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Introduction:: Discarding Manly Dichotomies in Latin America

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... Men are cast as morally decrepit and intrinsically weak in comparison, requiring women for their order and redemption. Critics highlight that marianismo/machismo is ethnocentric (Gutmann 2003) and inaccurate in its failure to account for the multiracial, multi-class histories of Latin America. Given the diverse ways in which social, political and economic structures shape masculinity and femininity in a diverse region (e.g. ...
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This ethno-identity dance is equally sexy for both men and women. In looking at the wide variety of tango variations, Shay views them through the lens of theater and fantasy: dramatic and theatrical movements and gestures and the sexual fantasies that the tango performance produces for many participants. He describes the history of the dance: how it originated in the brothels of Buenos Aires, found popularity in turn-of-the-century Paris and London, and gained acceptance among Argentine elites. He describes its movements, stressing the importance of improvisation. Shay then looks at the machismo role of the male dancer and femme fatale role of the woman.
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