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Konservatoryum - Conservatorium
Cilt/Volume: 8, Sayı/Issue: 2, 2021
ISSN: 2146-264X
E-ISSN: 2618-5695
ARATIRMA MAKALESİ / RESEARCH ARTICLE
Mustafa AVCI1
DOI: 10.26650/CONS2021-998288
1Dr. Öğr. Üyes, Altınba Ünverstes, Güzel
Sanatlar ve Tasarım Fakültes, Snema ve
Televzyon Bölümü, İstanbul, Türkye
ORCID: M.A. 0000-0002-5802-8036
Sorumlu yazar/Corresponding author:
Mustafa AVCI,
Altınba Ünverstes, Güzel Sanatlar ve
Tasarım Fakültes, Snema ve Televzyon
Bölümü, İstanbul, Türkye
E-posta/E-mail: mavcefend@gmal.com
Başvuru/Submitted: 21.09.2021
İlk Revizyon/Revision Requested: 12.10.2021
Son Revizyon/Last Revision Requested:
24.10.2021
Kabul/Accepted: 02.11.2021
Online Yayın/Published Online: 05.11.2021
Atıf/Citation: Avc, M. (2021). Amerka
Osmanlı dasporasında müzk ve kahvehaneler
(1890 -1930’lu yıllar). Konservatoryum -
Conservatorum, 8(2), 121-148.
https://do.org/10.26650/CONS2021-998288
ÖZ
Osmanlı topraklarından Amerka’ya 1830’lu yıllarla balayan göç dalgası
özellkle 1890’larla brlkte vme kazanmı ve 20. yüzyılın lk çeyreğnde
de hızlanarak devam etmtr. Amerka’ya göç edenler arasında Ermenler,
Yunanlar, Araplar, Sefarad Yahudler, Türkler ve Kürtler gb farklı mlletlerden
nsanlar yer almıtır. Göçmenler Amerka’ya mutfak, müzk, dans, eğlence
kültürlernn yanında; klse, snagog, kahvehane, café aman gb kurumları da
beraberlernde götürmülerdr. Kahvehaneler Osmanlı coğrafyasından gelen
göçmenlern sosyalleebldkler en öneml mekânlar olmutur. Bunun en temel
sebeplernden br göçmenlern çok cdd br çoğunluğunun bekâr erkeklerden
olumasıdır. Ayrıca göçmenlern geldkler memleketlerde köklü br kahvehane
geleneğnn olması ve göçmenlern, Amerka’dak göçmen karıtlığı yüzünden
kend çlerne kapanması da bunda etkl olmutur. Kahvehaneler göçmenler
çn sadece br eğlence mekânı değl aynı zamanda göçmen hayatı hakkında
blmedkler meseleler öğrendkler, memleketlernden haber aldıkları,
buldukları, kısacası sorunlarını çözdükler brer sosyal destek merkez gb
faalyet göstermtr. Kahvehaneler göçmen eğlence hayatında çok farklı
alanlarda hzmet sunmutur. Bunların baında da müzkl eğlence faalyetler
gelmektedr. Bu makale temel olarak Amerka’dak kahvehane, café aman, café-
restoran gb mekânlardak canlı müzk, karagöz gösterler ve plak dnletler
gb farklı eğlence türleryle lglenmektedr. Bu mekânlarda dans da çok öneml
br yere sahp olmutur, özellkle göbek dansı (oryantal dans) yapan kadın
dansçılar göçmen mekânlarının en büyük atraksyonlarından br olmutur.
Anahtar Kelimeler: Amerka’da Osmanlı Müzğ, Amane kahvehaneler,
Osmanlı Eğlence Müzğ
ABSTRACT
Ottoman immigration to America, which started in the 1830s, gained
momentum, especially in the 1890s and accelerated in the first quarter of
the 20th century. People of different nationalities, such as Armenians, Greeks,
Arabs, Sephardic Jews, and Turks, were among those who immigrated to
America. In addition, immigrants brought with them their cuisine, music,
dance, and entertainment cultures as well as their cultural institutions, such
as churches, synagogues, coffee houses, and cafés. Coffee houses were the
most crucial places where immigrants from the Ottoman geography could
This work is licensed under Creative Commons Attribution-NonCommercial 4.0 International License
122
Amerka Osmanlı Dasporasında Müzk ve Kahvehaneler (1890 -1930’lu Yıllar)
Konservatoryum-Conservatorium Cilt/Volume: 8, Sayı/Issue: 2, 2021
Ottoman immigration to America, which started in the 1830s, gained momentum,
especially in the 1890s and accelerated in the first quarter of the 20th century. People of
different nationalities, such as Armenians, Greeks, Arabs, Sephardic Jews, and Turks,
were among those who immigrated to America. In addition, immigrants brought with
them their cuisine, music, dance, and entertainment cultures as well as their cultural
institutions, such as churches, synagogues, coffee houses, and cafés.
Coffee houses have been the most crucial places where immigrants from the Ottoman
geography could socialize. According to Frank Ahmed, this was because the overwhelming
majority of immigrants were single men (Ahmed, 1993, s. 13). However, Macedonian
writer Stoyan Christowe (1898–1995), who was also an Ottoman immigrant, emphasized
two more reasons other than bachelorhood. First, the significance of coffee houses in
immigrant life was closely related to immigrants having deep-rooted coffee-house
traditions in their home countries. Second, according to Christowe, the anti-immigrant
and hostile behavior against the Southeastern European and Anatolian immigrants was
another reason (Christowe, 1930, s. 48).
In addition to these three factors, because the establishment costs of coffee houses as social
centers were very low, in all immigrant colonies that have reached a specific size, Greek
kaffenions/kafeneions (Frangos, 2014; Lewine, 1996), Armenian srjarans (Nagoski, 2021a),
and Bulgarian kafenes (Carlson ve Allen, 1990, s. 74) were opened (Salutos, 1970, s. 181).
The coffee house served many different areas in immigrant life. First, it served as a social
support network where the immigrants learned about life in America and solved their
problems. Second, it served as an entertainment venue for immigrants. Moreover, music
was one of the most popular types of entertainment. This article primarily deals with
immigrant musical activities that were held in the coffee houses, café amans, and café
restaurants. Such musical activities included Karaghiozis performances, listening to
socialize. Coffee houses served in many different areas in immigrant life. First, they served as a social support network where
the immigrants learned about life in America and solved their problems. Second, they served as an entertainment venue for
immigrants. Moreover, music was one of the most popular types of entertainment. This article primarily deals with immigrant
musical activities that were held in coffee houses, café amans, and café restaurants. Such musical activities included Karaghiozis
performances, listening to records, and live music performances. Similar to music, dance also had an indispensable place in these
venues, particularly oriental belly dancing which was one of the principal attractions of immigrant venues.
Keywords: Ottoman–American music, Café aman, Coffee house
123
Avcı M.
Konservatoryum-Conservatorium Cilt/Volume: 8, Sayı/Issue: 2, 2021
records, live music, and dance performances. Similar to music, dance also had an
indispensable place in coffee houses, particularly oriental belly dancing which was one
of the principal attractions of immigrant venues.
Toward the end of the 19th century, cafés called café amans emerged in the Eastern
Mediterranean, Ottoman port cities, and Greece. Alaturka style, maqam-based, and
predominantly Greek and Turkish music were performed in café amans. These cafés
were called café amans, which probably distinguished them from café chantants with
European-style music (Morris, 2018, s. 72–73). Another reason might have been the
extensive use of the Turkish word “aman” in lyrics.
American café amans originated in the crowded Greek colonies to continue this Old
World tradition of café amans. According to Sotirios Chianis, “[a]s early as 1910 the
café-aman and its strong traditions sprang up in numerous large urban areas such as New
York City, Boston, San Francisco, Baltimore, and Chicago” (Chianis, 1983, s. 3).
According to Steven Frangos, the number of café amans in America increased rapidly in
a decade. By 1920, every Greek colony had at least one café aman and several coffee
houses (Frangos, 1991, s. 11). In the café aman, Albanian, Armenian, Sephardic, Turkish,
Greek, and Greek–American musicians performed a wide range of repertoire. This
multi-ethnic repertoire coincided with the multi-ethnic audience of the café aman.
Café amans were also famous for their belly dancing. One such early example of belly
dancing in American café amans is the kyotchek dance. Kyotcheks were immensely
popular among Ottoman immigrants. Kyotchek troupes in America consisted of two
female dancers and three male musicians playing the violin, clarinet, and xylophone.
According to Christowe, kyotchek troupes were formed and were first presented to the
Greek audience in Chicago. These troupes signed a long-term contract to work on
Halstead Street, Detroit, St. Louis, and other Midwest cities if their performance was
appreciated (Christowe, 1930, s. 48, 74–75).
During the prohibition (1920–1933), some café amans functioned as ethnic speakeasies.
One such café aman was New York’s first café aman, Marika’s, which opened in 1925.
Marika Papagika, one of the early immigrant music stars, opened this café with their
musician husband, Gus Papagika. Although it had a short life and closed in 1929, Marika’s
paved the way for other cafés and nightclubs on the eighth Avenue. The eighth Avenue
scene was a significant element in New York’s nightlife until the end of the 1970s.
124
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-
-
-
-
-
-
The Myth of the Negro Past
-
-
-
-
-
-
-
125
Avcı M.
Konservatoryum-Conservatorium Cilt/Volume: 8, Sayı/Issue: 2, 2021
-
-
-
-
café aman-
-
-
concept-driven coding-
-
lama (data-driven coding
1 (Burgess, 1913, s.
-
-
126
Amerka Osmanlı Dasporasında Müzk ve Kahvehaneler (1890 -1930’lu Yıllar)
Konservatoryum-Conservatorium Cilt/Volume: 8, Sayı/Issue: 2, 2021
-
-
-
-
café aman-
-
-
2.
-
-
-
1919, s. 63).
-
-
-
-
127
Avcı M.
Konservatoryum-Conservatorium Cilt/Volume: 8, Sayı/Issue: 2, 2021
-
-
-
-
-
-
3
s. 62-65).
-
-
-
4
(Karpat, 1985, s. 185).
128
Amerka Osmanlı Dasporasında Müzk ve Kahvehaneler (1890 -1930’lu Yıllar)
Konservatoryum-Conservatorium Cilt/Volume: 8, Sayı/Issue: 2, 2021
-
-
-
-
-
5
Kaf-
fenion/Kafeneion6 Srjaran
2021a), Bulgarca kafene
7
kaffenion diner
1924, s. 79).
129
Avcı M.
Konservatoryum-Conservatorium Cilt/Volume: 8, Sayı/Issue: 2, 2021
-
-
-
Coffee Houses, Lunch Rooms, Restaurants8 etc
-
-
-
cafe ve
restaurant-
-
329).
Around The World in New York
-
-
Little SyriaWashington
-
-
Greeks in America
130
Amerka Osmanlı Dasporasında Müzk ve Kahvehaneler (1890 -1930’lu Yıllar)
Konservatoryum-Conservatorium Cilt/Volume: 8, Sayı/Issue: 2, 2021
café aman-
9-
-
10
-
-
-
11 (Acehan, 2005, s. 88; 2010,
s. 166, 174; Wells, 1972, s. 387).
-
-
Karaghiozis (Karagiosis
ya da Karagiozi-
10
11
93).
131
Avcı M.
Konservatoryum-Conservatorium Cilt/Volume: 8, Sayı/Issue: 2, 2021
-
-
Azk
Arevelyan Srjaran
oriental music
-
-
an12
-
13
-
-
-
-
12
13
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Amerka Osmanlı Dasporasında Müzk ve Kahvehaneler (1890 -1930’lu Yıllar)
Konservatoryum-Conservatorium Cilt/Volume: 8, Sayı/Issue: 2, 2021
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-
-
-
-
-
-
-
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14
jukebox) -
14
133
Avcı M.
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-
-
-
1913, s. 126-127).
-
café aman
15-
Zapeion Restaurant
(New York), Acropolis RestaurantMinerva Restaurant (San Fran-
Parthenon RestaurantAfroditi Restaurant
Kentron RestaurantCulture Restaurant-
-
-
15
134
Amerka Osmanlı Dasporasında Müzk ve Kahvehaneler (1890 -1930’lu Yıllar)
Konservatoryum-Conservatorium Cilt/Volume: 8, Sayı/Issue: 2, 2021
Greektown-
-
-
“Greek
Kaffeneion”
16
16 Καφφεστιατοριον
coffee
restaurant)
135
Avcı M.
Konservatoryum-Conservatorium Cilt/Volume: 8, Sayı/Issue: 2, 2021
oriental belly
dancing-
-
-
-
(prohibition agents
speakeasy-
136
Amerka Osmanlı Dasporasında Müzk ve Kahvehaneler (1890 -1930’lu Yıllar)
Konservatoryum-Conservatorium Cilt/Volume: 8, Sayı/Issue: 2, 2021
Karaghiozis
-
Karagiozopechtis
Karaghiozis-
-
Karaghiozis-
Karaghiozis-
Karaghiozis-
137
Avcı M.
Konservatoryum-Conservatorium Cilt/Volume: 8, Sayı/Issue: 2, 2021
Ka-
raghiozisKaraghiozis
kafenji Kara-
ghiozis-
Karaghiozis
-
Karaghiozis Karaghiozis
-
-
nan Karaghiozis -
95-96).
Karaghiozis
Ethnic Music on Records
17
18-
Karaghio-
zis
1219, 1225).
17
18
7).
138
Amerka Osmanlı Dasporasında Müzk ve Kahvehaneler (1890 -1930’lu Yıllar)
Konservatoryum-Conservatorium Cilt/Volume: 8, Sayı/Issue: 2, 2021
Karaghiozis
Karaghiozis
Karaghiozis
-
Ka-
raghiozis-
Karaghiozis
Karaghiozis
-
tan’da alaturka
139
Avcı M.
Konservatoryum-Conservatorium Cilt/Volume: 8, Sayı/Issue: 2, 2021
19
cafe chantant-
café aman
demotic arvanitika (Ar-
-
Café aman-
Café
aman-
-
-
-
-
19 Café aman,
140
Amerka Osmanlı Dasporasında Müzk ve Kahvehaneler (1890 -1930’lu Yıllar)
Konservatoryum-Conservatorium Cilt/Volume: 8, Sayı/Issue: 2, 2021
café aman
café aman -
café
aman-
-
-
-
café aman
-
café aman
café aman
141
Avcı M.
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-
-
Café aman
-
café aman
-
-
café aman
-
café aman kompania
Café amanlar’da
-
Café
aman-
Café aman
142
Amerka Osmanlı Dasporasında Müzk ve Kahvehaneler (1890 -1930’lu Yıllar)
Konservatoryum-Conservatorium Cilt/Volume: 8, Sayı/Issue: 2, 2021
-
-
-
Kompania-
-
-
.
Kyotchek
-
-
20
Kyotchek
kyotchek
-
kyot-
chek
20 Balkanlarda kyotchek
Bulgarca’da kyotchek ya da kyuchek
cocek, Arnavutlar
çoçek yahut çyçek kyotchek
143
Avcı M.
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Kyotchek-
kyotchek
-
-
kyotchek
Kyotchek-
-
Kyotchek
kyotchek
-
-
-
kyotchek-
-
-
-
-
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Amerka Osmanlı Dasporasında Müzk ve Kahvehaneler (1890 -1930’lu Yıllar)
Konservatoryum-Conservatorium Cilt/Volume: 8, Sayı/Issue: 2, 2021
Café Aman
-
-
café aman-
-
2018a, s. 122).
Café aman
speakeasy-
Café aman
kafenion speakeasy
-
café aman
café aman-
-
café aman
café aman21.
Bu café aman
21
145
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café aman
-
-
-
-
café amanlar,
-
-
-
-
-
café aman-
-
-
-
lenen Neden Geldim Amerika’ya
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-
-
-
22
Externally peer-reviewed.
The author has no conflict of interest to declare.
The author declared that this study has received no financial support.
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