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Beyond Flaunting of the Low Populism as a Transgressive Style

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Abstract

As a consequence of its performative turn, the critical literature on populism has dedicated increasing attention to its socio-cultural and stylistic features. Among the most prominent concepts underpinning this approach is the notion that populism relies on the "flaunting of the low" or the use of "bad manners". This article engages in an extensive discussion of the way this concept is used in the literature and showcases its main limitations. In replacement, I then suggest the alternative concept of transgression, understood as the violation of a norm, which has the substantial advantages of being more flexible and versatile, as well as less reliant on a normative binary. I then develop an associated typology of transgressive performances depending on which type of norms is being disrupted: transgressions of interactional norms, transgressions of rhetoric norms and transgressions of theatrical norms. This article then concludes on the potential of considering transgression beyond populism.

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This chapter outlines one of the key Laclauian-influenced theories of populism that has been developed in recent years: the “performative-relational” approach to populism, whereby populism is understood as a socio-cultural phenomenon and a performative “political style”. This approach, developed by authors such as Ostiguy, Moffitt, and others, seeks to ground the sometimes abstract and “post-foundational” work of Laclau more sociologically, taking into account—but in Laclauian terms—the embodied and particularistic dimension of populist identification, especially with regards to the incorporation of the “excess”. The chapter’s key contribution is to introduce the notion of “overflowing signifiers”, more adequate for explaining identification and the populist logic than “empty signifiers”. “Empty” signifiers, the chapter argues, never actually become empty, but quite on the contrary, what characterizes them is the inscription of both a surplus of meaning and a “fleshy excess”, itself generally on “the low”. Identification, moreover, occurs not as the product of a mere hegemonic substitution, as Laclau suggests, but because of something in the embodied persona and praxis of the populist leader or multitudes, with traits facilitating identification coming to the fore at the moment of embodiment. The chapter thus moves beyond what might be thought of as the discursively “formal” level of Laclauian political logic, which often overlooks the mediatized nature and aesthetic dimensions of populist performances, as well as the back-and-forth processes at play between populist leaders—qua overflowing signifiers —and “the people”, in populist politics.
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The means by which people protest—that is, their repertoires of contention—vary radically from one political regime to the next. Highly capable undemocratic regimes such as China's show no visible signs of popular social movements, yet produce many citizen protests against arbitrary, predatory government. Less effective and undemocratic governments like the Sudan’s, meanwhile, often experience regional insurgencies and even civil wars. In Regimes and Repertoires, Charles Tilly offers a fascinating and wide-ranging case-by-case study of various types of government and the equally various styles of protests they foster. Using examples drawn from many areas—G8 summit and anti-globalization protests, Hindu activism in 1980s India, nineteenth-century English Chartists organizing on behalf of workers' rights, the revolutions of 1848, and civil wars in Angola, Chechnya, and Kosovo—Tilly masterfully shows that such episodes of contentious politics unfold like loosely scripted theater. Along the way, Tilly also brings forth powerful tools to sort out the reasons why certain political regimes vary and change, how the people living under them make claims on their government, and what connections can be drawn between regime change and the character of contentious politics.
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Populism, understood as an appeal to ‘the people’ against both the established structure of power and the dominant ideas and values, should not be dismissed as a pathological form of politics of no interest to the political theorist, for its democratic pretensions raise important issues. Adapting Michael Oakeshott's distinction between ‘the politics of faith’ and ‘the politics of scepticism’, the paper offers an analysis of democracy in terms of two opposing faces, one ‘pragmatic’ and the other ‘redemptive’, and argues that it is the inescapable tension between them that makes populism a perennial possibility.
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Whether or not nationalism is an ideology is a question that can be illuminated by a study of its conceptual structure. Core and adjacent concepts of nationalism are examined within the context of liberal, conservative and fascist ideologies, contexts that respectively encourage particular ideational paths within nationalist argument, while discouraging others. Employing a morphological analysis of ideological configurations, it is argued that various nationalisms may appear as distinct thin-centred ideologies, but are more readily understood as embellishments of, and sustainers of, the features of their host ideologies.
Le vocabulaire et le style du général de Gaulle
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Is populism an ideology? A refutation and a new perspective
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Erotism, Death & Sensuality
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Populism as Synecdochal Representation: Understanding the Transgressive Bodily Performance of South American Presidents
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Casullo, M. E. 2021. "Populism as Synecdochal Representation: Understanding the Transgressive Bodily Performance of South American Presidents". In Populism in Global Perspective: A Performative and Discursive Approach, edited by P. Ostiguy, F. Panizza & B. Moffitt: 75-95. New York: Routledge.