ArticlePDF Available

Analysis of The Trend of Spotify

Authors:

Abstract

With the change in people's music consumption patterns, music streaming media enterprises have attracted more and more attention. Spotify is one of the largest music streaming media enterprises at present, and its rapid development has been attracting attention. As the market becomes increasingly competitive, Spotify's single business model is increasingly limited. Through the combination of qualitative and quantitative research, this paper concludes that the main problems of Spotify's current business model are as follows: firstly, it cannot produce content, and acquiring music playing rights only by buying the copyright of record companies not only consumes a lot of money but also has uncertainties. Second, only relying on a single advertising and subscription fees revenue model has been unable to meet the needs of enterprise management costs. Third, as the competition among music-streaming services intensifies, Spotify must be able to provide users with music that is more satisfying to their tastes. Therefore, to solve these problems in the future, Spotify can focus on creating its own record company, upgrading its algorithm, and developing its own hardware products to enrich its business model.
BCP Business & Management
MEEA 2022
Volume 34 (2022)
919
Analysis of The Trend of Spotify
Jingting Li1,*
1 Department of Cultural content and communication, Konkuk University, Seoul, Korea
*Corresponding author: 100475@yzpc.edu.cn
Abstract. With the change in people's music consumption patterns, music streaming media
enterprises have attracted more and more attention. Spotify is one of the largest music streaming
media enterprises at present, and its rapid development has been attracting attention. As the market
becomes increasingly competitive, Spotify's single business model is increasingly limited. Through
the combination of qualitative and quantitative research, this paper concludes that the main problems
of Spotify's current business model are as follows: firstly, it cannot produce content, and acquiring
music playing rights only by buying the copyright of record companies not only consumes a lot of
money but also has uncertainties. Second, only relying on a single advertising and subscription fees
revenue model has been unable to meet the needs of enterprise management costs. Third, as the
competition among music-streaming services intensifies, Spotify must be able to provide users with
music that is more satisfying to their tastes. Therefore, to solve these problems in the future, Spotify
can focus on creating its own record company, upgrading its algorithm, and developing its own
hardware products to enrich its business model.
Keywords: Spotify, financial management, PEST analysis, SWOT analysis, development trend.
1. Introduction
Spotify is one of the biggest music streaming channels in the world. The company is primarily
responsible for the provision of legitimate music streaming services. The services are available to
users on a variety of mobile devices for free or a fee, and they rely on specific advertising to make
money. Gimlet Media and Anchor were purchased by Spotify in 2018. Gimlet Media concentrates on
the narrative podcast industry and produces high-quality audio material. Anchor, a platform for
creating podcasts, will give Spotify the ideal value of enticing users to produce podcasts
independently and streamlining the process. With this in mind, the shift from "music to sound" has
begun with Spotify's official opening of the traditional podcast market. After digital piracy hampered
sales, this business changed the way people listen to music and helped them get acclimated to paying
for it once more. And for artists, Spotify has also changed the revenue model and given more
opportunities to niche artists. As the streaming music market becomes more competitive and Spotify
faces declining subscribers and diminishing profits, it is necessary to study the future trends of Spotify.
This study mainly focuses on the company's own business model and financial situation and
market environment for the company to the influence of the current music streaming media market
competition is fierce and the problems existing in the company is in profit model is too single, no
content production ability as well as the need to innovate its algorithm more to understand the needs
of the consumers. Based on these problems, this paper provides suggestions for its future development.
Firstly, it can upgrade the algorithm, secondly, it can establish its own record company, and thirdly,
it can develop hardware products to change the single profit model.
The main part of this study is divided into four parts. The first part introduces the background and
development status of Spotify, followed by an analysis of its finance. The second part analyzes the
macro environment background of the enterprise through PEST analysis. The third part analyzes the
competitiveness of enterprises through SWOT analysis, and the fourth part gives suggestions for the
future development of enterprises based on the research results.
BCP Business & Management
MEEA 2022
Volume 34 (2022)
920
2. Firm description
Spotify is a music streaming service, that was founded in Sweden in 2006, expanded across Europe
in 2008, and in the United States in 2011. According to Spotify's website and registration statement,
the company's goal is to "unleash the potential of human creativity," "give millions of incredibly
creative people the opportunity to live off the art they create," and "give fans everywhere the
opportunity to enjoy and be inspired by the great work of these creators." This will enable both artists
and customers to profit from the digital transformation of the music industry.
Spotify is now one of the top three Music companies in the United States, along with Apple Music
and Amazon Music, which together account for 70 percent of the U.S. streaming Music market.
Spotify does not produce original content, but only shows content that is copyrighted through
licensing deals with major media groups such as Universal Music Group and SONY Music
Entertainment. As a result, the company relies mainly on two sources of revenue: advertising and
subscription fees. Spotify offers its users two models: free and paid. Users will get access to limitless,
high-quality streaming music both online and off if they choose to pay for membership, without
commercial advertising and better sound quality. Additionally, there is a free usage option that offers
users restricted on-demand access to the platform's more than 35 million songs without charging a
membership charge. In both cases, the platform also allows users to create and share music playlists,
send texts, and recommend tracks to other users to improve the social features associated with
streaming. Spotify's main market rival, Apple Music, uses a pay-per-download, offline listening
model. Spotify is free to download, easier to use, and has a two-track experience. By the eve of its
IPO in 2018, Spotify was in 61 countries and the site had 140m paying subscribers and 70m no-
paying subscribers.
Fig 1. Spotify’s revenue worldwide from 2013 to 2021(in million euros)
In fig 1, it shows that Spotify has a good financial trend in the past 7 years. From 2013 to 2021,
Spotify showed a year-on-year growth trend, which shows that Spotify still has great potential for
development.
Fig 2.Monthly Active Users chart
BCP Business & Management
MEEA 2022
Volume 34 (2022)
921
Fig 3. Ad-supported users and subscribers growth chart
Fig 4.Revenue By Segment
Fig 2,3 and 4, show that the number of monthly active users continues to rise, although the increase
is more or less unstable from quarter to quarter, but overall it continues to rise.So revenue for both
types of users is growing, but ad- supported users are growing more than subscribers.
Trending Charts
Fig 5.Gross Profit By Segment
BCP Business & Management
MEEA 2022
Volume 34 (2022)
922
Fig 6. Gross Margin By Segment
Fig 7. Free Cash Flow
In fig 5,6 and 7, it can be seen that the overall gross margin of subscribers was on a steady growth,
but advertising allows users to gross profit fluctuations is very clear, in 2020, 3, 4 quarters even
without profit, combined with the gross margin figure can be seen that the gross profit margin on
advertising allows users to see big decline reflects the company's ability to keep subscribers and lack
of the ability to attract new users. As can be seen from the free cash flow in recent years, the cash
flow is very unstable, and generally presents a significant downward trend.
According to the above charts, overall, Spotify has had a good financial trend in the past 7 years.
Spotify's global revenue has skyrocketed from 2013 to 2021. Although growth trends show signs of
slowing beyond 2019, ad-supported users and the capacity to draw prospective users and maintain
current users are somewhat volatile, coupled with the fact that more users are opting for generic
services rather than becoming paid subscribers, also affecting financial growth to some extent. But
the largest subscriptions, high brand value, and large scale of the company are still obvious strengths
that can make it distinguish it from other the same types of little companies.
3. PEST Analysis
PEST stands for political, economic, social, and technical change, which are the four main drivers
of change. PEST analysis is an effective and popular approach for comprehending strategic risk. It
pinpoints the adjustments and impacts of the external macro environment on a firm's position in the
competitive market[1].
BCP Business & Management
MEEA 2022
Volume 34 (2022)
923
3.1 Political
So far, Spotify has not entered the Chinese market due to policy reasons, but it should continue to
try to expand the Chinese market because China has the largest consumer market in the world. Spotify
has the cheapest subscription price but the largest number of songs in India. So Spotify is very active
in developing the Indian market, but the piracy problem in India is so serious that the number of
subscribers is still very limited.
3.2 Economics
As the COVID-19 pandemic continues to spread around the world, the global economy continues
to decline, forcing many small and medium-sized companies to close down and causing
unemployment to soar. In addition, the war between Russia and Ukraine led to sanctions imposed by
a large number of countries, so global food and energy prices showed a rising trend. So this global
economic situation has left people with less purchasing power for non-essential items.
3.3 Social
Social media sites like Facebook, Twitter, Instagram, YouTube, and LinkedIn are all places where
Spotify is present and engaged[2]. Social elements have been added to streaming music services like
Spotify, enabling users to share their playlists with others. As a result, users may share their favorite
songs as well as listen to them individually. Spotify also is able to localize regions and capture
different listening styles in different regions. At the same time, Spotify has become the new era's
podcasting juggernaut.
3.4 Technology
The proliferation of smartphones and the falling price of data have greatly increased the use of
music players[3]. Digital marketing, social media, and behavioral advertising are heavily used, and
Spotify's upgrade reduces its reliance on the Internet.
4. SWOT Analysis
SWOT analysis is a technique developed in the 1970s, frequently used in a strategic approach.
Strengths, Weaknesses, Opportunities, and Threats, or SWOT for short, is a structured planning
process that assesses the four aspects of a company, project, or commercial endeavor. A SWOT
analysis is a straightforward but effective framework for maximizing an organization's strengths,
addressing weaknesses, reducing threats, and seizing opportunities [4]. The following will use SWOT
analysis to comprehend Spotify's firm competitiveness.
4.1 Strengths
First, Spotify already has a huge user base, using big data to make personalized music
recommendations and subscription recommendations based on user's preferences. Second
Spotify's subscription fee is lower than Apple Music and Amazon Music, and users also have the
advantage of enjoying the freemium model. Third, Spotify has the most advanced and accurate
algorithmic system to recommend music that best matches users' tastes, thus attracting new
subscribers and solidifying old ones.
4.2 Weaknesses
First, since Spotify itself is not a creator of content and only acquires copyrighted content, its
reliance on advertising and subscription fees for most of its revenue will lead to volatile profits.
Second, coupled with Spotify's heavy reliance on Internet connectivity, has contributed to its
dwindling user base. Third, since Spotify needs to buy artists' music rights to play their music, owning
more rights means attracting more subscribers, but that costs a lot of money and is highly uncertain.
BCP Business & Management
MEEA 2022
Volume 34 (2022)
924
4.3 Opportunities
First, Spotify will be able to develop its own original content through artificial intelligence and big
data analytics. Second, in B2B mode, it can cooperate with mobile companies and telecom companies
to reduce mobile data consumption when using apps or offer cheaper plans to attract new users. Third,
Spotify is currently available in just 61 countries, and there are still opportunities to expand into
multiple countries in the future. And it can focus on going to the markets with the highest population
density first so it has more potential users.
4.4 Threat
First, as Spotify competes more and more with Apple Music and Amazon Music, and as Spotify
enters other countries, it has to compete with local Music streaming services in other countries.
Getting users to ditch their familiar music-streaming services and subscribe to Spotify will also be a
big test. Second, Spotify needs artists to join. The more artists join Spotify, the more music rights
will be acquired and the more users will be attracted to it. But the application process is difficult and
faces certain risks.
5. Suggestion
Based on Spotify's SWOT analysis, future development can be focused on the following three
aspects.
5.1 Innovate algorithms to better understand user needs
Spotify is the world's largest on-demand music streaming company, with over 75 million active
listeners choosing what to listen to among tens of millions of songs. Discovery and personalization
are key parts of the experience and critical to the success of the creator and consumer ecosystem [5].
Spotify clears users' playlists every Monday and suggests songs the company thinks they'll like. While
many companies promise to come up with recommendation algorithms that calculate correctly, none
are more accurate than Spotify's Discover Weekly. Constantly upgrade the algorithm, more for users
to recommend more music in line with the orientation.
5.2 Start a record company
Spotify lost $1.4 billion on revenue of $5 billion last year. The explanation is straightforward:
Spotify pays record labels hefty royalties that make up more than 70% of all company expenses.
Spotify may think about launching its own record label in order to break even, similar to how Netflix
has extensively invested in original programming [6-7]. The Spotify recommendation system helps
the company determine which artists to sign and what kind of music to produce [8-9]. With artists
under contract, Spotify has a full distribution circuit, which ultimately saves money. The largest
music-streaming website in the world no longer requires Spotify to pay royalties for the songs it
already owns, allowing artists signed to the service to promote their work for free.
5.3 Sell own hardware products
Apple has begun shipping HomePod, a smart speaker with excellent sound quality. HomePod
owners must comply with one important condition, however: they can only use Apple Music. In
theory, smart speakers from either Google or Amazon could support only their own streaming music
services, as Apple does. So to compete, Spotify might want to think about creating its own hardware.
Although it is quite challenging, creating hardware is the most practical [10]. With the ability to add
new subscriber services on top of that, Spotify's smart speakers give the corporation total control over
what is provided to its users. If Spotify wanted to develop a smart speaker, it couldn't go ahead with
a partnership with Google for the simple reason that it didn't develop its own mobile operating system.
As it stands now, Spotify's strategy needs to be to make the service even better, so that users can stick
with Spotify whether they're on existing or new devices.
BCP Business & Management
MEEA 2022
Volume 34 (2022)
925
6. Conclusion
Music streaming has completely changed the original music market consumption model, and
Spotify, as one of the largest streaming media companies in the world, continues to attract public
attention for its development. Since 2018 it's financial growth slowed sharply, only by subscription
fees and advertising based on the existing financial growth model is too single plus other music
streaming media products constantly fierce competition, how to make the faster price more suitable
for more music artists copyright has become the main problem facing, This paper analyzes the
problems faced by Spotify by combining quantitative and qualitative research, and summarizes the
development direction of Spotify in the future.
Through the research, it is found that Spotify's development speed is an inevitable trend after rapid
development in a short period of time. The main problems it faces in its development are that its profit
model is too simple, and it cannot produce content itself. It spends a lot of money to provide more
diverse music choices to its subscribers by constantly buying the copyright of record companies.
Spotify is also vulnerable to competition from other music-streaming companies, which gives the
labels the right to choose who they deal with. So Spotify is focusing on three parts for the future. The
first is to upgrade their algorithms to better understand user needs. The second is that Spotify can start
its own record label so it can reduce the cost of buying the rights and also can create content like
Netflix. Third, it can sell its own hardware products, which can make its profit model more diversified.
This study analyzes the current development status of Spotify so as to provide suggestions for its
future development model, but there are still limitations. First of all, there is a lack of data. It focuses
on the financial situation of the last year and fails to analyze broader data. Secondly, this study
analyzes the macro environment background faced by Spotify and its own advantages and
disadvantages through PEST and SWOT analysis modes. Other analysis methods, such as 4P analysis,
can be added to study the situation of the enterprise in more detail. In the future, it will mainly focus
on the development direction of music streaming media enterprises. And whether Spotify's direct
listing model could be a model for other music streaming companies.
References
[1] Sammut-Bonnici, Tanya, and David Galea. "PEST analysis." (2014).
https://www.um.edu.mt/library/oar/bitstream/123456789/21816/1/sammut-bonnici%20pest.pdf
[2] Amalina, Nadia Putri. "Proposed marketing strategy based on behavioral intention in using Spotify:
Differences between free and premium users." International Journal of Education and Research 7.5 (2019):
73-90. http://www.ijern.com/journal/2019/May-2019/07.pdf
[3] Vonderau, Patrick. "The Spotify effect: Digital distribution and financial growth." Television & New
Media 20.1 (2019): 3-19. https://journals.sagepub.com/doi/pdf/10.1177/1527476417741200
[4] Leigh, Doug. "SWOT analysis." Handbook of Improving Performance in the Workplace: Volumes 1
3 (2009): 115-140. https://www.visual-paradigm.com/guide/strategic-analysis/what-is-swot-analysis/
[5] Jacobson, Kurt, et al. "Music personalization at Spotify." Proceedings of the 10th ACM Conference on
Recommender Systems. 2016. https://dl.acm.org/doi/abs/10.1145/2959100.2959120
[6] Lozic, Josko. "Comparison of business models of the streaming platforms Spotify and Netflix." Economic
and Social Development: Book of Proceedings (2020): 110-119.
https://1105528.Book_of_Proceedings_esdVarazdin2020.pdf
[7] Sisario, Ben, & De La Merced, Michael J. Spotify is said to be going public in early2018.
https://www.nytimes.com/2018/01/03/business/media/Spotify-IPO-streaming-music.html
[8] Werner, Ann. "Organizing music, organizing gender: algorithmic culture and Spotify
recommendations." Popular Communication 18.1 (2020): 78-90.
https://www.tandfonline.com/doi/full/10.1080/15405702.2020.1715980
[9] Coffey, Aoife. "The impact that music streaming services such as Spotify, Tidal and Apple Music have
had on consumers, artists and the music industry itself." Interactive Digital Media. University of
BCP Business & Management
MEEA 2022
Volume 34 (2022)
926
Dublin (2016). https://www.scss.tcd.ie/publications/theses/diss/2016/TCD-SCSS-DISSERTATION-
2016-027.pdf
[10] Germain, Arthur, and Jacob Chakareski. "Spotify me: Facebook-assisted automatic playlist
generation." 2013 IEEE 15th International Workshop on Multimedia Signal Processing (MMSP). IEEE,
2013. https://ieeexplore.ieee.org/abstract/document/6659258
... With one term, the internet quota must always active. For the users to play music or podcast, they must have a good connection (Li, 2022). It is clear, Spotify users can access from anywhere as long as the internet is active. ...
... In addition, Spotify provides a lyric feature that is automatically on when we play a song. Spotify offers free lyrics features without leaving the music platform (Li, 2022). This feature is one of the reasons students choose Spotify because they think this feature is more practical than other applications. ...
Article
Full-text available
English is the language that predominates in the world than other language. In order to communicate on a worldwide level, especially for academic and commercial objectives. There is a need for learners to acquire communication skills. Thus, learners should have a good pronunciation. Spotify is one of the media they can choose to learn, especially to improve their Pronunciation. The objective of this research was to explore students' perception toward the use of Spotify application to improve students' pronunciation and find out which features in Spotify are the most essential in improving their pronunciation. This research used descriptive qualitative and data collected through semi-structured interviews with ten respondents. The participants from pronunciation practice class batch 2019 in university Muhammadiyah Prof. Dr. Hamka. The participants were selected using purposive sampling. The results revealed that the students agree Spotify is suitable for improving pronunciation. They explain that the features on Spotify can support their learning, especially the lyric and making playlist features. They said listening to the music and seeing the lyrics can be effective in their pronunciation and creating their own playlists can increase their interest in listening to English songs. This research was expected to give a modern application to improve pronunciation.
... Spotify adalah produk dari perkembangan industri radio yang dimulai pada tahun 1990-an seiring dengan perkembangan layanan internet, yang kemudian menjadi stasiun radio musik internet sehingga pendengar dapat memilih lagu berdasarkan genre atau daftar lagu yang tersedia (Spilker & Colbjørnsen, 2020dalam Amanda, 2022. Pengguna Spotify dapat memilih dua model, antara versi gratis dengan iklan dan kualitas suara standar, atau versi premium tanpa iklan, streaming berkualitas tinggi tanpa batas baik secara online maupun offline (Li, 2022). ...
Conference Paper
Full-text available
Iklan dan Electronic Word of Mouth (eWOM) merupakan sebuah hal yang sudah menjadi fokus utama dalam strategi pemasaran. Sebuah iklan dapat didefinisikan sebagai sebuah kemampuan untuk mempengaruhi persepsi, sikap, dan juga perilaku sebuah konsumen. Di sisi lain, eWOM mengacu kepada sebuah komunikasi antar individu tentang sebuah produk atau merek, yang saat ini diyakini memiliki kekuatan besar dalam membentuk preferensi konsumen. Penelitian ini dibuat dengan tujuan untuk mengetahui pengaruh iklan horor terhadap tingkat pembelian akses premium pada platform musik Spotify. Penelitian ini menggunakan metode kuantitatif dengan pendekatan deskriptif dan pengumpulan data dilakukan dengan survei terhadap pengguna Spotify yang pernah melakukan pembelian akses premium. Hasil dari penelitian ini adalah untuk membuktikan bahwa iklan cerita horor pada aplikasi Spotify berpengaruh dalam pembelian akses premium dan trend ini membuktikan bahwa promosi tersebut layak untuk dilakukan saat ini.
Conference Paper
Full-text available
The aim of this paper is to point out the similarities and differences of the business models of the streaming platforms Spotify and Netflix. Corporations belong to the segment of new media industries that emerge as a result of digitalization and digital transformation of production processes. The core business model is the same for both corporations. Spotify allows you to listen to music in the subscription model, while Netflix allows you to watch video content in the subscription model. The platforms use the platform and two-sided market economy model, and operate in a zero marginal cost model. The development of streaming platforms is associated with the development of postmodern society, and especially with the habits of Generation Z. The subscription model has become dominant in relation to the possession of music or video content. By comparing financial performance indicators, we will analyse the advantages and disadvantages of corporate business models.
Article
Full-text available
Spotify is self-reporting to have 232 million monthly active users in July 2019, including 108 million paying subscribers. Often naturalized by listeners as a mere window into great collections of music, Spotify is an intricate network of music recommendations governed by algorithms, displayed as a visual interface of photos, text, clickable links, and graphics. With the aim to analyze how three Spotify functions, related artists, discover, and browse, organize and represent gender while organizing and representing music Spotify is here investigated through empirical material collected in qualitative online ethnographic studies during 2013–2015. The article problematizes how music is organized in algorithmic culture and uncovers gendering that can ensue as a result of the service’s recommendation algorithms: creating closer circles for music consumption, and organizing music by similarities in genre and gender.
Book
There is a need for a standard reference for instructional design professionals. Sponsored by ISPI, Volume One of the Handbook of Training and Improving Performance presents multi-disciplinary knowledge, standard principles, and evidence-based best practices for designing instruction delivering training. It offers a comprehensive review of topics such as: Interventions at the Worker Level; Interventions at the Work Team Level; Interventions at the Workplace and Organizational Level; Implementation Interventions; Project Management; Measuring the Success of Implementation; Managing Implementation. The book features international cases. © 2010 by International Society for Performance Improvement. All rights reserved.
Article
This article analyzes Spotify as a media company that operates at the intersection of advertising, technology, music, and finance. In doing so, this article contributes to media industry studies as a field that investigates the relation between various industrial and economic actors. Given that the media industries, as any other industry, can be defined as a set of markets, one of which is the leading market, and to which other markets are auxiliary, the question asked is what market is leading in the case of Spotify. What the article describes as the “Spotify effect” is the company’s ability to fold markets into each other: to make disappear an aggressive financial growth strategy and business set-up based on ad tech engineering by creating an aura of Nordic cool and public benefit around its use of music. Spotify’s financial strategy has implications for the digital distribution of cultural content more generally.
Conference Paper
Spotify is the world's largest on-demand music streaming company, with over 75 million active listeners choosing what to listen to among tens of millions songs. Discovery and personalization is a key part of the experience and critical to the success of the creator and consumer ecosystem. In this talk, we'll discuss the state of our current discovery approaches, such as the Discover Weekly playlist that has already streamed billions of new discoveries and Fresh Finds, a scalable platform for brand new music that focuses suggestions on the long end of the popularity tail. We'll discuss the technologies at scale necessary to distill the information about music from our listeners and the world at large we collect outside of Spotify -- with the massive amounts of user-item activity data we collect every day to create highly personalized music experiences. Entire teams at Spotify focus on understanding both the creator and listener through collaborative filtering, machine learning, DSP and NLP approaches -- we crawl the web for artist information, scan each note in every one of our millions of songs for acoustic signals, and model users' taste through a cluster analysis and in a latent space based on their historical and real-time listening patterns. The data generated by these analyses have ensured our discovery products are precise and help our users enjoy music and media across our entire catalog. We'll dive deep into the workings of Discover Weekly, our marquee personalized playlist which updates weekly and reached 1 billion streams within the first 10 weeks from its release. The technology behind Discover Weekly is powered by a scalable factor analysis of Spotify's over two billion user-generated playlists matched to each user's current listening behavior. We'll discuss its innovative genesis and the challenges and opportunities the system faces a year after its launch. We'll also discuss Spotify's home page, seen by each of our users, currently undergoing vast efforts around personalization to ensure each listener gets a targeted list of playlists, shows and music to select throughout their day. We'll discuss the various similarity metrics, ranking approaches and user modeling we're working on to increase precision and optimize for our users' happiness.
Conference Paper
We design a novel method for automatically generating a playlist of recommended songs in the popular social music sharing application Spotify that are liked with high probability by a user. Our method employs multiple seed artists as an input that are obtained via the Facebook likes of artists and the listening history of songs of a Spotify user. First, we construct an input vector comprising all the artists that the user likes on Facebook and listens to in Spotify. Then, we search for other artists and bands related to them using EchoNest, an online state-of-the-art machine learning platform. We assign a score to every artist in the thereby obtained collection, based on the frequency of his/her appearance. Finally, we construct a playlist comprising randomly selected popular songs associated with the most frequently cited artists. We examine the recommendation performance of our algorithm by computing its WTF score (fraction of disliked songs) and novelty factor (fraction of new liked songs) on playlists generated for different seed input sizes. We observe that our approach substantially outperforms the built-in Spotify Radio recommender. On 30 song playlists, we are able to improve the WTF score by 49% and the novelty factor by 42%, on average. Due to its general design, our method is broadly applicable to a variety of personal content management scenarios.
Chapter
The chapter describes the history of strengths, weaknesses, opportunities and threats (SWOTs) analysis, its research base, applications, and its own strengths and weaknesses. The six-step process for conducting SWOT analysis is then described, followed by a discussion of factors critical for successful implementation. SWOTs are often arranged in a 2-by-2 table or matrix, with internal enhancers of performance categorized as strengths and internal inhibitors as weaknesses. The SWOT method has application to at least four components of the human performance technology (HPT) model. Beyond these general categories of HPT practice, SWOT analysis may also have applications within appreciative inquiry, benchmarking, industry analysis, situation analysis, and scenario planning. Individual SWOTs can be examined in relation to one another according to estimates of their contribution to desired performance, along with approximations of the degree to which each factor is or is not within an organization’s control. benchmarking; Human performance technology; scenario planning; SWOT analysis
Proposed marketing strategy based on behavioral intention in using Spotify: Differences between free and premium users
  • Nadia Amalina
  • Putri
Amalina, Nadia Putri. "Proposed marketing strategy based on behavioral intention in using Spotify: Differences between free and premium users." International Journal of Education and Research 7.5 (2019): 73-90. http://www.ijern.com/journal/2019/May-2019/07.pdf
The impact that music streaming services such as Spotify, Tidal and Apple Music have had on consumers, artists and the music industry itself
  • Aoife Coffey
Coffey, Aoife. "The impact that music streaming services such as Spotify, Tidal and Apple Music have had on consumers, artists and the music industry itself." Interactive Digital Media. University of Dublin (2016). https://www.scss.tcd.ie/publications/theses/diss/2016/TCD-SCSS-DISSERTATION-2016-027.pdf
Spotify is said to be going public in early2018
  • Ben Sisario
  • De La
  • Merced
  • J Michael
Sisario, Ben, & De La Merced, Michael J. Spotify is said to be going public in early2018. https://www.nytimes.com/2018/01/03/business/media/Spotify-IPO-streaming-music.html