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From #Ferguson to #Ayotzinapa: Analyzing Differences in Domestic and Foreign Protest News Shared on Social Media

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... On the other hand, when the coverage legitimizes the protest-as is the case in the debate frame-there is greater identification with protesters and more support for their demands . Several authors (e.g., Harlow et al., 2020;Kilgo et al., 2018;) have adopted the protest frame typology with some modifications. Instead of analyzing the five frames proposed by Hertog and McLeod, recent studies only use four of the five framing typesconfrontation, riot, spectacle, and debate. ...
... Instead of analyzing the five frames proposed by Hertog and McLeod, recent studies only use four of the five framing typesconfrontation, riot, spectacle, and debate. As Kilgo et al. (2018) explain, the most common frames presented in the news are the ones that marginalize the protest (confrontation, riot, and spectacle), while the ones that aim to legitimize are not so frequent in the mainstream media (debate and protest). However, they mention that the debate frame gives a more substantial voice and space for protesters to express their grievances and demands. ...
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This study assesses the relationship between two well-established sets of frames to better understand the news coverage of massive political protests. By relying on Semetko and Valkenburg’s generic frames and McLeod and Hertog’s protest frames, this study aims to identify whether certain generic frames emphasized in news stories increase the tendency to delegitimize protest movements. To this end, we analyzed the news coverage of Chile’s Estallido Social, a series of massive political demonstrations that developed across the country from October to December 2019. Data for this study come from stories published by Radio Bío Bío, the most trusted news outlet in the country, according to Reuters Institute. By analyzing a sample of 417 stories, we found the coverage replicated patterns that usually delegitimize protest movements, as many of the stories focused on violent acts and depicted demonstrators as deviant from the status quo. We also found a direct relationship between generic frames and protest frames, in which the presence of the former determines that of the latter. Generic frames provide information about how the news media interpret and package the news, which in turn affects demonstration-related features that the news media pay attention to. As such, we argue that combining both generic and issue-specific frames is a helpful approach to understanding the complexities of protest news coverage.
... '(1) News frames that either emphasize the criminal behavior of protesters or trivialize the protesters' work; (2) A reliance on official sources and official definitions, instead of those of the protesters; (3) A reliance on bystanders' (rather than protesters') voices; (4) Delegitimization of the protest, where the protest's goals are emphasized far less than specific protest events; and (5) Demonization of protesters through an emphasis on protester-police conflict or on protesters' disruptive/criminal behavior' (Leopold & Bell, 2017and McLeod, 2007, cited in Umamaheswar, 2020 Hertog & McLeod (1995) also contribute five frames which are applied by this paradigm; circus/carnival, riot, confrontation, protest and debate (Kilgo et al., 2018;Cammaerts, 2018;McLeod & Hertog, 1999). Given the complex relationship between social movements and the mainstream media (Rucht, 2004), it is not entirely surprising that their challenging of the status quo, the dominant common-sense narrative, framed unfavourably by dominant state institutions and those in positions of power willing to defend this narrative and restore consent by any means necessary. ...
Thesis
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In recent years, the rise of right-wing populism and post-truth politics has created a dangerous cocktail, enabling ‘immigration’ and ‘anti-racism’ to be framed within dominant political and media coverage in such a way that it stigmatises and marginalises foreign nationals migrating to the United Kingdom, replicating social injustice. Several activist groups within the broader anti-racist movement are engaging in contemporary forms of video activism alongside protest action to resist and challenge these frames and framing processes. This thesis makes the necessary four-way theoretical and methodological links between hegemony, qualitative frame analysis, video activism and knowledge production to explore the ways in which dominant framings of immigration are resisted by the broader anti-racist movement. Using a broad framework combining film theory/studies and cinematography, the analysis of the visual strategies employed by eight activist groups within this movement within video activist footage disseminated on YouTube and Facebook provides unique insights into the groups themselves, and the various stylistic, shot, angling, sound and editing strategies employed that open up opportunities for framing. A further qualitative, and discursive, frame analysis explores the various frames that are used by the groups through video activism itself; persecution, hardship, heroism, empowerment, incompetence and anti-racism; producing different new knowledges surrounding organisational knowledges of the movement (including collective identity), social injustice in general, dominant hegemonic narratives, and, most importantly, the struggles of migrants and refugees. In doing so, it makes significant contribution to knowledge by proposing three unique typologies to demonstrate how the contemporary hegemonic post-truth narratives surrounding immigration can be, and are being, resisted in order to reinforce social justice.
... Social media, and Twitter especially, has become a home for sharing news of protests (Bailo & Vromen, 2017;Luna, et al., 2019). It is possible that this form of news sharing is fueled by the accessibility and authenticity that Twitter offers, as social media platforms are not controlled by mainstream media companies and thus can focus on sharing accurate details about social protests (Brown, et al., 2018;Luna, et al., 2019). Moreover, Twitter and other social media platforms offer a wider reach to attract audiences and can promote these news stories without temporal or geographic limitations (Bailo & Vromen, 2017). ...
... This media frame generally highlights the spectacular, theatrical, or performative aspects of protests. It also emphasizes "atypical," symbolic behaviors of protesters, such as dancing and flag burning, in ways that ridicule them (Kilgo et al., 2018). Artistic expressions are thus described as amateurish or eccentric. ...
Chapter
In this chapter, we shed some light on disruptive communication across cultures. We explain differences between so called WEIRD and non-WEIRD populations, especially in regard to behavioral predictors. Subsequently we point toward important considerations, limitations, and conceptualizations such as the Culture-Person-Situation model which provides a useful framework when attempting disruptive communication in intercultural settings. The focus in this chapter lies on the distinction between disruptive and destructive communication. Disruptive communication is meant to be a first shocking but then positive lever for change, while destructive communication can lead to harmful effects within parts of the to the target audience. The potential negative consequences of destructive communication imply the need to tailor or, ideally, co-develop, communication approaches to different audiences, especially when working with marginalized groups, such as communities in the Global South. The chapter also introduces practical examples for disruptive communication across cultures, for example, through future scenarios. In addition, four selected case studies illustrate concepts described in the chapter, giving us some insights into firsthand experiences of disruptive communication around the world. The chapter concludes with suggesting an extension of the original definition of disruptive communication with the concepts of intentionality and applicability.
... This media frame generally highlights the spectacular, theatrical, or performative aspects of protests. It also emphasizes "atypical," symbolic behaviors of protesters, such as dancing and flag burning, in ways that ridicule them (Kilgo et al., 2018). Artistic expressions are thus described as amateurish or eccentric. ...
Chapter
This chapter conducts an analysis of psychological mechanisms explaining why individuals and societies often are resistant to change and how these mechanisms might respond when confronted with disruptive communication. We will explore concepts like habits and routines, stabilizing social norms and values, lock-in situations, mechanisms behind status quo biases, and social identity. Then, we apply the concept of disruptive communication developed in Chap. 1 through each concept where potential levers for breaking up locked-in lifestyles can be found. We conclude with a discussion, under which circumstances disruptive communication might have negative effects on sustainable change making and refer these back to some of the identified mechanisms and concepts.
... Comparing the news coverage and sharing of posts related to domestic and foreign protests on Twitter and Facebook, Kilgo et al. (2018) find that posts concerning domestic protests are shared more often than those regarding foreign protests on Facebook, while no significant difference is found on Twitter. Particularly, Facebook users tend to share more legitimizing information about protests that are farther away than domestic protests. ...
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This study uses TikTok (N = 8,173) to examine how short-form video platforms challenge the protest paradigm in the recent Black Lives Matter movement. A computer-mediated visual analysis, computer vision, is employed to identify the presence of four visual frames of protest (riot, confrontation, spectacle, and debate) in multimedia content. Results of descriptive statistics and the t-test indicate that the three delegitimizing frames - riot, confrontation, and spectacle - are rarely found on TikTok, whereas the debate frame, that empowers marginalized communities, dominates the public sphere. However, although the three delegitimizing frames receive lower social media visibility, as measured by views, likes, shares, followers, and durations, legitimizing elements, such as the debate frame, minority identities, and unofficial sources, are not generally favored by TikTok audiences. This study concludes that while short-form video platforms could potentially challenge the protest paradigm on the content creators' side, the audiences' preference as measured by social media visibility might still be moderately associated with the protest paradigm.
... Comparing the news coverage and sharing of posts related to domestic and foreign protests on Twitter and Facebook, Kilgo et al. (2018) find that posts concerning domestic protests are shared more often than those regarding foreign protests on Facebook, while no significant difference is found on Twitter. Particularly, Facebook users tend to share more legitimizing information about protests that are farther away than domestic protests. ...
Conference Paper
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This study uses data from TikTok (N = 8,173) to examine how short-form video platforms challenge the protest paradigm established by the mainstream media in the Black Lives Matter movement, which was triggered by George Floyd's death on 25 May 2020. A computer-mediated visual analysis, computer vision, is employed to identify the presence of four visual frames of protest (riot, confrontation, spectacle, and debate) in multimedia content. Results of descriptive statistics and the t-test indicate that the three delegitimizing frames-riot, confrontation, and spectacle-are rarely found on TikTok, whereas the debate frame, that empowers marginalized communities, dominates the public sphere. However, although the three delegitimizing frames receive lower social media visibility, as measured by views, likes, shares, followers, and durations, legitimizing elements, such as the debate frame, minority identities, and unofficial sources, are not generally favored by TikTok audiences. This study concludes that while short-form video platforms could potentially challenge the protest paradigm on the content creators' side, the audiences' preference as measured by social media visibility might still be moderately associated with the protest paradigm.
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Our study examined the relationship between media portrayals of the Black Lives Matter (BLM) movement in hard and fake news in varying media modalities (print versus video) and participant attitudes toward African Americans. We also examined sociodemographic factors that may be related to susceptibility of fake news. Participants were primed with either hard or fake news (print or video) prior to completing the online questionnaire. Participants included 385 college students from a large southeastern public university. The findings revealed a direct effect of fake news on attitudes toward African Americans but only if the news was from a printed media modality. Hard news also had a positive impact on participant attitudes if from a printed media modality. These findings may help explain why information learned via fake news is persistent over time. Biological sex and political affiliation were associated with the impact of media priming on participants, with male and Republican participants being more susceptible to the effects of fake news. The results of this study should be helpful to those involved in policy making regarding social media and fake news and are timely considering that the BLM movement is growing stronger and the increase in fake news is ongoing.
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For ten years, Herbert J. Gans spent considerable time in four major television and magazine newsrooms, observing and talking to the journalists who choose the national news stories that inform America about itself. Writing during the golden age of journalism, Gans included such headline events as the War on Poverty, the Vietnam War and the protests against it, urban ghetto disorders, the assassinations of Martin Luther King, Jr. and Robert F. Kennedy, and Watergate. He was interested in the values, professional standards, and the external pressures that shaped journalists' judgments. Deciding What's News has become a classic. A new preface outlines the major changes that have taken place in the news media since Gans first wrote the book, but it also suggests that the basics of news judgment and the structures of news organizations have changed little. Gans's book is still the most comprehensive sociological account of some of the country's most prominent national news media. The book received the 1979 Theatre Library Association Award and the 1980 Book Award of the National Association of Educational Broadcasters. This is the first work to be published under the Medill School of Journalism's "Visions of the American Press" imprint, a new journalism history series featuring both original volumes and reprints of important classics.
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This study uses qualitative in-depth interviews to examine journalists' attitudes and decisions about social protest coverage in the wake of (a) journalists' own use of the internet and (b) the use of the internet by social movement organizations. Interviews were conducted with journalists who covered protests that formed part of the movement for democratic globalization in US cities and in Canada during 1999 and 2000. Although regarded as major success stories for the role of the internet in political communication, mobilization over the web seems to have had little impact on journalists. The in-depth interviews revealed skepticism, not early adoption, of web resources in the coverage of these protests. This study provides an exploratory model for the sustained study of journalists' internet use and their attitudes toward social movements and protest as the internet age evolves.
Article
Although a great deal of research has identified ways in which mass media can delegitimize social protest groups, little effort has been given to examining the relative prevalence of each of these mechanisms (labeled marginalization devices in this study) in media coverage of protest movements. By employing an innovative typology, the author examined the prominence of these devices in noneditorial coverage of Iraq War protest in 3 major U.S. newspapers over a 1-year period. In addition to gauging the prevalence of each device, the study also determined which specific devices were associated with either a positive or negative overall story tone toward the protesters. Although coverage in general was not more likely to be either negative or positive toward war-protest groups, stories containing the most commonly implemented devices were more likely to be negative in overall tone. Practical and scholarly implications are discussed in scrutinizing the mass media's role in shaping interpretations of sociopolitical issues.
Article
In a recent article in this journal, Lombard, Snyder-Duch, and Bracken (2002) surveyed 200 content analyses for their reporting of reliability tests, compared the virtues and drawbacks of five popular reliability measures, and proposed guidelines and standards for their use. Their discussion revealed that numerous misconceptions circulate in the content analysis literature regarding how these measures behave and can aid or deceive content analysts in their effort to ensure the reliability of their data. This article proposes three conditions for statistical measures to serve as indices of the reliability of data and examines the mathematical structure and the behavior of the five coefficients discussed by the authors, as well as two others. It compares common beliefs about these coefficients with what they actually do and concludes with alternative recommendations for testing reliability in content analysis and similar data-making efforts.
Article
Winner of the Frank Luther Mott Award for best book in Mass Communication and the Robert E. Lane Award for best book in political psychology. Living in a segregated society, white Americans learn about African Americans not through personal relationships but through the images the media show them. The Black Image in the White Mind offers the most comprehensive look at the intricate racial patterns in the mass media and how they shape the ambivalent attitudes of Whites toward Blacks. Using the media, and especially television, as barometers of race relations, Robert Entman and Andrew Rojecki explore but then go beyond the treatment of African Americans on network and local news to incisively uncover the messages sent about race by the entertainment industry-from prime-time dramas and sitcoms to commercials and Hollywood movies. While the authors find very little in the media that intentionally promotes racism, they find even less that advances racial harmony. They reveal instead a subtle pattern of images that, while making room for Blacks, implies a racial hierarchy with Whites on top and promotes a sense of difference and conflict. Commercials, for example, feature plenty of Black characters. But unlike Whites, they rarely speak to or touch one another. In prime time, the few Blacks who escape sitcom buffoonery rarely enjoy informal, friendly contact with White colleagues—perhaps reinforcing social distance in real life. Entman and Rojecki interweave such astute observations with candid interviews of White Americans that make clear how these images of racial difference insinuate themselves into Whites' thinking. Despite its disturbing readings of television and film, the book's cogent analyses and proposed policy guidelines offer hope that America's powerful mediated racial separation can be successfully bridged.
Article
Collective acts of disruption and violence are sometimes viewed as expressions of social protest, and sometimes as crime or rebellion, leading to different community reactions. Five theoretical perspectives can be used to predict when the protest interpretation will be made: (1) events must be credible as protest; (2) an optimal balance is required between appeal and threat; (3) protest interpretation is often an aspect of conciliation to avoid full-scale conflict; (4) protest interpretation can be an invitation to form a coalition; and (5) protest interpretation can be a phase of bargaining by authorities.
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