Both Christian Norberg-Schulz and Kenneth Frampton have written on Martin Heidegger’s views on building and dwelling from which they seem to have been influenced. However, upon close scrutiny, their views seem to differ from Heidegger’s when it comes to place and the way place comes to be. For as Heidegger indicates through his famous example of the bridge in “Building, Dwelling, Thinking” the location, the place “comes into existence only by virtue of the bridge” (So kommt den die Brückenichterst an einen Ort hinzustehen, sondern von der Brückeselbst her entstehterstein Ort, Martin Heidegger, Κτίζειν, κατοικείν, σκέπτεσθαι, μτφ. Γιώργος Ξηροπαϊδης, bilingual edition, Αθηνα, Πλέθρον, 2008, p. 50). It seems that human made things emerge as events n Heidegger’s view and influence the world on their own rightand in a constructivist way. Human made things, works, seem to stand outside all relations (Martin Heidegger, “The Origin of the Work of Art” in Poetry, Language, Thought, transl. Albert Hofstadter, New York, Harper& Row, 1975, p. 41) as claimed in “The Origin of the Work of Art” setting up a world, setting forth the earth and letting the truth take place as a happening and becoming, a founding that ultimately comes from Nothing, in the sense that it never comes from the ordinary and the traditional (Ibid., p. 76). Schulz, on the contrary, seems to claim that it is not the building that brings the place into existence. The place is already there when the building starts to be erected and “its detail explains the environment and makes its character manifest.”(Christian Norberg-Schulz, “The Phenomenon of Place” in Theorizing a New Agenda for Architecture. An Anthology of Architectural Theory,ed. Kate Nesbitt, New York, Princeton Architectural Press, 1996, p. 413) By place Schulz means “a totality made up of concrete things having material substance, shape, texture and color” (ibid. p. 414). A place is given as a character and an atmosphere. Things like buildings make this character and atmosphere manifest to the extent they express it. Likewise, Kenneth Frampton, introduces the distinctions between architecture and building, industrialized construction and demanding craftsmanship, autonomous architectural practice and place-making and loss of rapport with nature and an architecture that is life fulfilling (Kenneth Frampton, “On Reading Heidegger” in Theorizing a New Agenda for Architecture. An Anthology of Architectural Theory, ed. Kate Nesbitt, New York, Princeton Architectural Press, 1996, p. 442-446). The purpose of these distinctions is to qualify Heidegger’s constructivism and unquestioned espousal of building as place generator. Although not stated clearly, Schulz’s and Frampton’s views on place are more intricate but less challenging than Heidegger’s radical constructivist visions.