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Gender and the bifurcated state: women in Uganda’s traditional authority

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Chapter
Gendercentric models are rife in African Studies, and African art historical studies are no exception. Approaches that assume a genderdichotomized view of society are necessarily male-dominant, because in our time, patriarchy is the main expression of gender divisions. Two claims emerge from this biased branding of African art. First, that traditionally in Africa only men make art or engage in the production of important art. Second, that materials for making art are gender-specific: metals are for men, clay is for women; so goes the refrain. In fact, the second claim is actually expressed as a restriction against women's use of iron, and there is no obverse understanding that men are or can be constrained from using any material, including clay. Being male is assumed to be, everywhere in "traditional Africa," a mark of privilege, if not license. The effect of this antifemale stance is to place women at the receiving end of the gaze. But how and where did the claims that women are not artists, and that materials for making art are gender identifiable, originate? Many of these genderist and sexist ideas are based on observations of white adventurers, colonial ethnographers, missionaries, and colonial officials whose ethnocentric biases are very much tied up with their dominant positions and ideas about white racial and cultural superiority. Much of their intellectual engagement with Africa has been about how to fit African lives into their prefabricated theories. Despite the fact that some of the most reprehensible early European racist ideas about Africans have been thoroughly discredited, sexist notions have not. But this is not to say that racism and sexism are not intertwined. Why, then, do the most egregious gender-discriminatory claims continue to gain traction? Three main reasons are immediately apparent. First, many of the assumptions that white cultural imperialists and colonizers made about African art and societies have been left largely unquestioned. Embraced as received scholarly ideas, such claims are repeated across time and space by contemporary writers of all stripes, including Africans. Second, I suspect that some African male scholars have also embraced such sexist statements because they erroneously believe that to do so favors them today as a gender-identified group. Finally, many scholars continue to treat gender categories and gender dichotomies as natural, and therefore take expressions and practices of male dominance for granted in any time or place in which they are found. Decades of research have shown that gender is historical and socially constructed. I make a distinction between what I call genderist claims and sexist claims. Genderism is the idea that gender categories in human organization are timeless and universal. Sexism is the idea that male dominance is natural. More important, the homogenization and consequent miniaturizing of Africa's many nations, peoples, and cultures are the first indications of the problem of overly broad generalizations. Such universalizing about the continent is difficult to sustain, if not totally irrational. With regard to art and artistry in particular, this kind of continent-wide generalization is simply meaningless. Fundamentally, the most egregious part of the problem is the way in which such sweeping statements place the whole of the continent under the Western gaze, arrogantly reducing such a huge, diverse entity into one place and a single unit of analysis. As soon as one attempts to apply those statements to particular cultures and specific places, however, one discovers that such claims are false, or at best wanting. For example, in a paper on "African" ceramics, Jerome Vogel writes: "Throughout Africa, pottery is made primarily by women. . . . Men do make pots among a few groups, like the Hausa of Northern Nigeria, but this is an exception."1 The idea that millions of Hausa men and women are among "a few groups" is laughable, and begs the question: Who made the rules from which millions of Hausa are an exception? Certainly not Hausa people. From the perspective of Hausa communities in which men make pots, there is nothing exceptional about it, because there is no such rule. It is just a fact, not an exception. The exception exists only in the glazed eyes of the Western beholder. We have since discovered more "exceptions" across the continent to this Euro-American-made rule that African men do not make pottery; in Ghana, Angola, Democratic Republic of Congo, and Zambia, we find men sculpting clay in a variety of ethnic groups and nationalities.2 In the face of these biases, distortions, misrepresentations, and misunderstandings, it is clear that we must develop and highlight Africacentered approaches. Over the years, a number of African scholars have advocated for indigenous paradigms in apprehending art and artistry, and here are two examples. The cultural studies scholar Olabiyi Yai admonishes us that in approaching African art, we must examine all taken-for-granted assumptions, even if they are foundational to our disciplines, and that we must take indigenous discourses on art and art history seriously in our discussions.3 Similarly, art historian Rowland Abiodun advises that in the study of African art, we must try to understand an artwork in its cultural depth, as the expression of local thought or belief systems.4 Taking seriously the cautionary advice of both Yai and Abiodun, my goal in this chapter is to interrogate prevailing gendered approaches to traditional Yoruba art and art history, and then, drawing from Yoruba cultural values and social practices, elaborate the relationship between art and motherhood, procreation and artistry. In The Invention of Women, I show that gender is not an ontological category in the Yoruba world. In contrast, in Western thought gender is assumed to be ontological, and therefore timeless and universal. Consequently, the institution of motherhood in Western and scholarly discourses that derive from their dominance is represented as paradigmatic of female gender. But in the Yoruba ethos, motherhood is not about gender. The presence of categories that have to do with procreation and motherhood does not necessarily suggest the inherent nature of gender categories. In fact, as I argued in an earlier work, gender in Yoruba society is a colonial category that emerged during the period of European ascendancy and dominance. Gender by definition is a duality: it is about two categories in relation to each other, often oppositionally constructed. Motherhood in the Yoruba worldsense is a singular category that is unparalleled by any other. Fatherhood is not its counterpart. The roots of gender categories in contemporary Yoruba society are colonial.
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Women's rights and customary law are often understood as being in opposition to one another. This article challenges the usefulness of the prevailing custom/rights dichotomy, arguing that it obscures the way in which struggles to claim resources such as land combine 'human rights' equality claims with claims to customary entitlements. The article focuses on contestation over who has the power to define custom, rights and customary entitlements. It discusses the democratic potential inherent in Constitutional Court judgments that define customary law as 'living law' reflecting changing practice, and the dangers posed by national legislation that reinforces the power of traditional leaders to unilaterally define custom. It argues for legal strategies that engage with, and support, the struggles for change taking place at the interface between custom and rights in the former reserves. We draw on insights about the nature of rights and rights struggles in the work of Nedelsky, Nyamu Musembi and Merry to argue for an approach to rights that focuses on the relationships and power relations that rights mediate, rather than solely on rights as 'boundaries of autonomy'. Moreover, engaging with processes of women claiming, redefining and 'vernacularising' rights within their communities relates directly to the project of engendering socio-economic rights, given the primacy of claims of need, and of access to material resources, within indigenous constructs of relative rights.
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Introduction One of the major achievements in the development of human rights has been the recognition that women’s rights are human rights and that issues of gender equality should form an integral part of international relations. It is now recognized that women’s human rights are inalienable and an indivisible part of universal human rights, which includes the right to full and equal participation with men in the political, civil, economic, social, and cultural life at all levels. The Convention on the Elimination of all Forms of Discrimination against Women (the Women’s Convention) covers women’s human rights in all aspects of their lives. At the regional level, the Protocol to the African Charter on Human and Peoples’ Rights on the Rights of Women in Africa pays special attention to women’s human rights in Africa. These international and regional instruments, to which Uganda is a party, provide a framework for the elimination of gender-based discrimination generally and the protection of women’s right to equality in particular.
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Cet article esquisse une explication réaliste de la participation croissante des femmes dans le processus politique en Ouganda. Notons aussi que divers facteurs ont contribué à la participation des femmes à la chose politique, tels que l'exigence par les femme et les associations féminines d'une plus grande participation, l'influence du féminisme mondial et l'instabilité de l'histoire politique et économique de l'Ouganda qui a ouvert les portes à de nouvelles initiatives politiques. Cependant nous soulignons que le rôle croissant des femmes dans la politique en Ouganda s'explique surtout par le fait que les femmes constituent un corps électoral potentiellement influent dans une époque où la libéralisation des systèmes économiques et politiques de l'Afrique limite les capacités des politiciens à se construire une base électorale fondée sur le patronage. L'article suggère que dans un tel contexte les politiciens chercheront de l'appui dans des questions susceptibles à être résolus par le recours à des solutions symboliques. En résumé, cet article insiste sur le fait que l'intervention croissante des femmes dans la vie politique ougandaise est due dans une large mesure au fait que les politiciens en quête de pouvoir sont sensibles aux problèmes soulevés par les féministes parce que, premièrement, les stratégies électorales sont sévèrement limitées par les valeurs politiques et économiques libérales, et deuxièmement les politiciens peuvent s'assurer l'appui des femmes avec des initiatives politiques symboles de moindre coût. L'auteur conclut en examinant brièvement les conséquences de l'influence croissante des femmes dans la vie politique ougandaise, surtout parce que potentiellement l'appui des femmes peut permettre d'aller au-delà des allégeances historiques dans la politique ougandaise qui était fondée sur l'ethnicité, la religion, la région et l'affiliation politique. This essay outlines a realist explanation for an increase in women's participation in formal political processes in Uganda. The essay notes that a variety of factors influence women's participation in formal politics, such as demands for increased participation from women and women's organizations, the influence of the worldwide feminist movement, and Uganda's turbulent political and economic history which has created openings for novel political initiatives. However, the paper's central argument asserts that women's role in formal politics in Uganda is expanding principally because women constitute a potentially influential voting bloc in an era in which the liberalization of African economic and political systems limits politicians' abilities to build electoral support based on patronage. The essay suggests that in this context, politicians will seek to build support around issues that can be addressed with symbolic solutions. In sum, this essay asserts that women's increased role in formal politics in Uganda has been brought about by power-seeking politicians who are sympathetic to feminist issues because (1) electoral strategies are severely limited by liberal political and economic values and (2) politicians can secure support from women with relatively low-cost symbolic political initiatives. The paper concludes with a brief examination of the implications of an expansion of women's influence in formal politics in Uganda, especially concerning the potential for women's political support to "cross-cut" historical Ugandan political allegiances defined by ethnicity, religion, region, and political party affiliation.
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Senegal has been at the forefront of democratization in Africa and has consequently increased the representation of political minorities. Despite the growing presence of Senegalese women in elected office, they continue to confront many political obstacles, including exclusion from positions of influence within state and party structures and lack of resources to mobilize support. While these difficulties may be attributed to gendered conceptions of political leadership, democratic reforms have also not altered the patrimonial nature of politics and the structural constraints it imposes on the political participation of women. Women have therefore had marginal access to the hidden public of patronage networks.
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The actual and perceived conflicts between customary law and human rights law, especially in issues dealing with gender equality, have remained a major challenge in Africa. Some of these conflicts are further complicated by the varying and contradictory interpretation of some customary laws by the courts. Different approaches have been adopted at different times and in different places to deal with some of these conflicts. One of the most controversial areas of customary law has been the traditional exclusion of women from property inheritance. This paper takes a critical look at how the courts in Botswana have dealt with the issue of the right to inherit the homestead or family home. It examines this issue in the specific context of the recent case of Ramantele v Mmusi in which the Court of Appeal had to consider the customary law rule of male ultimogeniture – which permits only the last-born son to inherit the homestead intestate to the exclusion of other siblings, especially females. It argues that courts need to be more proactive and progressive in their approach to dealing with such issues than they have been in the past in order to recognise the nature and extent of changes that are taking place today. The main lesson that can be drawn from the Botswana case is that if customary law is to survive and develop, more needs to be done to promote research and scholarship in this area and judges also need to take advantage of this research and deal with these customary law disputes with knowledge, understanding and sensitivity.
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At the close of the millennium, there is a wave of invigorating air sweeping across the African continent. The refreshing breeze can be felt in the form of women smashing the gendered 'glass ceiling' in a bid to overcome the cultural and structural barriers that impede their political careers. In this short article, I examine the relationship of African women to parliament. In the first section, I look at women's involvement in politics in pre-colonial Africa, and then examine the barriers to women's political activity thrown up by colonialism. This history explains much about women's absence from contemporary African national assemblies. I then focus on one state - Uganda - looking closely at the policy of affirmative action there, and the reality of male bias, prejudice, and sexual harassment that women MPs confront when they manage to enter parliament.
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This isn't the first time Uganda's most powerful precolonial monarchy has presided over our pages. Fifty years later, the question of its status in the modern-day state is far from settled. Frederick Golooba-Mutebi calls for a national conversation.
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Under what conditions do women participate in executive power in multiethnic societies? Previous research has examined how political institutions, socioeconomic factors, and cultural norms affect the appointment of women as cabinet ministers. However, no study has assessed the extent to which the politicization of ethnicity—a cleavage that shapes political life in many countries—affects women's cabinet appointments. Focusing on sub-Saharan Africa, we argue that women are less likely to become cabinet ministers where incumbents use such appointments to build patronage-based alliances with politicians who act as advocates for ethnic constituencies. Using an original dataset on the composition of cabinets in 34 African countries from 1980 to 2005, we show that women's share of cabinet appointments is significantly lower in countries where leaders must accommodate a larger number of politicized ethnic groups, but it rises with higher levels of democracy and greater representation of women in parliament.
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The ‘fast track’ approach for increasing women's representation in politics through the adoption of electoral gender quotas has replaced the ‘incremental approach’ (waiting for cultural, political and socioeconomic developments over time) in recent years. Scholars have disagreed whether increasing women's representation in sub-Saharan Africa where legislatures are weak and executives are strong is meaningless or may even undermine democracy; or increasing women's representation results in significant substantive or symbolic representation effects. This article compares two divergent cases: Botswana, a stable multiparty democracy in southern Africa and Rwanda, an increasingly authoritarian single party dominant state in east Africa. In Botswana, gender quota campaigns have raised awareness but have been unsuccessful in achieving quotas, and women's parliamentary representation is low and continues to fall. In Rwanda, a constitutional gender quota, including reserved seats combined with voluntary party quotas for women have resulted in a majority female lower house of parliament—the only such parliament in the world. These cases suggest that a democratic state is not necessarily more likely to adopt gender quotas or have more women in parliament than a less democratic one and that there are other factors that are more important in determining both. Moreover, in single party dominant systems with limited democracy, like Rwanda, elected women are able to represent women's interests, and campaigns to adopt quotas, even when unsuccessful as in democratic Botswana, can contribute to substantive and symbolic representation effects even with only limited descriptive representation. Thus, the conditions under which and the ways in which women's interests are represented must be understood broadly.
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The unequal power relations between men and women in modern political administration have implications for sustainable development and specifically, under representation of women in traditional institution’s decision making process also have effects on traditional governance. Most traditional authorities in Africa and to be specific are made up of both male and female leaders, however a close examination of the traditional political history of the Dagabas of Northern Ghana reveals that women traditional leaders have played less significant roles as compared to their counterparts in the south. This is due to some endemic cultural perception of the position of women in public life. Consequently, sensitization and training programmes to empower these women leaders have been made by governments and civil society groups to include them in the governance system and structures of the country. In spite of these efforts the results are low. The extent to which culture plays a role in determining the effects of such efforts is the focus of this paper. It does so by examining the roles, achievements and challenges of contemporary traditional women leaders in Ghana using Nadowli district as a case study. Primary and secondary data were collected and data analysed qualitatively. The women play educational, political and economic roles using the training skills learnt. However, their challenges reflects on their level of achievements which is very low. This demonstrates that cultural belief systems play a role in the impacts of women traditional leaders’ contributions to nation building.
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Opening Paragraph In this article we shall examine songs of the Rwenzururu movement of the Bakonzo and Baamba people in Western Uganda. We will be concerned with their different uses, as repositories of history and vehicles of exhortation, and also with their origins in time and space. The main interest in this paper, however, is to find explanations for the simultaneous expression of often strongly contrasted moods, viewpoints and styles in Rwenzururu songs.
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The sources of law in most African countries are customary law, the common law and legislation both colonial and post-independence. In a typical African country, the great majority of the people conduct their personal activities in accordance with and subject to customary law. Customary law has great impact in the area of personal law in regard to matters such as marriage, inheritance and traditional authority, and because it developed in an era dominated by patriarchy some of its norms conflict with human rights norms guaranteeing equality between men and women. While recognizing the role of legislation in reform, it is argued that the courts have an important role to play in ensuring that customary law is reformed and developed to ensure that it conforms to human rights norms and contributes to the promotion of equality between men and women. The guiding principle should be that customary law is living law and cannot therefore be static. It must be interpreted to take account of the lived experiences of the people it serves.
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There is a dearth of historical work relating specifically to the role that ‘royal’ women played in the Zulu state. This article argues that rather than being peripheral and subordinate in politics, certain amakhosikazi and amakhosazana or ‘royal’ women were key political figures in the Zulu state. Clearly, the women held specific powers and Zulu rule did not centre solely on the male consolidators and administrators, or on a single despotic king and his indunas. It does seem that power was collective. It would be quite narrow to dismiss the significance of these women by arguing that their roles were not related to the structures of power, or that they took on male roles. The Zulu kings needed to incorporate the independent power ‘traditionally’ possessed by amakhosikazi and amakhosazana to be able to rule the new state. On the one hand it aided integration and legitimacy, but on the other hand, Shaka attempted to bypass their power and consolidate his own. At the same time however, they tried to subvert some of the women's power, or perhaps to tap into what may have been considered a characteristic of female authority (symbolic celibacy), by attempting to incorporate and combine in their own person aspects of both male and female power: ‘Dingiswayo and, after him, Shaka each pretended to be afflicted with certain evacuations in the way that women are, though not at regular periods. On these occasions numerous cattle were slaughtered and many people killed.’
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Since the restoration of traditional leaders in Uganda in 1993, the Kingdom of Buganda has developed unusually effective institutions, financing mechanisms and policy tools, re-building itself as a quasi-state. The reinforcement of Buganda's empirical statehood provides one of the farthest-reaching examples of the current trend of traditional resurgence in African politics and to some extent supports claims for the participation of traditional structures in contemporary political systems. Yet, the Buganda experiment also highlights the limits of traditional resurgence as a mode of reconfiguration of politics in Africa. First, it is unclear how the kingdom can maintain the momentum of its revival and the allegiance of its subjects in view of its fiscal pressure on the latter and the limited material benefits it provides to them. Already the monarchists are finding it difficult to translate the king's symbolic appeal into actual mobilisation for development, shedding doubts on one of the main justifications for the kingdom's rebirth. Second, Buganda's claims to political participation clash with the competing notion of sovereignty of the post-colonial state. These limits are likely to confront other similar experiments across the continent.
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Exploring a range of studies regarding the ‘invention of tradition’, the ‘making of customary law’ and the ‘creation of tribalism’ since the 1980s, this survey article argues that the case for colonial invention has often overstated colonial power and ability to manipulate African institutions to establish hegemony. Rather, tradition was a complex discourse in which people continually reinterpreted the lessons of the past in the context of the present. Colonial power was limited by chiefs' obligation to ensure community well-being to maintain the legitimacy on which colonial authorities depended. And ethnicity reflected longstanding local political, cultural and historical conditions in the changing contexts of colonial rule. None of these institutions were easily fabricated or manipulated, and colonial dependence on them often limited colonial power as much as facilitating it.