PresentationPDF Available

Ohme: ohmeexploiting artscience as a driving force for symbiosis between artistic production, science education and academic research

Authors:

Abstract

Presentation given at ISEA2023 to explain how: - Ohme's three-department structure (Ohme Studio, Ohme Lab & Ohme Academia) is aimed to achieve transversal virtuous circles between artistic production, academic research, and technical R&D, while ensuring learning and collaboration opportunities for the participants and audiences of its activities. - by combining collaborative, participatory, interdisciplinary processes, at the heart of its creative, cultural, and scientific mediation work, Ohme aims to contribute to life in society by developing a more open, interested, empathetic, critical, curious, and resilient form of citizenship.
www.ohme.be | info@ohme.be
exploiting artscience as a driving force for symbiosis between
artistic production, science education and academic research
Camilla Colombo
Gwen Sauvage
Raoul Sommeillier
ART
&
DESIGN
SCIENCE
&
ENGINEERING
New practices of artistic creation
Inspirations & creative drivers
Innovation & technology
New experiences & emotions
Science communication & outreach
New research and teaching methods
Changes in perspective & creative thinking
New practices of science mediation
Ohme positioning : intersection of emerging transdisciplinary fields to decompartmentalize disciplines, mentalities and audiences
Multi/cross/
inter/
trans-
disciplinarity
Universality of creativity
ArtScience methods
Innovation
Curiosity
Polymathy
Serendipity
Society
Citizenship
Participation
Collaboration
Art +
Science +
Design +
Technology
STEAM
Science
- education
- mediation
- outreach
- popularization
- communication
exhibitions
conception | curation | mediation
productions
ideation | creations | (co)production
performances | installations | shows
events
programming | curation | production
education
science mediation | STEAM | workshops
academic projects
Transdisciplinary collaborations for
university & art school students
research
science outreach | mixed-methods | impact analysis
Creative partner in research projects
R&D
creative technologies | theses & projects
engineering
in-house engineering skills
electronics, coding, mechanics, automation…
tech services
For artists, designers, creative industries
Guidance, design, prototyping, implementation
A small interdisciplinary team | A widely variety of initiatives
exhibitions
productions
events
education
research
academic
projects
R&D
tech services
engineering
Exploring the benefits of a three-department symbiotic structure
academia
education | research |
academic projects
studio
exhibitions | events |
productions
lab
R&D | tech services |
engineering
Tell All The Truth But Tell It Slant Recherche en Perspective
Ιρις/Iris
academia
education | research |
academic projects
studio
exhibitions | events |
productions
lab
R&D | tech services |
engineering
Artificial Botany, fuse*, 2020 - ongoing
David OReilly, Everything, 2017
Bill Postes & Daniel Howe, Big Data/Public Faces, 2019
Tell All The Truth But Tell It Slant
studio
exhibitions | events |
productions
exhibitions
productions
events
education
academic projects
research
R&D
engineering
tech services
Type of project
2 pieces by Ohme are part of the exhibition
Public programme of talks & workshops
Science mediation
School visits
17 interviews of scientists and philosophers
1 piece comes from a former participant of REP
1 internship on cognitive biases
Starting point: Camilla’s artistic research project
Concepts fed by Raoul’s PhD
Impact analysis with Wernaers FNRS grant
/
Multimedia, mechanics, coding, automation, sync
Python, TouchDesigner, MadMapper, C++
Coproduction of one artwork requiring coding skills
Tell All The Truth But Tell It Slant
studio
exhibitions | events |
productions
Ιρις/Iris
lab
R&D | tech services |
engineering
exhibitions
productions
events
education
academic projects
research
R&D
engineering
tech services
Selected at 2 exhibitions
Type of project
Presented at 2 events by Ohme
Science mediation
Using wonder to popularise chemical reactions
Student internships
Collaboration with Lab of Polymer Chemistry (ULB)
Creative partner for CISSE Marie-Curie EU project
Type of project
Prototyping, 3D design, thermodynamics, chemistry…
New in-house knowledge and skills useful
for 2 artists in residency at Ohme
Ιρις/Iris
lab
R&D | tech services |
engineering
Recherche en Perspective
academia
education | research |
academic projects
exhibitions
productions
events
education
academic projects
research
R&D
engineering
tech services
2 exhibitions
“Perspectives: Science-graphic art collaborations”
1 piece for another exhibition
Communication content for PhD and artscience mediation
Jury, school fair, science popularization festival
Satellite event programme of Perspectives
Science mediation, 50+ students
School visits
Type of project
Science outreach for 35+ researchers
Reorientation of research axes and PhDs
Impact analysis with Wernaers FNRS grant
Communication content created with La Cambre teachers
for R&D artscience projects
Prototyping, 3D design, CAO, CNC
partnerships with FabLabs
Technical guidance, advising and development for
experts having participated
Recherche en Perspective
academia
education | research |
academic projects
High level of integration and diversification
-between disciplines
-between 3 poles
Intuitively great strength of Ohme
But can we measure & objectivize our benefits and impact ?
-internally
-for our various audiences
-for our collaborators
Artscience literature
Research project
studio
aca
lab
What benefits? For whom? How can we objectivize them?
ArtScience involves understanding
the human experience of nature
through the synthesis of
artistic and scientific modes of
exploration and expression
ArtScience, in sum, connects.
The future of humanity and civil society
depends on these connections
Where, when and how arts and
sciences should interact ?
Objectivization is required
ArtScience as a ‘transversal’
practice can establish new
methodological bridges”
“Scientists’ need for visual
art has never been greater.
More sophisticated graphics
are required to
communicate the results of
ever more complex and
transdisciplinary research.”
ArtScience can
enable new modes
of knowledge
production” ArtScience can
foster a heightened
sensitivity
for the emergent”
“Closing the experiential gap
between rigorous scientific
enquiry and subjective
appraisal”
ArtScience can enable
expanded aesthetic
experiences”
“Collaborations with
artists go beyond
communicating the
science. Scientists and
artists are working
together as never before.”
“There are four types of
beneficial
transdisciplinary
interactions for research”
Research project:
Raising citizen awareness of science, research and technology
through arts, design and culture : case study and impact analysis”
2 questions:
-Impact analysis of artscience projects on audiences and collaborators?
-Development of teamwork transdisciplinary artscience methodologies?
Ohme's initiatives
= case studies
= ideal playground for collecting data
Research approach in science education
applied to Ohme’s initiatives
-Mixed-methods research
-Transposition from teaching to mediation
www.ohme.be | info@ohme.be
youtube.com/@ohme7925/
facebook.com/OhmeProject
instagram.com/ohme_projects
Here is how we’re trying to explore, develop, exploit, measure and objectify
synergies between artistic production, science education and academic research
thank you
Alender, B. (2016). Understanding volunteer motivations to participate in citizen
science projects: A Deeper look at water quality monitoring. Journal of Science
Communication, 15(3).
Alvargonzález, D. (2011). Multidisciplinarity, Interdisciplinarity, Transdisciplinarity,
and the Sciences. International Studies in the Philosophy of Science, 25(4), 387403.
Bernstein, J. (2015). Transdisciplinarity: A Review of Its Origins, Development, and
Current Issues. Journal of Research Practice, 11(1).
Brassard, N. (2012). Pourquoi varier les approches pédagogiques? La Tableau :
Échange de Bonnes Pratiques Entre Enseignants de Niveau Universitaire, 1(1).
Bresler, L., & Tochon, F. (2004). La construction d’un nouveau domaine d’expertise
pour les enseignants : la transdisciplinarité. Recherche & Formation, 47(1), 2540.
Chettiparamb, A. (2007). Interdisciplinarity: a literature review Teaching and learning in
Higher Education.
Clark, G., Russell, J., Enyeart, P., Gracia, B., Wessel, A., Jarmoskaite, I., Polioudakis, D.,
Stuart, Y., Gonzalez, T., MacKrell, A., Rodenbusch, S., Stovall, G. M., Beckham, J. T.,
Montgomery, M., Tasneem, T., Jones, J., Simmons, S., & Roux, S. (2016). Science
Educational Outreach Programs That Benefit Students and Scientists. PLOS Biology,
14(2), e1002368.
Claverie, B. (2010). Pluri-, inter-, transdisciplinarité : ou le réel décomposé en réseaux
de savoir. Projectics / Proyéctica / Projectique, n°4(1), 527.
Cohn, J. P. (2008). Citizen science: Can volunteers do real research? BioScience, 58(3),
192197.
Crettaz von Roten, F., & Moeschler, O. (2010). Les relations entre les scientifiques et
la société. Sociologie, 1(1), 45.
Davies, M., & Devlin, M. (2010). Interdisciplinary Higher Education. In M. Davies, M.
Devlin, & M. Tight (Eds.), Interdisciplinary Higher Education: Perspectives and
Practicalities (Vol. 5, pp. 328). Emerald Group PublishingLimited.
Duval, R. (1993). Registres de représentation sémiotique et fonctionnement cognitif
de la pensée. In Annales de Didactique et de Sciences Cognitives (Vol. 5, pp. 3765).
Estrasburgo.
Duval, R. (1995). Sémiosis et pensée humaine: registres sémiotiques et apprentissages
intellectuels (Peter Lang, Ed.).
Duval, R. (2017). Understanding the mathematical way of thinking -T he registers of
semiotic representations. Understanding the Mathematical Way of Thinking -The
Registers of Semiotic Representations, 1117.
Edwards, D. (2008). Artscience: Creativity in the post-Google generation. Eisner, E. W.
(2002). The arts and the creation of mind. Yale University Press.
Griggs, L., Barney, S., … J. B.-S.-H., & 2009, undefined. (2009). Varying pedagogy to
address student multiple intelligences. Books.Google.Com, 5560.
Guenaga Gómez, M., & Fernández Álvarez, L. (2020). Inspira STEAM: breaking the
confidence gap with female roles. InvestigacionesFeministas, 11(2), 273286.
Guillemin, R. (2010). Similarities and contrasts in the creative processes of the
sciences and the arts. Leonardo, 43(1), 5962.
Heylighen, F., & Petrović, K. (2021). Foundations of ArtScience: Formulating the
Problem. Foundations of Science, 26(2), 225244.
Honvault, J. (2010). Le pont d’un ingénieur entre l’art et la science.
Hubert, B., Aubertin, C., & Billaud, J. P. (2013). Recherches participatives, recherches
citoyennes... une clarification nécessaire. Natures Sciences Societes, 21(1), 12.
Jacob, J. (2015). COMMENT Interdisciplinary trends in highereducation. 1.
Jantsch, E. (1972). Inter- and transdisciplinary university: A systems approach to
education and innovation. Higher Education, 1(1), 737.
Jensen, P., Rouquier, J. B., Kreimer, P., & Croissant, Y. (2008). Scientists who engage
with society perform better academically. Science and Public Policy, 35(7), 527541.
Jolly, A. (2014). STEM vs. STEAM: Do the Arts Belong? - Education Week Teacher.
Education Week, 18, 24.
Jones, E. (2017). One size fits all? Multiple intelligences and legal education. The Law
Teacher, 51(1), 5668.
Jones, P., Selby, D., & Sterling, S. (2010). More than the sum of their parts?
Interdisciplinarity and sustainability. In P. Jones, D. Selby, & S. Sterling (Eds.),
Sustainability Education: Perspectives and Practice across Higher Education. Earthscan.
Khoury, C. K., Kisel, Y., Kantar, M., Barber, E., Ricciardi, V., Klirs, C., Kucera, L.,
Mehrabi, Z., Johnson, N., Klabin, S., Valiño, Á., Nowakowski, K., Bartomeus, I.,
Ramankutty, N., Miller, A., Schipanski, M., Gore, M. A., & Novy, A. (2019). Science
graphic art partnerships to increase research impact. In Communications Biology (Vol.
2, Issue 1, pp. 15). Nature Research.
Klein, J. T. (2008). Evaluation of Interdisciplinary and Transdisciplinary Research. A
Literature Review. American Journal of Preventive Medicine, 35(2 SUPPL.).
Kleinpeter, É. (2013). Taxinomiecritique de l’interdisciplinarité. Hermès, n°67(3),
123.
Kluitenberg, E. (2017). Locating ArtScience Kluitenberg - Academia.edu.
Land, M. H. (2013). Full STEAM ahead: The benefits of integrating the arts into
STEM. Procedia Computer Science, 20, 547552.
le Crosnier, H., Neubauer, C., & Storup, B. (2013). Sciences participativesou
ingénierie sociale : quand amateurs et chercheurs co-produisent les savoirs. Hermès,
n°67(3), 68.
Mitchell, P. H. (2005). What’s in a name? Multidisciplinary, interdisciplinary, and
transdisciplinary. Journal of Professional Nursing, 21(6), 332334.
Morin, E. (1994a). Sur l’interdisciplinarité. Bulletin Interactif Du Centre International
de Recherches et Études Transdisciplinaires, 2.
Morin, E. (1994b). Method: Towards a Study of Humankind, Vol. I. In P. Lang (Ed.),
Bulletin of Science, Technology & Society (Vol. 14, Issue 4). SAGE Publications.
Nature Editorial. (2021). Collaborations with artists go beyond communicating the
science. Nature, 590(7847), 528.
Nichols, A. J., & Stephens, A. (2013). The Scientific Method and the Creative Process:
Implications for the K-6 Classroom. Journal for Learning through the Arts, 9(1), 9(1).
Nicolescu, B. (2014). Methodology of Transdisciplinarity. Methodology of
Transdisciplinarity, World Futures, 70, 34.
Piro, J. (2010). Going from STEM to STEAM: The arts have a role in America’s future,
too. Education Week, 29(24), 2830.
Pohl, C., & Hadorn, G. H. (2007). Principles for Designing Transdisciplinary Research.
Root-Bernstein, B., Brown, A., Siler, T., & Snelson, K. (2011). Artscience: Integrative
collaboration to create a sustainable future. Leonardo, 44(3), 192.
Root-Bernstein, R. (2003). The Art of Innovation: Polymaths and Universality of the
Creative Process. In The International Handbook on Innovation (pp. 267278).
Root-Bernstein, R. (2009). Multiple Giftedness in Adults: The Case of Polymaths. In
International Handbook on Giftedness (pp. 853870).
Root-Bernstein, R. (2015). Arts and crafts as adjuncts to STEM education to foster
creativity in gifted and talented students. Asia Pacific Education Review, 16(2), 203
212.
Root-Bernstein, R., Allen, L., Beach, L., Bhadula, R., Fast, J., Hosey, C., Kremkow, B.,
Lapp, J., Lonc, K., Pawelec, K., Podufaly, A., Russ, C., Tennant, L., Vrtis, E., &
Weinlander, S. (2009). Arts Foster Scientific Success: Avocations of Nobel, National
Academy, Royal Society, and Sigma Xi Members. Journal of Psychology of Science
and Technology, 1(2), 5163.
Root-Bernstein, R., & Root-Bernstein, M. (2006). Artistic Scientists and Scientific
Artists: The Link Between Polymathy and Creativity. Creativity: From Potential to
Realization., 127151.
Root-Bernstein, R. S. (1984). On Paradigms and Revolutions in Science and Art: The
Challenge of Interpretation. Art Journal, 44(2), 109118.
Root-Bernstein, R. S. (1996). The Sciences and Arts Share a Common Creative
Aesthetic.
Schurmans, M.-N. S., & Eastes, R.-E. (2017). Médiationet vulgarisation : définitions -
Agent Majeur. Agent Majeur.
Siler, T. (1990). Breaking the Mind Barrierthe Artscience of Neurocosmology.
Tarrant, S. P., & Thiele, L. P. (2016). Enhancing and promoting interdisciplinarity in
higher education. Journal of Environmental Studies and Sciences 2016 7:2, 7(2),
355360.
Thompson Klein, J. (2004). Prospects for transdisciplinarity. Futures, 36(4), 515
526.
Verheagen, P. (2003). Un dispositif de médiationdes savoirsen p lein essor.
MédiaMorphoses.
References
ResearchGate has not been able to resolve any citations for this publication.
Article
Full-text available
While art and science still functioned side-by-side during the Renaissance, their methods and perspectives diverged during the nineteenth century, creating a still enduring separation between the "two cultures". Recently, artists and scientists again collaborate more frequently, as promoted most radically by the ArtScience movement. This approach aims at a true synthesis between the intuitive, imaginative methods of art and the rational, rule-governed methods of science. To prepare the grounds for a theoretical synthesis, this paper surveys the fundamental commonalities and differences between science and art. Science and art are united in their creative investigation, where coherence, pattern or meaning play a vital role in the development of concepts, while relying on concrete representations to experiment with the resulting insights. On the other hand, according to the standard conception, science seeks an understanding that is universal, objective and unambiguous, while art focuses on unique, subjective and open-ended experiences. Both offer prospect and coherence, mystery and complexity, albeit with science preferring the former and art, the latter. The paper concludes with some examples of artscience works that combine all these aspects.
Article
Full-text available
Graphics are becoming increasingly important for scientists to effectively communicate their findings to broad audiences, but most researchers lack expertise in visual media. We suggest collaboration between scientists and graphic designers as a way forward and discuss the results of a pilot project to test this type of collaboration.
Article
Full-text available
Volunteer water quality monitors represent the intersection between citizen cience and environmental stewardship. Understanding what motivates participation will enable project managers to improve recruitment and retention. This survey of 271 volunteers from eight water quality monitoring organizations in the U.S. found the strongest motivators to participate are helping the environment or community and contributing to scientific knowledge. No variation by gender was found, but younger volunteers have different motivations and preferences than older volunteers. Volunteers value the communication of tangible results more than recognition or reward.
Book
In this book, Raymond Duval shows how his theory of registers of semiotic representation can be used as a tool to analyze the cognitive processes through which students develop mathematical thinking. To Duval, the analysis of mathematical knowledge is in its essence the analysis of the cognitive synergy between different kinds of semiotic representation registers, because the mathematical way of thinking and working is based on transformations of semiotic representations into others. Based on this assumption, he proposes the use of semiotics to identify and develop the specific cognitive processes required to the acquisition of mathematical knowledge. In this volume he presents a method to do so, addressing the following questions: • How to situate the registers of representation regarding the other semiotic “theories” • Why use a semio-cognitive analysis of the mathematical activity to teach mathematics • How to distinguish the different types of registers • How to organize learning tasks and activities which take into account the registers of representation • How to make an analysis of the students’ production in terms of registers Building upon the contributions he first presented in his classic book Sémiosis et pensée humaine, in this volume Duval focuses less on theoretical issues and more on how his theory can be used both as a tool for analysis and a working method to help mathematics teachers apply semiotics to their everyday work. He also dedicates a complete chapter to show how his theory can be applied as a new strategy to teach geometry. “Understanding the Mathematical Way of Thinking – The Registers of Semiotic Representations is an essential work for mathematics educators and mathematics teachers who look for an introduction to Raymond Duval’s cognitive theory of semiotic registers of representation, making it possible for them to see and teach mathematics with fresh eyes.” Professor Tânia M. M. Campos, PHD.
Article
In diesem Artikel uberfliege ich die Transdisziplinaritat im Kontext der Integration. Indem ich von meiner Forschung uber die ublichen Schulen und die Pilotschulen ausgehe, stelle ich mehrere Modelle der Transdisziplinaritat zwischen der Kunst und der Wissenschaft in der Sekundarstufe vor und ich konzentriere mich dabei auf die Perspektiven der Teilnehmer und den Einfluss dieser Modelle auf die, die sich dafur entscheiden-das heist die Lehrer und die Schuler. Ich prufe die personlichen und beruflichen Kosten und die Gewinne und schlieslich, was das fur den Berufsstand bedeuten kann. Der zweite Teil des Artikels bietet der Transdisziplinaritat einen Rahmen. Im dritten Teil schlage ich vor, uber die Dynamik nachzudenken, die erlaubt, die transprofessionelle Arbeit zu erleichtern, indem sie, was ich “ Zonen transformativer Tatigkeit” (transformative practice zones) nenne, erleichtert.
Article
Interdisciplinarity represents an effort to achieve integrative knowledge in an age of increasing academic specialization. It is an intrinsic feature of the environmental sciences and the emerging field of sustainability studies and is widely identified as a crucial means for academia to effectively address complex worldly problems. The promotion of interdisciplinarity within higher education has become widespread over the last few decades, but it continues to face significant obstacles. This paper reports on a survey of universities with exemplary track records in interdisciplinary research, to better identify obstacles to interdisciplinarity and strategies for success.