-Ruiz et al., 2020) in contrast to mundane life, making individuals feel free and happy (Von Wallpach, Hemetsberger, . ...
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Conti, Samantha (2017), "Gobbetti Lays Out Vision for Burberry," WWD: Women's Wear Daily, 1-3.
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