AN ABSTRACT OF THE DISSERTATION OF: Kayeleigh Sharp, for the Doctor of Philosophy degree in Anthropology, presented on April 12, 2019, at Southern Illinois University Carbondale.
TITLE: RETHINKING THE GALLINAZO: A NORTHERN PERSPECTIVE FROM THE MID-ZAÑA VALLEY, PERU
MAJOR PROFESSOR: Dr. Izumi Shimada
The long-standing tradition of grave lot analysis and tomb excavation in Peru began over a century ago. By emphasizing funerary monuments and artistically appealing artifact collections, however, the patterned lifeways that characterize groups like the Gallinazo on the north coast of Peru have long been overlooked. Traditionally, the Gallinazo (or Virú Valley polity) have been credited only with a small set of hand-modeled pottery forms and high-quality negative-paint finewares which led to the Virú polity’s designation as the Negative-Paint Culture or Cultura Negativa. Several competing views from different valleys have developed over the past several decades. From the characterization of the Gallinazo as the first multi-valley state in the Andes to a mere substratum of Mochica society to more recent view as a pan-north coast utilitarian tradition or non-cultural entity, these views are inadequate when applied to evidence from the Lambayeque region. The snapshot of quotidian life from the Zaña Valley that I present here challenges several longstanding assumptions and conceptions about the people who manufactured and used the broadly defined art style known as Gallinazo and adds a productive new line of evidence for resolving long-standing debates.
The focus of this research is the Zaña Valley, Lambayeque region, north coast Peru. This area is home to the best-known funerary monuments and largest urban centers of the first millennium, which are the sites of Sipán and Pampa Grande. The Songoy-Cojal site sits on the north bank of the Zaña River nearby. Songoy-Cojal is linked to the once major site of Sipánii Collique which lies along a pre-Hispanic canal 18 kilometers to the northwest. 14 kilometers due north of Songoy-Cojal is the temporally overlapping northern, Moche V (Late Moche) capital at Pampa Grande which is accessible through several roads and pathways. The Huacas Songoy monument is strategically positioned on a prominent point that overlooks the entire Zaña Valley and intervalley corridors. Combined with other lines of irrigation, mineralogical and craft production evidence, it is suggested that Songoy-Cojal and people living there held some importance in the region during the first millennium of the Common Era. Although originally characterized as a site of Mochica cultural affiliation, however, Songoy-Cojal is strongly Gallinazo as well.
This investigation tests the validity of the assumption that Gallinazo and Mochica coexistence is characterized by interrelated social asymmetries that functioned as social counterweights that fostered long-term interdependencies. Indications of such types of axes of differentiation is found in complex administrative systems known as the time of Spanish conquest and in asymmetrical moiety organization at Pampa Grande. In general, and based on multiple lines of evidence, it is possible to suggest that people living at Songoy-Cojal during the eighth century were more than simple commoners acting in isolation were. In fact, this investigation shows that users and manufacturers of pottery objects in the Gallinazo style were people who likely lived and worked alongside those who built and used the funerary monuments at Sipán and identified as the Mochica, and may have constituted an important part of the workforce performing labor-tax duties at Pampa Grande. Long-term social relations were maintained through complementary economic systems focusing on mining, irrigation and multicraft production industries, a phenomenon that I define as economical complementarity.
Although originally considered to be an early civilization with dates ranging from 200 BCE to 350 or 400 CE, new radiocarbon dating of Cojal samples show that the residential and multi-craft producing sector of the site endured much later. The updated temporal and regional vision of quotidian life at a Gallinazo-Mochica community in the mid-Zaña Valley challenges traditional view of this group and opens new dialogues about the inner-working complexities of the Gallinazo. In stark contrast to the overly simplistic vision their decorative art style implies, particularly in relation to the Mochica, this group played an important complementary economic role in the Lambayeque region during the first millennium of the Common Era.